MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: War Room, Nasty Baby, Queen of Earth, Leonard Cohen and more

Queen of Earth, Elisabeth Moss portrays Catherine, a woman on the verge of a nervous breakdown. After the recent death of her father, a famous artist, and being dumped by her boyfriend, Catherine accepts an invitation from her best friend Virginia (Katherine Waterston) to recuperate at her lake house. Although her memories of the house include images of happy times spent with her then-boyfriend, Catherine anticipates spending quality time with Virginia. While it’s possible to anticipate the close friends partaking in some sexual healing, what happens next is far more disturbing. For a while, Catherine is able to hold her own in the increasingly nasty verbal exchanges. Moss’ facial expressions provide all the evidence we need to determine precisely when Catherine reaches her breaking point. Alex Ross Perry’s Bergman-esque approach to his story benefits from the pastoral setting.

Read the full article »

The DVD Wrapup: M:I, Ted 2, Burroughs, Time Out of Mind, Slow Learners and more

Everyone who’s fallen in love with the mythos of the Beat Generation has, at one time or another, wondered how William S. Burroughs fit into the bigger picture. Apart from being an extremely cool guy, an accomplished writer, avant-garde artist and intellectual outlaw, the grandson of the man who founded the Burroughs Adding Machine Company didn’t fit into any of the molds created by the media to explain the confederation of artists that most prominently included Jack Kerouac, Allen Ginsberg, Lucien Carr, Herbert Hunke, Neal Cassady, Gary Snyder and Gregory Corso. It’s almost impossible to imagine Burroughs hitchhiking across the country with Kerouac and Cassady, simply to “go,” and not be mistaken for a mortician or bible salesman. And, yet, go he did … to Mexico, Tangier, Paris, Rome, London and the Amazonian rain forest.

Read the full article »

The DVD Wrapup: Ant-Man, Minions, Blind, Girl King, Speedy, Lucky and more

Is anyone surprised to learn that Universal’s family-oriented Minions sailed right past the movies from which it was spawned, Despicable Me and Despicable Me 2, on its way to an astonishing $1.157-billion worldwide box-office haul? I was.

Read the full article »

The DVD Wrapup: Momentum, Amorous, Secrets of War, Grace of Monaco, The Wall, The Square, Hunting Ground, MST3K and more

Last week, the dull thud of one of the worst box-office duds of all times reverberated from the U.K. to trade and gossip sites across the U.S. Momentum, a crime thriller that cost an estimated $20 million to make, returned a whopping $69 to its investors from its opening week’s run in 10 theaters. How is that even possible? Is Momentum really as bad as all that? Yes.

Read the full article »

Dretzka

Quote Unquotesee all »

Who are the critics speaking to?
Nobody seems able to answer the question of how you can make theatre criticism more appealing, more clickworthy. One answer is to be a goddamn flamethrower every week, be a bombthrower, to write scorched-earth reviews. Just be completely hedonistic and ego-driven in your criticism, become a master stylist, and treat everything in front of you onstage as fodder for your most delicious and vicious language. That’s one road. And people may enjoy your writing. The thing that’s sacrificed is any sense of a larger responsibility, and any aesthetic consistency. I don’t think anyone is following that model right now—just being a complete jerk.

Well, Rex Reed is still writing.
Ah. Well, you can also be a standard bearer, and insist that work doesn’t measure up to your high standards. But I think the art makes the standards. I’m not going to sit there and say, “This is the way you do Shakespeare.” I believe that every play establishes its own standards, and our job is to just evaluate it. But everybody’s looking for the formula for how to talk about culture so that people who don’t have any time to read want to read about it. Is there something beyond thumbs-up, thumbs-down criticism? I would hope there’s a way to talk about a theatre event in real time—meaning while it’s still going on—in a way that’s engaging, funny, witty, and evaluates the elements of the thing. But it’s like if you had a friend who was like, “Gee, are you working out? You look great. But that’s a terrible haircut.” Nobody wants that person around.
~ Time Out’s 17-Year Theatre Critic, David Cote, Upon His Exit

“Now I am awake to the world. I was asleep before. When they slaughtered Congress, we didn’t wake up. When they blamed terrorists and suspended the Constitution, we didn’t wake up either. They said it would be temporary. Nothing changes instantaneously. In a gradually heating bathtub you’d be boiled to death before you knew it.”
“The Handmaid’s Tale,” Bruce Miller