MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: War Room, Nasty Baby, Queen of Earth, Leonard Cohen and more

Queen of Earth, Elisabeth Moss portrays Catherine, a woman on the verge of a nervous breakdown. After the recent death of her father, a famous artist, and being dumped by her boyfriend, Catherine accepts an invitation from her best friend Virginia (Katherine Waterston) to recuperate at her lake house. Although her memories of the house include images of happy times spent with her then-boyfriend, Catherine anticipates spending quality time with Virginia. While it’s possible to anticipate the close friends partaking in some sexual healing, what happens next is far more disturbing. For a while, Catherine is able to hold her own in the increasingly nasty verbal exchanges. Moss’ facial expressions provide all the evidence we need to determine precisely when Catherine reaches her breaking point. Alex Ross Perry’s Bergman-esque approach to his story benefits from the pastoral setting.

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The DVD Wrapup: M:I, Ted 2, Burroughs, Time Out of Mind, Slow Learners and more

Everyone who’s fallen in love with the mythos of the Beat Generation has, at one time or another, wondered how William S. Burroughs fit into the bigger picture. Apart from being an extremely cool guy, an accomplished writer, avant-garde artist and intellectual outlaw, the grandson of the man who founded the Burroughs Adding Machine Company didn’t fit into any of the molds created by the media to explain the confederation of artists that most prominently included Jack Kerouac, Allen Ginsberg, Lucien Carr, Herbert Hunke, Neal Cassady, Gary Snyder and Gregory Corso. It’s almost impossible to imagine Burroughs hitchhiking across the country with Kerouac and Cassady, simply to “go,” and not be mistaken for a mortician or bible salesman. And, yet, go he did … to Mexico, Tangier, Paris, Rome, London and the Amazonian rain forest.

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The DVD Wrapup: Ant-Man, Minions, Blind, Girl King, Speedy, Lucky and more

Is anyone surprised to learn that Universal’s family-oriented Minions sailed right past the movies from which it was spawned, Despicable Me and Despicable Me 2, on its way to an astonishing $1.157-billion worldwide box-office haul? I was.

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The DVD Wrapup: Momentum, Amorous, Secrets of War, Grace of Monaco, The Wall, The Square, Hunting Ground, MST3K and more

Last week, the dull thud of one of the worst box-office duds of all times reverberated from the U.K. to trade and gossip sites across the U.S. Momentum, a crime thriller that cost an estimated $20 million to make, returned a whopping $69 to its investors from its opening week’s run in 10 theaters. How is that even possible? Is Momentum really as bad as all that? Yes.

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Dretzka

Quote Unquotesee all »

“There are different signs that this is not stopping. I don’t think that anger and frustration and those feelings can go away. I hope they don’t. The attention and support for the victims needs to be continued, more than people worried about these abusers and what’s next for them, how are they going to move on — shut up. You know what? If any of these people come back, I would say, “I can’t wait to see who is actually going to support them.” That is going to be the glaring horror. Who is going to be, like, “This is a pressing issue, and we need to get them back?” If a janitor was so great at cleaning the building but also tended to masturbate in front of people, would the people at that building be like, “Yes, he masturbated, but I’ve never seen anyone clean so thoroughly, and I was just wondering when he’s going to get his job back, he’s so good at it.” No, it would be, “That’s not acceptable.” It’s fame and power that people are blinded by.”
~ Tig Notaro in the New York Times

“It’s never been easy. I’ve always been one of the scavenger dogs of film financing, picking up money here and there. I’ve been doing that all my life. This was one was relatively easy because certain costs have gone down so much. I made this film in 20 days whereas 30 years ago, it would have been made in 42.”
~ Paul Schrader