MCN Columnists
Gary Dretzka

Dretzka By Gary

The DVD Wrapup: Welcome to NYC, Falling Star, Elena, Riot Club, Runner, Citizenfour, Clive Barker, Walking Dead, Gene Autry … More

One thing DSK almost certainly won’t be able to live down is the damning portrayal of his behavior in Abel Ferrara’s caustic Welcome to New York. Although the character’s name has been changed simply to Devereaux, there’s no mistaking who Gérard Depardieu is channeling. The great French actor and onetime Oscar nominee has come under heavy criticism of late for renouncing his citizenship and cozying up to Russia’s Vladimir Putin. Still, there’s no denying the sheer audacity of his performance here. DSK may never be mistaken for Arnold Schwarzenegger, another politician who couldn’t control his impulses, but even he must have been embarrassed by the sight of an actor who looks as if he’d been mainlining foie gras and guzzling Big Gulps to bring up his weight.

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The DVD Wrapup: 100-Year-Old Man, Strangerland, La Grande Bouffe, Troma’s War, Hackers, The Rebel, 17 and more

If Forrest Gump had an uncle living in Sweden, he might have provided the inspiration for novelist Jonas Jonasson and filmmaker Felix Herngren’s hilarious geezer comedy, The 100 Year-Old Man Who Climbed Out the Window and Disappeared. The similarities between the film’s protagonist, a half-wit pyromaniac named Allan and Tom Hanks’ most beloved character can hardly be disputed. That he also bears certain cursory resemblances to Leonard Zelig only adds to the fun.

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The DVD Wrapup: Chris Farley, Match, Treatment, Blues Cruise, Reminiscence, Soaked in Bleach, Police Story 6, Fury, Israeli Passion … More  

A more appropriate title for the sadly nostalgic bio-doc, I Am Chris Farley, might have been, “A Portrait of the Artist as a Young Goofball,” as it precisely describes the rise and fall of an attention-starved child of the American Midwest. The Madison, Wisconsin, native somehow knew from an early age that being fat, reckless and funny opened doors closed to kids who merely were overweight and willing to make themselves the butt of other people’s jokes.

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The DVD Wrapup: Madame Bovary, Adult Beginners, Descendants, Salvation, Wyrmwood, Seashore, Snow Girl, Flamenco, Bilko … More

In Sophie Barthes’ lushly mounted Madame Bovary, 25-year-old Aussie Mia Wasikowska convincingly plays the disillusioned wife of a country doctor whose unmet expectations and boredom are sated by material pleasures they can’t afford. If there isn’t anything wrong with the approach taken by Barthes, its bourgeois trappings and rural splendor are all too familiar in a marketplace filled with period adaptations of classic novels, however tragic or sexy.

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Quote Unquotesee all »

“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster

“If there’s one rule Hollywood has metaphysically proven in its century of experimentation, it’s that there’s no amount of money you can’t squander in the quest for hits.

“Netflix has spent the past couple years attempting to brute-force jailbreak this law. Its counter-theory has seemed to be, sure, a billion dollars doesn’t guarantee quality but how about three billion dollars? How about five billion dollars? Seven?

“This week’s latest cinematic opus to run across no-man’s-land into the machine-gun emplacements has been the Jared Leto yakuza movie ‘The Outsider.’ Once again, debuting on Netflix, another thing called a movie that at one glance doesn’t look like any kind of movie anyone has ever seen before, outside of off-prime time screenings at the AFM.

“If you’re working at a normal studio, you have one or two of these total misfires in a year and people start calling for your head. How many is Netflix going on? Fifteen? Twenty? This quarter? Any normal company would be getting murdered over results like that.”
~ Richard Rushfield