MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Timbuktu, The Bridge, Pit Stop, Dog Soldiers and more

When Kidane confronts the belligerent fisherman, the pistol he’s carrying to intimidate the man accidentally discharges, killing him. This sets off a series of events that puts Kidane in direct contact with the jihadists and their alternately severe and absurd interpretations of Sharia law. It outlaws music, dance, laughter, cigarettes and, even, the bare hands of women selling messy products in the market, while authorizing stoning adulterers to death, lashing outlawed musicians and accepting bribes and granting favors. Kidane’s biggest problem is his inability to come up with the compensation – 40 cows – ordered by the court, which includes a man who’s itching to steal the herdsman’s wife. If this was all Sissako gave us to ponder in Timbuktu, it would be an unbearable experience. Instead, he lightens the overall tone by demonstrating the determination of residents to get around the rules, even under the watchful eyes of the fanatics.

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The DVD Wrapup: Welcome to Me, Wild Tales, Gett, Bob Hope and more

Any doubts that Wiig might not be able to accurately depict her character’s tortured mental state disappeared when leaked photos of a stark-naked Wiig, walking through a crowded Palms Spring casino, began to appear on celebrity-skin websites. It’s a brave performance and Wiig is excellent throughout Welcome to Me. How far her fans are willing to accompany Kleig into her journey into madness is open to question.

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The DVD Wrapup: Camp X-Ray, Free the Nipple, Giuseppe Andrews, Pillow Book and more

Who knows how many of today’s straight-to-DVD movies will stand the test of time and find new audiences decades after their initial release? Some of today’s crop of genre filmmakers almost surely will be asked to look back on their early films in featurettes recorded 20 years from now for Blu-ray or whatever new format is being foisted on consumers.

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The DVD Wrapup: McFarland USA, Scarecrows, Mickey Rourke, Justified, Rectify and more

Kevin Costner is typically effective as the high school football coach who’s fired for throwing a shoe at the starting quarterback – the wiseass deserved worse – and forced to look for work elsewhere. He finds it in a predominantly Mexican-American school in the Central Valley of California. As beneficiaries of the unionization of farm workers, led by Cesar Chavez, the families no longer are migratory and some have found ways to control their own livelihoods. They are still poor, however, and many of their kids are required to split their days between work in the fields and school, with little or no hope of going on to college.

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Dretzka

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott