MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Into the Woods, Unbroken, Errol Morris, Michael Almereyda, Mr. Bean and More

It’s no secret that the Disney empire owes a great debt of gratitude—if not any licensing fees or screen credits–to the Brothers Grimm, whose many wonderful stories the company has cherry-picked for movies, television shows, Broadway, amusement parks, plush toys and costumes. If proceeds from Snow White and the Seven Dwarfs allowed Uncle Walt to create Disney Studios in Burbank, the success of Cinderella, 13 years later, probably saved it from financial ruin.

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The DVD Wrapup: Top Five, Soft Skin, Disorder, Mondovino, Troop Beverly Hills and more

If Chris Rock’s film career isn’t nearly as celebrated as those of Richard Pryor and Eddie Murphy–standup giants before turning to feature films–it isn’t because the movies he’s in don’t make money. Most of them, especially the animated features to which he adds his distinctive voice, do well enough at the box-office to think that they probably did even better on DVD. It’s likely that Rock was responsible for selling as many tickets as Adam Sandler to the critically reviled, yet financially successful Grown Ups and Grown Ups 2.

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The DVD Wrapup: Liberator, Watchers of the Sky, R100, Code Black, Red Road, Red Tent and more

Because American students have never been required to be proficient in the history of the Americas south of the Alamo, the vast region continues to be something of a mystery to us. After learning how the conquistadors demolished and/or converted the indigenous population and sent their treasures back to Spain to fill the depleted coffers of the monarchy, we were left only with misconceptions. It took the martyrdom of Che Guevara, fear of communism and outrages of fascism to rekindle our interest in the affairs of South and Central America. The scourge of cocaine, black-tar heroin and illegal immigrants added a sense of urgency heretofore unwarranted. Affordable airfares and improved tourist accommodations have done more to educate Americans about the new realities of life in the western hemisphere than all of the textbooks that ignored imperialism and CIA meddling in national politics.

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The DVD Wrapup: Better Angels, Humbling, Tinker Bell, Blacula, Outlander and more

It’s difficult to imagination that any film starring Al Pacino, directed by Barry Levinson and adapted by Buck Henry, from a novel by Philip Roth, couldn’t find distribution outside the festival circuit and a couple of big-city art houses. Thirty years ago, such a thing would be unthinkable.

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Dretzka

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch