MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Binoche, Coogan, Lewis, Clarkson, Mamet, Maclaine & Plummer and More

Anyone who fell in love with Michael Winterbottom’s wonderfully offbeat buddy/road comedy, The Trip, should relish the opportunity to follow Steve Coogan and Rob Brydon in the equally delicious sequel, The Trip to Italy. I doubt, however, that anyone unfamiliar with or unimpressed by The Trip — or the not-for-everyone Coogan, for that matter – will have their minds changed by what happens to them in Italy.

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The DVD Wrapup: Woody’s Magic, Where I Leave You, Stonehearst Asylum, TMNT, Iguana, Altina, Ed Woods Porn, Doby Gillis … More

After holding his own against big summer blockbusters with such small gems as Midnight in Paris, Blue Jasmine, and To Rome With Love, Woody Allen delivered a light summer confection that had no chance against Teenage Mutant Ninja Turtles or Guardians of the Galaxy.

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DVD Gift Guide II: Guardians of the Galaxy, Wonder Years, Jacques Tati, Spielberg, Red Skelton and More

As difficult as it might be to imagine gifting a fan of mainstream films with a collection of comedies by a French filmmaker and actor, I have no qualms about suggesting you stock up on Criterion Collection’s The Complete Jacques Tati for stocking-stuffing. Funny is funny and one needn’t be fluent in French—or a film scholar—to dig Tati’s many talents. He can be fairly compared to Charlie Chaplin, Buster Keaton and other great Hollywood actors of the silent era, as well as Marcel Marceau and, yes, Jerry Lewis. His alter ego, Monsieur Hulot, with his trademark raincoat, umbrella and pipe, is simply one of the most recognizable comic characters in the world.

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The DVD Wrapup: Penance, 100 Foot Walk, Copenhagen and more

Anyone who simply can’t wait for every new season of shows like “True Detective,” “American Horror Story” and “The Killing” ought to check out the sensational Japanese mini-series, “Penance.” Shown in New York last spring as a single five-hour movie, it is best suited for the small screen in series form. Easily translatable, I wouldn’t be at all surprised to find it adapted for American television someday, just as the creepy French mini-series “Les revenants” was shown intact on Sundance and re-imagined for American audiences by ABC as “The Returned.”

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Dretzka

Quote Unquotesee all »

“On behalf of all nominees, we would like to express our unanimous and emphatic disapproval of the climate of fanaticism and nationalism we see today in the U.S. and in so many other countries, in parts of the population and, most unfortunately of all, among leading politicians.

“The fear generated by dividing us into genders, colors, religions and sexualities as a means to justify violence destroys the things that we depend on – not only as artists but as humans: the diversity of cultures, the chance to be enriched by something seemingly ‘foreign’ and the belief that human encounters can change us for the better. These divisive walls prevent people from experiencing something simple but fundamental: from discovering that we are all not so different.

“So we’ve asked ourselves: What can cinema do? Although we don`t want to overestimate the power of movies, we do believe that no other medium can offer such deep insight into other people’s circumstances and transform feelings of unfamiliarity into curiosity, empathy and compassion – even for those we have been told are our enemies.

“Regardless of who wins the Academy Award for Best Foreign Language Film on Sunday, we refuse to think in terms of borders. We believe there is no best country, best gender, best religion or best color. We want this award to stand as a symbol of the unity between nations and the freedom of the arts.

“Human rights are not something you have to apply for. They simply exist – for everybody. For this reason, we dedicate this award to all the people, artists, journalists and activists who are working to foster unity and understanding, and who uphold freedom of expression and human dignity – values whose protection is now more important than ever. By dedicating the Oscar to them, we wish to express to them our deep respect and solidarity.”

Martin Zandvliet – Land of Mine (Denmark)
Hannes Holm – A Man Called Ove (Sweden )
Asghar Farhadi – The Salesman (Iran)
Maren Ade – Toni Erdmann (Germany)
Martin Butler, Bentley Dean – Tanna (Australia)

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon