MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Only Lovers Left Alive, Spider-Man 2, Fading Gigolo and more

If you plan to watch only one more vampire movie this year, make it Only Lovers Left Behind. Like Tomas Alfredson and John Ajvide Lindqvist’s Let the Right One In and Neil Jordan’s Byzantium, Jim Jarmusch’s dreamy undead romance stands apart from the crowd of horror pictures whose sole intention is to make audiences cringe.

Read the full article »

The DVD Wrapup: Railway Man, Boredom, Cold Lands and more

It’s not that Americans don’t already assume the worst about the CIA and mostly don’t care about the techniques used to glean useful intelligence, with much disinformation thrown in to save another beating. Fact is, our elected officials simply don’t want their constituents to know how little control they had over what happened in the execution of the war on terrorism. I was reminded of this by Jonathan Teplitzky’s The Railway Man, which graphically describes the application of torture on British POWs in World War II by Japanese soldiers and officers. In a very real sense, it serves as a companion piece to The Bridge on the River Kwai.

Read the full article »

The DVD Wrapup: Finding Vivian Maier, Around the Block, Ping Pong Summer, L’amore in Citta, Without Warning, Need for Speed, I’ll Follow You Down, Bitten … More

The thing to remember about Vivian Maier is that, while something of a hoarder, she wasn’t a recluse. Not only was Chicago her oyster, but she also travelled internationally and recorded the habits and fashions of people representing all social classes.

Read the full article »

The DVD Wrapup

Noah, Herzog, Grace Kelly, Deneuve, Curtains, Cuban Fire, Yellow Sun, U.S. of Secrets and more.

Read the full article »

Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch