MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup

The East, Gimme the Loot, Iron Man, Room 237, Augustine, Rosselli/Bergman, Fill the Void, In the House, Foyle’s War… and more.

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The DVD Wrapup: Bling Ring, Someday Up There Likes Me, Tim Buckley, Two Men in Manhattan, World War Z, Hidden in Woods, Shanghai Calling, Simon Killer, Arrow … More

The Bling Ring: Blu-ray Although Sofia Coppola’s profile of a gang of juvenile delinquents from the right side of the tracks is entirely watchable, often funny and sometimes alarming, its existence is as difficult to justify as most reality shows in which human oddities are put on parade for our amusement. For 15 minutes, anyway,…

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The DVD Wrapup

War Witch, Star Trek, Friday 13th, Love Is All You Need, Strong Language, Ruby, American Hippie in Israel… and so much more.

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The DVD Wrapup

Iceman, Now You See Me, Blancanieves, Poppy Hill, Winnie the Pooh, LSD, Allmans, DaVinci’s Demons, Spartacus and more.

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Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch