MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup

The East, Gimme the Loot, Iron Man, Room 237, Augustine, Rosselli/Bergman, Fill the Void, In the House, Foyle’s War… and more.

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The DVD Wrapup: Bling Ring, Someday Up There Likes Me, Tim Buckley, Two Men in Manhattan, World War Z, Hidden in Woods, Shanghai Calling, Simon Killer, Arrow … More

The Bling Ring: Blu-ray Although Sofia Coppola’s profile of a gang of juvenile delinquents from the right side of the tracks is entirely watchable, often funny and sometimes alarming, its existence is as difficult to justify as most reality shows in which human oddities are put on parade for our amusement. For 15 minutes, anyway,…

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The DVD Wrapup

War Witch, Star Trek, Friday 13th, Love Is All You Need, Strong Language, Ruby, American Hippie in Israel… and so much more.

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The DVD Wrapup

Iceman, Now You See Me, Blancanieves, Poppy Hill, Winnie the Pooh, LSD, Allmans, DaVinci’s Demons, Spartacus and more.

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Dretzka

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson