MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup

Cosmopolis, Looper, A Man Vanishes, Trouble With Bliss, War of the Dead, Justified, Climate of Doubt … and more.

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The DVD Wrapup: Gandu, Killer Joe, Wimpy Kid, Liberal Arts, Red Hook … More

If the distance between Mumbai and Calcutta can easily be measured in kilometers – 1,663, to be exact — the gap between Bollywood and the traditional Bengali cinema is every bit as wide. One is obsessed with romantic fantasy, while the other is more invested in real-life scenarios and everyday people. As wildly inventive as it is deliberately transgressive, “Gandu” widens that fissure with a study of urban youth so intense and disturbing that it could have emerged fully blown from the bowels of infamous Black Hole of Calcutta prison.

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DVD Gift Guide Redux: The Story of Film, Qatsi, Ice Age, The Point … More

If there is such a thing as a no-brainer gift this holiday season, it’s The Story of Film: An Odyssey.” I can say this here, without fear of being contradicted, because anyone already drawn to a website dedicated to movies would certainly relish spending all 916 minutes in the company of Mark Cousins as he chronicles the history of the international cinema.

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The DVD Wrapup: 2 Days in New York, 360, Following, Black Like Me … More

It isn’t enough that Julie Delpy is as fine an actress in English as she is in French and, at 43, still one the world’s most beautiful women, but she’s also proven herself to be an exceptional writer, director and singer-songwriter.

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The DVD Wrapup: Beasts of Southern Wild, ParaNorman, Butter … More

Normally, come the first week of December, true aficionados of quality cinema – those who actually care about the Academy Awards, anyway — have entered into the annual ritual of predicting which deserving Best Picture candidates will be snubbed in favor of movies released after Thanksgiving. Last year, the Academy finally acknowledged the build-in frailty of its nominating procedure and doubled the number of finalists.

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Dretzka

Quote Unquotesee all »

“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray