MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Gift Guide

Now that we’ve put Black Friday and Cyber Monday in our rear-view mirrors, it’s time to consider the gift that keeps on giving: entertainment. The DVD/Blu-ray economy is such that the period between Thanksgiving and Christmas no longer is reserved for the release of special and collector’s editions, boxed sets and videos with toys attached to them. Neither did one need to wait until Black Friday for the best deals. Here are few titles that have arrived recently or didn’t arrive for the normal consideration. If the recipient of your generosity doesn’t yet own a Blu-ray player, however, I recommend starting there.

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The DVD Wrapup: MiB3, Lawless, Beijing Punk… More

Seven years ago, director John Hillcoat collaborated with writer-composer Nick Cave and actor Guy Pearce on the excellent Outback Western, “The Proposition.” They combined their talents again on “Lawless,” a slick hillbilly gangster flick set during America’s Prohibition experiment. Like “The Proposition,” “Lawless” is a smart and exciting genre that isn’t afraid to ratchet up the violence when things get too contemplative and self-consciously hip. Even more so than Hillcoat’s revisionist Western, though, his moonshine drama probably would be a better fit at a drive-in theater than an arthouse.

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The DVD Wrapup: Nicholas Ray, Rolling Stones, Dust Bowl, Speechless… More

Whenever the roll of movie mavericks is read up yonder, no one has to wait very long before Nicholas Ray’s name is called. Like Sam Fuller, he stuck out like a sore thumb in Hollywood, if only because he’d already lived a hugely eventful life before committing to film and understood the power of the medium to separate the truth from fantasy. In what some of his peers probably considered a fatal flaw, Ray had very little interest in compromising his artistic vision for the sake of commercial and personal gain. Even so, he made movies for mass consumption, not strictly for the arthouse crowd familiar with his past connections to architect Frank Lloyd Wright, folk-music archivist Alan Lomax, Dust Bowl balladeer Woody Guthrie, producer John Houseman, director Elia Kazan and other key players in the progressive New York theater scene in the 1930s. If he somehow managed to avoid being rounded up in Red Scare dragnet, his sentiments remained clearly on the side of outcasts, the downtrodden and rebellious youth.

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The DVD Wrapup: Brave, Dark Horse, Weekend, Pasolini … More

No one makes movies quite like Todd Solondz and that’s probably a good thing. It takes a special talent to find the humanity in characters most of us would consider to be despicable, while also exploring how they’ve managed to fit into mainstream society as long as they have.

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The DVD Wrapup: Sister’s Sister, Even the Rain, Kerouac, [REC]3, Arthur Christmas … More

Just when it seemed as if Lynn Shelton’s “Your Sister’s Sister” was going to turn into a really long version of a dopey Gen Y sitcom, it switched into a higher gear and became something far more unexpected, sophisticated and interesting.

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Dretzka

Quote Unquotesee all »

“I suddenly couldn’t say anything about some of the movies. They were just so terrible, and I’d already written about so many terrible movies. I love writing about movies when I can discover something in them – when I can get something out of them that I can share with people. The week I quit, I hadn’t planned on it. But I wrote up a couple of movies, and I read what I’d written, and it was just incredibly depressing. I thought, I’ve got nothing to share from this. One of them was of that movie with Woody Allen and Bette Midler, Scenes From a Mall. I couldn’t write another bad review of Bette Midler. I thought she was so brilliant, and when I saw her in that terrible production of ‘Gypsy’ on television, my heart sank. And I’d already panned her in Beaches. How can you go on panning people in picture after picture when you know they were great just a few years before? You have so much emotional investment in praising people that when you have to pan the same people a few years later, it tears your spirits apart.”
~ Pauline Kael On Quitting

“My father was a Jerome. My daughter’s middle name is Jerome. But my most vexing and vexed relationship with a Jerome was with Jerome Levitch, the subject of my first book under his stage and screen name, Jerry Lewis.

I have a lot of strong and complex feelings about the man, who passed away today in Las Vegas at age 91. Suffice to say he was a brilliant talent, an immense humanitarian, a difficult boss/interview, and a quixotic sort of genius, as often inspired as insipid, as often tender as caustic.

I wrote all about it in my 1996 book, “King of Comedy,” which is available on Kindle. With all due humility, it’s kinda definitive — the good and the bad — even though it’s two decades old. My favorite review, and one I begged St. Martin’s (unsuccessfully) to put on the paperback jacket, came from “Screw” magazine, which called it “A remarkably fair portrait of a great American asshole.”

Jerry and I met twice while I was working on the book and spoke/wrote to each other perhaps a dozen times. Like many of his relationships with the press and his partners/subordinates, it ended badly, with Jerry hollering profanities at me in the cabin of his yacht in San Diego. I wrote about it in the epilogue to my book, and over the years I’ve had the scene quoted back to me by Steve Martin, Harry Shearer, Paul Provenza and Penn Jillette. Tom Hanks once told me that he had a dinner with Paul Reiser and Martin Short at which Short spent the night imitating Jerry throwing me off the boat.

Jerry was a lot of things: father, husband, chum, businessman, philanthropist, artist, innovator, clown, tyrant. He was at various times in his life the highest-ever-paid performer on TV, in movies, and on Broadway. He raised BILLIONS for charity, invented filmmaking techniques, made perhaps a dozen classic comedies, turned in a terrific dramatic performance in Martin Scorsese’s “The King of Comedy,” and left the world altered and even enhanced with his time and his work in it.

That’s an estimable achievement and one worth pausing to commemorate.

#RIP to Le Roi du Crazy

~ Biographer Shawn Levy on Jerry Lewis on Facebook