MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Talk About Kevin, more

Plus Aggression Scale, Maverick, Coriolanus, Harry Belafonte, Ernie Kovacs: The ABC Specials
, New York Stories and Highlights of the 2012 Masters Tournament.

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Suddenly, the great Swedish cop Wallander is everywhere …

If one were to judge the crime rate in Sweden strictly by the number of mysteries, you’d think it was a haven for sociopaths, drug runners and gangbangers.

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The DVD Wrapup: Newlyweds, Certified Copy, Arrietty, Route 66, Sherlock … More

The careers of few indie filmmakers have begun in as auspicious a fashion as Ed Burns.

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In Victorian England, good vibrations trump ‘Hysteria’ every time

All kidding aside, the prohibition on vibrators in Alabama — and, until recently, other several states – harkens to the 1920s, when a sharp-eyed publisher noticed that the same therapeutic gizmos being advertised in their periodicals were being used in stag films to accomplish paroxysms of a less clinical nature.

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The DVD Wrapup: The Grey, Golf in Kingdom, Norwegian Wood, We Were Here, My Perestroika, 42nd St. Pete’s 8mm Madness … More

Normally, it wouldn’t be unusual for a filmmaker of any ethnic or cultural background to choose a Beatles song for the title of his or her movie. “Norwegian Wood,” however, is a particularly significant track in the band’s repertoire, both for its enigmatic Lennon-McCartney lyrics and George Harrison’s choice of the sitar as a lead instrument. That it was based on an affair between Lennon and a friend’s wife also set it apart from the “yeah, yeah, yeah … I wanna hold your hand” bunch.

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The DVD Wrapup: Underworld, Dark Tide, Kreutzer Sonata, 42nd Street Forever…More

Contrary what’s implied by the cover art, Berry dons a bikini only in the film’s early scenes. Otherwise, her remarkably fine body is fully encased in a wet suit.

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The DVD Wrapup: W.E., Haywire, Theatre Bizarre, Circus Columbia… More

If “Haywire” hadn’t been entrusted to director Steven Soderbergh and writer Lem Dobbs – also responsible for “The Limey” – it might have lacked the class, polish and velocity to prevent it from going straight to DVD.

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Dretzka

Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o