MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Dangerous Method, Broken Tower, Delta… More

The way Mátyás Erdély’s camera lingers on natural phenomena recalls the haunting imagery that distinguishes the Terrence Malick, Bela Tarr and Andrei Tarkovski. In Hungarian director Kornél Mundruczó’s “Delta,” depictions of the area’s natural beauty run contrary to the ugliness of the local male population, whose only mission in life appears to be diminishing the potential for happiness in others.

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Doc Proves Rumors Of Pentagram Singer’s Death Greatly Exaggerated

If Cleveland’s Rock and Roll Hall of Fame ever decides to dedicate a wing specifically to those musicians who’ve lived the life and survived to tell their tales, several obvious candidates would emerge immediately: Keith Richards, Brian Wilson and Steven Tyler would be inducted on the first ballot; second-ballot entries might include Iggy, Sly, Ozzy, Bret, Gregg, Roky, Hank Jr. Stevie, Shane and the members of Lynyrd Skynyrd who didn’t die in the 1977 plane crash that claimed their mates. Any participant in a 12-step program with more than two near-death experiences to their credit could also apply for consideration.

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The DVD Wrapup: Carnage, Louder Than a Bomb, Dragon Tattoo, Gainsbourg… More

Say what you will about Roman Polanski, the man can still direct movies.

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The DVD Wrapup: Descendants, Marilyn, Young Adult, Bellissima, More

“Bellissima” features a tour de force performance by Anna Magnani as a fame-obsessed stage mother, whose only moderately talented daughter becomes a pawn in a game designed to impress studio executives looking for the next big child star. Magnani’s Maddalena Ciccone is so self-centered and determined to win the contest that she fails to notice how much pain she’s causing little Maria and her husband, Spartaco, whose dreams of building a house for them diminishes with every dollar Maddalena spends on photographs, costumes and bribes.

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The DVD Wrapup: Footloose, 54, Vanya on 42nd Street… More

What’s missing from the Blu-ray edition of “54” is the 45 minutes of deleted material, compiled by Christopher and shown at New York’s Outfest in 2008. It expands on the promiscuity and cocaine-fueled depravity that made Studio 54 the attraction it was, while amplifying on Phillippe’s bisexuality, which was only alluded to in finished product.

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Dretzka

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain