MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Real Steel, Whistleblower, 8 more

Everyone in the movie looks as if they belong there, except Jackman, whose Charlie Keaton is altogether too soft and unscarred to be a broken-down boxer and hard-drinking grease monkey. Kids who only know the Aussie actor through his “Wolverine” persona won’t mind the discrepancy.

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The DVD Wrapup: Moneyball, Dirty Girl, Bombay Beach, Division III, The Overcoat, Belle du Jour, Mysteries of Lisbon, Cold Sweat …

Moneyball: Blu-ray The term, “inside baseball,” often is used when a conversation about anything from politics to food preparation becomes so complex that only a professional could possibly understand its complexities. While it isn’t always used in a derogatory way, the term does suggest that one participant is attempting to dazzle the other with numbers,…

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The DVD Wrapup: 1911, Higher Ground, There Be Dragons, Man From London, Night and Day, An Idiot Abroad, Australia After Dark …

1911: Collector’s Edition: Revolution: Blu-ray This epic historical drama about the creation of the first Chinese republic marks Jackie Chan’s 100th film. Given the length and breadth of the nation’s history, it’s possible that no other actor in the world has represented so many different periods and worn the costumes associated with as many rulers….

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The DVD Wrapup: Contagion, Brighton Rock, The Guard, Tokyo Drifter, Don’t Know How She Does It, Santa Mesa, Glad My Mother Is Alive, X: The Unheard Music, Justified …

Contagion: Blu-ray If the cast and creative team behind “Contagion” were a baseball team, it would be the New York Yankees. It would be managed by Academy Award-winner Steven Soderbergh and feature a lineup that includes such Oscar- and BAFTA-level talent as Gwyneth Paltrow, Matt Damon, Jude Law, Laurence Fishburne, Kate Winslet, Jennifer Ehle, Marion…

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Dretzka

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch