MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Real Steel, Whistleblower, 8 more

Everyone in the movie looks as if they belong there, except Jackman, whose Charlie Keaton is altogether too soft and unscarred to be a broken-down boxer and hard-drinking grease monkey. Kids who only know the Aussie actor through his “Wolverine” persona won’t mind the discrepancy.

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The DVD Wrapup: Moneyball, Dirty Girl, Bombay Beach, Division III, The Overcoat, Belle du Jour, Mysteries of Lisbon, Cold Sweat …

Moneyball: Blu-ray The term, “inside baseball,” often is used when a conversation about anything from politics to food preparation becomes so complex that only a professional could possibly understand its complexities. While it isn’t always used in a derogatory way, the term does suggest that one participant is attempting to dazzle the other with numbers,…

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The DVD Wrapup: 1911, Higher Ground, There Be Dragons, Man From London, Night and Day, An Idiot Abroad, Australia After Dark …

1911: Collector’s Edition: Revolution: Blu-ray This epic historical drama about the creation of the first Chinese republic marks Jackie Chan’s 100th film. Given the length and breadth of the nation’s history, it’s possible that no other actor in the world has represented so many different periods and worn the costumes associated with as many rulers….

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The DVD Wrapup: Contagion, Brighton Rock, The Guard, Tokyo Drifter, Don’t Know How She Does It, Santa Mesa, Glad My Mother Is Alive, X: The Unheard Music, Justified …

Contagion: Blu-ray If the cast and creative team behind “Contagion” were a baseball team, it would be the New York Yankees. It would be managed by Academy Award-winner Steven Soderbergh and feature a lineup that includes such Oscar- and BAFTA-level talent as Gwyneth Paltrow, Matt Damon, Jude Law, Laurence Fishburne, Kate Winslet, Jennifer Ehle, Marion…

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Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch