MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Margin Call, Dolphin Tale, Midnight in Paris, Glee, Warrior, Burke & Hare, Milestones, Old Fashioned Orgy, Bobby Fischer, Colin Quinn, Hunters, Todd-Margaret, Apollo 18 …

Margin Call Add “Margin Call” to the list of dramatizations and documentaries — “Too Big to Fail” and “Inside Job,” among them – that have attempted to make sense of the 2008 financial crisis and identify those executives who ignored the red flags waved in advance of the collapse. J.C. Chandor’s freshman project is distinguished…

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The DVD Wrapup: Fright Night, Kung Fu Panda 2, Rise of Planet of the Apes, Daddy Longlegs, Meet Me in St. Louis, Branded to Kill, Circumstance …

Fright Night: Blu-ray I must not have been paying attention when the first “Fright Night” was released, way back in 1985, causing a stir among horror buffs looking for something a bit different than the usual teenagers-in-jeopardy stuff. Starring Roddy McDowell, Chris Sarandon, William Ragsdale and Amanda Bearse, Tom Holland’s thriller may have been produced…

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The DVD Wrapup: Hangover II, The Help, Friends With Benefits, Cowboys & Aliens, Mr. Popper’s Penguins, Medea, Underbelly …

The Hangover: Part II: Blu-ray The pressure on producer/director/co-writer Todd Phillips to create an instant sequel to the 2009 blockbuster, “The Hangover,” must have so great that it blinded him to the fact that it generally takes more than a few minutes to write, re-write and re-write again a prized property. That movie was so…

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The DVD Wrapup: Our Idiot Brother, Cave of Forgotten Dreams, Radioactive Wolves, Another Earth, The Future, The Art of Getting By, Horror Express, Rules of the Game, Smallville …

Our Idiot Brother: Blu-ray It’s interesting how individual members of a family can be a close as peas in a pod or, in this case, as different from each other as snowflakes. For “Our Idiot Brother” to work, viewers must suspend their disbelief long enough to accept the possibility that a guileless flower child (Paul…

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Dretzka

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain