MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Margin Call, Dolphin Tale, Midnight in Paris, Glee, Warrior, Burke & Hare, Milestones, Old Fashioned Orgy, Bobby Fischer, Colin Quinn, Hunters, Todd-Margaret, Apollo 18 …

Margin Call Add “Margin Call” to the list of dramatizations and documentaries — “Too Big to Fail” and “Inside Job,” among them – that have attempted to make sense of the 2008 financial crisis and identify those executives who ignored the red flags waved in advance of the collapse. J.C. Chandor’s freshman project is distinguished…

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The DVD Wrapup: Fright Night, Kung Fu Panda 2, Rise of Planet of the Apes, Daddy Longlegs, Meet Me in St. Louis, Branded to Kill, Circumstance …

Fright Night: Blu-ray I must not have been paying attention when the first “Fright Night” was released, way back in 1985, causing a stir among horror buffs looking for something a bit different than the usual teenagers-in-jeopardy stuff. Starring Roddy McDowell, Chris Sarandon, William Ragsdale and Amanda Bearse, Tom Holland’s thriller may have been produced…

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The DVD Wrapup: Hangover II, The Help, Friends With Benefits, Cowboys & Aliens, Mr. Popper’s Penguins, Medea, Underbelly …

The Hangover: Part II: Blu-ray The pressure on producer/director/co-writer Todd Phillips to create an instant sequel to the 2009 blockbuster, “The Hangover,” must have so great that it blinded him to the fact that it generally takes more than a few minutes to write, re-write and re-write again a prized property. That movie was so…

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The DVD Wrapup: Our Idiot Brother, Cave of Forgotten Dreams, Radioactive Wolves, Another Earth, The Future, The Art of Getting By, Horror Express, Rules of the Game, Smallville …

Our Idiot Brother: Blu-ray It’s interesting how individual members of a family can be a close as peas in a pod or, in this case, as different from each other as snowflakes. For “Our Idiot Brother” to work, viewers must suspend their disbelief long enough to accept the possibility that a guileless flower child (Paul…

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Dretzka

Quote Unquotesee all »

What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster