MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Super 8, Spy Kids 4, Devil’s Double, Sarah’s Key, Family Tree, Trigger, Helldriver …

Super 8: Blu-ray Spy Kids 4: All Time in the World As residents of the placid Ohio town of Lillian are being rounded up and bussed to an Air Force base – ostensibly to protect them from a mysterious virus – I remembered that I’d seen this movie before, dozens of times in the last…

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The DVD Wrapup: West Side Story, Perfect Age of Rock, The Tree, Beginners, Rio Sex Comedy, Bellflower, Money Matters, It Takes a Thief …

West Side Story: 50th Anniversary Edition Box Set: Blu-ray When “West Side Story” opened on Broadway in 1957, audiences and critics understood immediately they were watching something new and possibly revolutionary in musical theater. The book was as topical as tabloid, with a message that was as old and familiar as “Romeo & Juliet.” The…

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The DVD Wrapup: Harry Potter, Better Tomorrow, Atlas Shrugged, Identification of a Woman, In a Glass Cage, Blue Velvet, Sleeping Beauty …

Harry Potter and the Deathly Hallows, Part 2: Blu-ray Any attempt to provide a concise synopsis of “Harry Potter and the Deathly Hallows, Part 2,” would require spoiling surprises that have been gestating for 14 years. Longtime fans of the amazing series of movies and books probably will have already seen the finale, however, and…

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The DVD Wrapup: Cars 2, Tabloid, Crazy Stupid Love, Water for Elephants, Snow Flower Trespass, Phantom of Opera …

Cars 2: Blu-ray If you loved the first “Cars,” which rolled off the Pixar production line in 2006, it’s better than even money that you’ll enjoy “Cars 2.” If not, the sequel probably won’t change your mind. You either dig anthropomorphic automobiles or you don’t. Neither am I’m sure kids will care to sit through…

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Dretzka

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain