MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Super 8, Spy Kids 4, Devil’s Double, Sarah’s Key, Family Tree, Trigger, Helldriver …

Super 8: Blu-ray Spy Kids 4: All Time in the World As residents of the placid Ohio town of Lillian are being rounded up and bussed to an Air Force base – ostensibly to protect them from a mysterious virus – I remembered that I’d seen this movie before, dozens of times in the last…

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The DVD Wrapup: West Side Story, Perfect Age of Rock, The Tree, Beginners, Rio Sex Comedy, Bellflower, Money Matters, It Takes a Thief …

West Side Story: 50th Anniversary Edition Box Set: Blu-ray When “West Side Story” opened on Broadway in 1957, audiences and critics understood immediately they were watching something new and possibly revolutionary in musical theater. The book was as topical as tabloid, with a message that was as old and familiar as “Romeo & Juliet.” The…

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The DVD Wrapup: Harry Potter, Better Tomorrow, Atlas Shrugged, Identification of a Woman, In a Glass Cage, Blue Velvet, Sleeping Beauty …

Harry Potter and the Deathly Hallows, Part 2: Blu-ray Any attempt to provide a concise synopsis of “Harry Potter and the Deathly Hallows, Part 2,” would require spoiling surprises that have been gestating for 14 years. Longtime fans of the amazing series of movies and books probably will have already seen the finale, however, and…

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The DVD Wrapup: Cars 2, Tabloid, Crazy Stupid Love, Water for Elephants, Snow Flower Trespass, Phantom of Opera …

Cars 2: Blu-ray If you loved the first “Cars,” which rolled off the Pixar production line in 2006, it’s better than even money that you’ll enjoy “Cars 2.” If not, the sequel probably won’t change your mind. You either dig anthropomorphic automobiles or you don’t. Neither am I’m sure kids will care to sit through…

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Dretzka

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch