MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Super 8, Spy Kids 4, Devil’s Double, Sarah’s Key, Family Tree, Trigger, Helldriver …

Super 8: Blu-ray Spy Kids 4: All Time in the World As residents of the placid Ohio town of Lillian are being rounded up and bussed to an Air Force base – ostensibly to protect them from a mysterious virus – I remembered that I’d seen this movie before, dozens of times in the last…

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The DVD Wrapup: West Side Story, Perfect Age of Rock, The Tree, Beginners, Rio Sex Comedy, Bellflower, Money Matters, It Takes a Thief …

West Side Story: 50th Anniversary Edition Box Set: Blu-ray When “West Side Story” opened on Broadway in 1957, audiences and critics understood immediately they were watching something new and possibly revolutionary in musical theater. The book was as topical as tabloid, with a message that was as old and familiar as “Romeo & Juliet.” The…

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The DVD Wrapup: Harry Potter, Better Tomorrow, Atlas Shrugged, Identification of a Woman, In a Glass Cage, Blue Velvet, Sleeping Beauty …

Harry Potter and the Deathly Hallows, Part 2: Blu-ray Any attempt to provide a concise synopsis of “Harry Potter and the Deathly Hallows, Part 2,” would require spoiling surprises that have been gestating for 14 years. Longtime fans of the amazing series of movies and books probably will have already seen the finale, however, and…

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The DVD Wrapup: Cars 2, Tabloid, Crazy Stupid Love, Water for Elephants, Snow Flower Trespass, Phantom of Opera …

Cars 2: Blu-ray If you loved the first “Cars,” which rolled off the Pixar production line in 2006, it’s better than even money that you’ll enjoy “Cars 2.” If not, the sequel probably won’t change your mind. You either dig anthropomorphic automobiles or you don’t. Neither am I’m sure kids will care to sit through…

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Dretzka

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”