MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup:Captain America, Jurassic Park Trilogy, Aftershock, Father of Invention, Winnie the Pooh, Rare Exports, Shaolin …

Captain America: The First Avenger The Avengers: Earth’s Mightiest Heroes, Volumes 3, 4 A couple of months ago, in reviewing the 1990 adaptation of “Captain America,” I wondered how the no-frills version would measure up to the monster-budget “The First Avenger,” which I had yet to see. Not surprisingly, the special effects in the 2011…

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The DVD Wrapup: Pirates of Caribbean, Willy Wonka’s 40th, Robotech, Bad Teacher, Captains, Harakiri, Salo, Names of Love, Baaria, Shock Doctrine, Leningrad Cowboys, A Better Life …

Pirates of the Caribbean: On Stranger Tides: Blu-ray Call me old-fashioned, I was far more turned on by the swashbuckling action in the first half hour of “POC4,” than the entire search for the Fountain of Youth that followed it. Outside King George’s courtroom, a crowd of blood-thirsty Brits is salivating in anticipation of Captain…

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The DVD Wrapup: Tree of Life, Green Lantern, Zookeeper, Mr. Nice, Four Feathers, Horrible Bosses, The Trip, Beautiful Boy, Submarino, Red State, Maniac Cop …

The Tree of Life: Blu-ray If all one knows about Terrence Malick’s “The Tree of Life” is that it was awarded the Palme d’Or at this year’s Cannes Film Festival, watching it at home could either be a tremendously exhilarating or hugely bewildering experience. A highly personal project, the movie has been gestating in his…

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The Lion King, African Cats, Submarine, Fast Five, Buck, Nostalgia, Dust, Gamera, Bette Midler, Pee-wee Herman …

The Lion King: Diamond Edition: Blu-ray/Digital Copy/DVD/3D Disneynature: African Cats: Blu-ray/DVD Combo After 17 years in circulation, one way or another, it would be reasonable to think that the only people who would be interested in shelling out even more hard-earned money to see “The Lion King,” would be those viewers who collect their favorites…

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Dretzka

Quote Unquotesee all »

What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster