MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Transformers, Angel of Evil, Dumbo, Viva Riva!, Phantom Carriage, The Stool Pigeon, Hung, Kojak …

Transformers: Dark of the Moon: Blu-ray The third installment in the “Transformers” franchise, “Dark of the Moon,” locates the decisive battle for the preservation of mankind in downtown Chicago. The Windy City residents have experienced seen more than their fair share of disasters since Mrs. O’Leary’s cow kicked over the lantern that triggered the Great…

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The DVD Wrapup: HitRECord, The Tempest, Bride Flight, Inspector General, The Caller, Breakfast at Tiffany’s, Claude Chabrol, Mike Hammer …

HitRECord Recollection, Volume 1 The entertainment industry has been trying to mine gold from the Internet for almost two decades now, desperately searching for ways to distribute movies, music and other formats safely and economically. Some have succeeded, while most others have simply failed or disappeared without a digital footprint left behind. The wiseguys say…

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The DVD Wrapup: Thor, Citizen Kane, Just Peck, Meek’s Cutoff, Leading Ladies, Bill Cunningham New York, Spartacus …

Thor: Blu-ray 3D Marvel Knights: Thor & Loki Blood Brothers You know things are bad on Earth, when superheroes from other universes are stripped of their powers and sent here as punishment, instead of refuge and a “chance for life,” as was Superman. Albania, maybe, but not the good ol’ U.S. of A. That’s exactly…

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Digital Nation: ‘Rescue Me’ From Uninformed Punditry About Hollywood and 9/11 …

In the lead-up to 9/11/11, two unrelated events prompted me to add my thoughts to the national conversation about one of the most disturbing and unconscionable attacks on non-combatants in history. Like most Americans, I’ve been given no deeply personal cause to obsess over the attacks. Neither do I need repeated visual reminders of the…

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The DVD Wrapup: X-Men: First Class, Hanna, The Arbor, Henry’s Crime, Scarface, Straw Dogs, Madea, Police Story …

X-Men: First Class: Blu-ray Let’s assume that the producers of “X-Men: First Class” had a very good reason for not naming the latest chapter in the franchise “X-Men Origins: First Class.” Like “X-Men Origins: Wolverine,” it provides some of today’s most popular superheroes coherent back-stories and new cast members an opportunity to carve niches for…

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Dretzka

Quote Unquotesee all »

What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster