MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: In a Better World, The Complete Jean Vigo, If …, Orpheus, Cell 211, Phantom Pain, Skateland, Wrecked, True Adolescents …

In a Better World: Blu-ray The winner of the 2011 Oscar for Best Foreign Language Film poses several interesting challenges for its characters and audiences. First, it tests the convictions of modern-day Christians to live up to lessons taught by Jesus in the Sermon on the Mount. Beyond that, by setting “In a Better World”…

Read the full article »

The DVD Wrapup: The Beaver, Win Win, NEDS, Secret Sunshine, Breath, Road to Nowhere, To Die Like a Man …

The Beaver: Blu-ray Even it were possible to ignore all the baggage Mel Gibson brings with him to any new project, “The Beaver” would still be a movie that defied audiences to like it. There are three things that come immediately to mind when I see the word “beaver,” and none of them is a…

Read the full article »

The DVD Wrapup: Something Borrowed, Jane Eyre, Cul-de-Sac, Queen to Play, Meet Monica Velour, Big Lebowski …

Something Borrowed: Blu-ray There’s a very good chance I misinterpreted the publicity material that preceded the release of “Something Borrowed.”Am I the only one who expected it to be a romantic comedy? Given a cast that includes Kate Hudson, Ginnifer Goodwin, John Krasinski and a way too handsome Colin Egglesfield, Luke Greenfield’s adaptation of Emily…

Read the full article »

The DVD Wrapup: Mars Needs Moms, The Final Destination 3D, The Clinic, Super, Jumping the Broom, Battle of Algiers …

Mars Needs Moms: Blu-ray Judging simply from the negative press generated after the release of “Mars Needs Moms,” you’d have thought Disney was attempting to sell out-of-date produce to needy children, instead of a very decent family picture. The fact it underperformed so badly at the box office prompted more than one pundit to predict…

Read the full article »

The DVD Wrapup: Rio, Exporting Raymond, Outside the Law, Streetwalkin’, The Perfect Game, Stake Land, John Pinette …

Rio: Blu-ray It’s been nearly 70 years since Walt Disney and a team of animators toured South America, looking for new ideas and acting as cultural ambassadors to a continent our State Department felt was ripe for exploitation by Adolph Hitler. Among the souvenirs they brought home was an anthropomorphized cartoon parrot, Jose Carioca, who…

Read the full article »

Dretzka

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”