MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: In a Better World, The Complete Jean Vigo, If …, Orpheus, Cell 211, Phantom Pain, Skateland, Wrecked, True Adolescents …

In a Better World: Blu-ray The winner of the 2011 Oscar for Best Foreign Language Film poses several interesting challenges for its characters and audiences. First, it tests the convictions of modern-day Christians to live up to lessons taught by Jesus in the Sermon on the Mount. Beyond that, by setting “In a Better World”…

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The DVD Wrapup: The Beaver, Win Win, NEDS, Secret Sunshine, Breath, Road to Nowhere, To Die Like a Man …

The Beaver: Blu-ray Even it were possible to ignore all the baggage Mel Gibson brings with him to any new project, “The Beaver” would still be a movie that defied audiences to like it. There are three things that come immediately to mind when I see the word “beaver,” and none of them is a…

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The DVD Wrapup: Something Borrowed, Jane Eyre, Cul-de-Sac, Queen to Play, Meet Monica Velour, Big Lebowski …

Something Borrowed: Blu-ray There’s a very good chance I misinterpreted the publicity material that preceded the release of “Something Borrowed.”Am I the only one who expected it to be a romantic comedy? Given a cast that includes Kate Hudson, Ginnifer Goodwin, John Krasinski and a way too handsome Colin Egglesfield, Luke Greenfield’s adaptation of Emily…

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The DVD Wrapup: Mars Needs Moms, The Final Destination 3D, The Clinic, Super, Jumping the Broom, Battle of Algiers …

Mars Needs Moms: Blu-ray Judging simply from the negative press generated after the release of “Mars Needs Moms,” you’d have thought Disney was attempting to sell out-of-date produce to needy children, instead of a very decent family picture. The fact it underperformed so badly at the box office prompted more than one pundit to predict…

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The DVD Wrapup: Rio, Exporting Raymond, Outside the Law, Streetwalkin’, The Perfect Game, Stake Land, John Pinette …

Rio: Blu-ray It’s been nearly 70 years since Walt Disney and a team of animators toured South America, looking for new ideas and acting as cultural ambassadors to a continent our State Department felt was ripe for exploitation by Adolph Hitler. Among the souvenirs they brought home was an anthropomorphized cartoon parrot, Jose Carioca, who…

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Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch