MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

DVD Wrapup: Source Code, Winter in Wartime, Leon Morin: Priest, Jackboots on Whitehall, The Matrimony, Life During Wartime, Monamour …

Source Code: Blu-ray While it would be misleading to describe the existential sci-fi thriller “Source Code” as “‘Groundhog Day’ on a train loaded with explosives,” it’s close enough for government work. In the Bill Murray role here is an American helicopter pilot recently returned from Afghanistan, sufficiently incapacitated to have been in a coma for…

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The DVD Wrapup: Take Me Home Tonight, Limitless, Potiche, The Music Room, Beauty and the Beast, Small Town Murder Songs …

Take Me Home Tonight Nearly 40 years after the release of “American Graffiti” – as close to perfect a movie as one is going to download anytime soon – filmmakers are still attempting to extract pay dirt from George Lucas’ gold mine, even if the vein played out after “Dazed and Confused.” “Take Me Home…

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The DVD Wrapup: The Lincoln Lawyer, Rango, Arthur, Waking Madison, Damnation Alley, The Third Wave, Miral, Insidious …

The Lincoln Lawyer: Blu-ray The last time a movie was adapted from a crime novel by Michael Connelly, it left such a bad taste in the mouth of longtime fans they prayed he wouldn’t sell another of his books to Hollywood, especially those associated with LAPD detective Hieronymus “Harry” Bosch. Even with the estimable talents…

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DVD Wrapup: Of Gods and Men, Oblivion, Transformers Headmasters, People of Sunday, Trailers From Hell, BloodRayne …

Of Gods and Men: Blu-ray At a time when people who believe they’ve been washed in the blood of the lamb can manipulate the words of Jesus Christ to justify blowing up abortion clinics, sexually abusing children and protecting the predators, denying marriage to same-sex couples and harassing the families of soldiers killed in combat,…

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Dretzka

Quote Unquotesee all »

What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster