MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Barney’s Version, Season of the Witch, Sucker Punch, Erasing David, Tetsuo, The Warrior’s Way, Camille 2000 …

Barney’s Version: Blu-ray Although few things are certain in life, it’s safe to say any movie in which Paul Giamatti appears is going to save some aspiring actor, somewhere, the cost of attending a master class in acting. If there’s nothing else to like in the picture – an unlikely proposition, considering his many fine…

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The DVD Wrapup: The Island, Unknown, Cedar Rapids, Poison, Women in Cages, Andrei Arsenevitch …

The Island There’s no way to adequately synopsize Michael Bay’s latest sci-fi/action/thriller without adding a half-dozen spoiler alerts, and that’s not something I enjoy doing. What I can say about “The Island” is that it involves cloning, evil corporations and humans playing God; it’s chock full of exciting stunt work and chases, most accomplished without…

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The DVD Wrapup: Red Riding Hood, Hall Pass, Jackass 3.5, Legend of the Fist, Kill the Irishman, Intolerance, The Makioka Sisters …

Red Riding Hood: Blu-ray If the word, “Little,” is conspicuously absent from the title of Catherine Hardwicke’s retelling of the venerable fairy tale, it’s probably because, 1) American lawmakers, parents and ratings boards are made queasy by the portrayal of sexual-awakening among “little” girls in the movies, and 2) there’s nothing remotely “little” about Amanda…

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Digital Nation: ‘Viva Riva!’ … think ‘Harder They Come’ in Africa

Remember the jolt of excitement you experienced watching “The Harder They Come,” “City of God” and “Amores Perros” for the first time? How raw depictions of violence, sex, corruption and poverty flowed organically from the directors’ choices of actors, locations and music, whose singularity couldn’t have been faked or synthesized? These stories may have been…

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The DVD Wrapup: True Grit, Another Year, Just Go With It, Carancho, Night Flight, The Housemaid, The Big C, White Collar … …

True Grit: Blu-ray There is a considerable difference between the re-making a classic movie for contemporary tastes and the re-adaptation of a novel, based primarily on a re-interpretation of the source material. While staying true to the original version of “True Grit” – for which, in 1969, John Wayne was awarded an Academy Award as…

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The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest …

Drive Angry: Blu-ray Apparently, the only person unaware that Nicolas Cage’s career is stuck in replay mode is Cage, himself. If the Oscar-winner is disturbed by how predictable he’s become since “Leaving Las Vegas,” “Honeymoon in Vegas” and “Moonstruck” put him on the A-list – and roles in “Face/Off,” “Adaptation” and “World Trade Center” further…

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Dretzka

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch