MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Barney’s Version, Season of the Witch, Sucker Punch, Erasing David, Tetsuo, The Warrior’s Way, Camille 2000 …

Barney’s Version: Blu-ray Although few things are certain in life, it’s safe to say any movie in which Paul Giamatti appears is going to save some aspiring actor, somewhere, the cost of attending a master class in acting. If there’s nothing else to like in the picture – an unlikely proposition, considering his many fine…

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The DVD Wrapup: The Island, Unknown, Cedar Rapids, Poison, Women in Cages, Andrei Arsenevitch …

The Island There’s no way to adequately synopsize Michael Bay’s latest sci-fi/action/thriller without adding a half-dozen spoiler alerts, and that’s not something I enjoy doing. What I can say about “The Island” is that it involves cloning, evil corporations and humans playing God; it’s chock full of exciting stunt work and chases, most accomplished without…

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The DVD Wrapup: Red Riding Hood, Hall Pass, Jackass 3.5, Legend of the Fist, Kill the Irishman, Intolerance, The Makioka Sisters …

Red Riding Hood: Blu-ray If the word, “Little,” is conspicuously absent from the title of Catherine Hardwicke’s retelling of the venerable fairy tale, it’s probably because, 1) American lawmakers, parents and ratings boards are made queasy by the portrayal of sexual-awakening among “little” girls in the movies, and 2) there’s nothing remotely “little” about Amanda…

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Digital Nation: ‘Viva Riva!’ … think ‘Harder They Come’ in Africa

Remember the jolt of excitement you experienced watching “The Harder They Come,” “City of God” and “Amores Perros” for the first time? How raw depictions of violence, sex, corruption and poverty flowed organically from the directors’ choices of actors, locations and music, whose singularity couldn’t have been faked or synthesized? These stories may have been…

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The DVD Wrapup: True Grit, Another Year, Just Go With It, Carancho, Night Flight, The Housemaid, The Big C, White Collar … …

True Grit: Blu-ray There is a considerable difference between the re-making a classic movie for contemporary tastes and the re-adaptation of a novel, based primarily on a re-interpretation of the source material. While staying true to the original version of “True Grit” – for which, in 1969, John Wayne was awarded an Academy Award as…

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The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest …

Drive Angry: Blu-ray Apparently, the only person unaware that Nicolas Cage’s career is stuck in replay mode is Cage, himself. If the Oscar-winner is disturbed by how predictable he’s become since “Leaving Las Vegas,” “Honeymoon in Vegas” and “Moonstruck” put him on the A-list – and roles in “Face/Off,” “Adaptation” and “World Trade Center” further…

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Dretzka

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”