MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Gnomeo & Juliet, Lemonade Mouth, I Am Number Four, Anton Chekhov’s The Duel, The Big Bang, Burning Palms …

Gnomeo & Juliet: Blu-ray According to one of those computer-generated lists of keywords on the IMDB.com website, nearly 70 television specials and movies – including “Gnomeo & Juliet” — owe their very existence to William Shakespeare’s “Romeo & Juliet.” (That it doesn’t include the delightful rom-com, “Letters to Juliet,” or the Soviet-era adaptation, “Romeo i…

Read the full article »

The DVD Wrapup: The Rite, Araya, Freedom Riders, Shoeshine, Pale Flower, Solaris, The Other Woman, The Roommate …

The Rite: Blu-ray For movies about demonic possession to work, it helps that viewers either believe that Satan actually exists or that the filmmaker is able to convince us simply to suspend disbelief for the next two hours, or so. Although Mikael Hafstrom’s supernatural thriller, “The Rite,” doesn’t break much new ground on the subject…

Read the full article »

The DVD Wrapup: Blue Valentine, Something Wild, Sledgehammer, Justin Bieber, Broken Hill …

Blue Valentine: Blu-ray No matter how joyous it is to watch love bloom, on and off screen, it’s that much more painful to watch it wither and die on the vine. It’s even worse, knowing children are trapped inside their parents’ mad world, as well. Long ago, John Cassavetes set the standard by which all…

Read the full article »

The DVD Wrapup: The Green Hornet, Mao’s Last Dancer, A Somewhat Gentle Man, Julian Assange, Brian Eno, Bloodsucking Nazi Zombies …

The Green Hornet: Blu-ray 3D If ever a marriage were made in comic-book heaven, it was the one that joined French fantasist Michael Gondry and the venerable “Green Hornet” franchise. The ceremony originally was arranged for 1997, after Gondry had completed a series of music videos for Bjork, but before he and Charlie Kaufman collaborated…

Read the full article »

Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch