MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Jolene, Bunny & the Bull, Dinoshark, Three Idiots, The Lickerish Quartet …

Jolene: Blu-ray Anyone who’s ever wondered how a pretty young woman ends up on stage, stripping, or in a parking lot doing something less legal, will see in the character of Jolene a familiar stereotype. After reaching puberty on the foster-home circuit, the flirty redhead marries the first guy with a job who pays her…

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Digital Nation: Amid the rubble, ‘Incendies’ locates heart of a woman destroyed by hate

In Denis Villeneuve’s adaptation of Wajdi Mouawad’s powerful stage play, “Incendies,” it’s possible to identify tragedies as ancient as the theater itself and as contemporary as the latest dispatches from Libya and Afghanistan. By chronicling the journey of a Middle Eastern woman along the ruined roads of her homeland and through a life shaped by…

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The DVD Wrapup: The King’s Speech, The Way Back, Into the Cold, Gulliver’s Travels, Kes, Sweetie, Vision …

The King’s Speech: Blu-ray When movies are made about American presidents, including those considered among the most charismatic, they tend to be wooden, factually imprecise and uninspiring. John F. Kennedy, Ronald Reagan and Bill Clinton may have possessed larger-than-life personalities, but their accomplishments have been deemed more worthy of treatment in small-screen mini-series and cable…

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The DVD Wrap: Country Strong, Harry Potter etc., White Material, Le Cercle Rouge, The Incredibles, Highwater, The Walking Dead Girls …

Country Strong: Blu-ray With the possible exception of her good friend, Madonna, it would be difficult to think of a more overexposed celebrity than Gwyneth Paltrow. The Kims, Chloes and GaGas of the world will continue to come and go, as long as the media pays attention to them. Madonna, Gwyneth and, even in death,…

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CinemaCon 2011: Who needs Home Premiere, when you can have hot dog sliders, gourmet licorice, ‘Puss and Boots’?

Even without the release of news about the launch of Home Premiere – Hollywood’s latest attempt to have its cake and nibble from everyone else’s plate, too – there was a portentous air surrounding last week’s inaugural CinemaCom convention. NATO members clearly enjoyed themselves during preview sessions and screenings, but the urge to count fingers…

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The DVD Wrap: Fair Game, I Love You Phillip Morris, Chronicles of Narnia, The Next Three Day, Desert Son, Treme …

Fair Game: Blu-ray Here’s another feel-bad movie about being an American … just what we need, right now. It used to be easy for those on the right (as opposed to left) side of any political debate to blame Hollywood’s many commies, sodomites and Jewish studio executives – sometimes all three simultaneously — for distributing…

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Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch