MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Jolene, Bunny & the Bull, Dinoshark, Three Idiots, The Lickerish Quartet …

Jolene: Blu-ray Anyone who’s ever wondered how a pretty young woman ends up on stage, stripping, or in a parking lot doing something less legal, will see in the character of Jolene a familiar stereotype. After reaching puberty on the foster-home circuit, the flirty redhead marries the first guy with a job who pays her…

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Digital Nation: Amid the rubble, ‘Incendies’ locates heart of a woman destroyed by hate

In Denis Villeneuve’s adaptation of Wajdi Mouawad’s powerful stage play, “Incendies,” it’s possible to identify tragedies as ancient as the theater itself and as contemporary as the latest dispatches from Libya and Afghanistan. By chronicling the journey of a Middle Eastern woman along the ruined roads of her homeland and through a life shaped by…

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The DVD Wrapup: The King’s Speech, The Way Back, Into the Cold, Gulliver’s Travels, Kes, Sweetie, Vision …

The King’s Speech: Blu-ray When movies are made about American presidents, including those considered among the most charismatic, they tend to be wooden, factually imprecise and uninspiring. John F. Kennedy, Ronald Reagan and Bill Clinton may have possessed larger-than-life personalities, but their accomplishments have been deemed more worthy of treatment in small-screen mini-series and cable…

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The DVD Wrap: Country Strong, Harry Potter etc., White Material, Le Cercle Rouge, The Incredibles, Highwater, The Walking Dead Girls …

Country Strong: Blu-ray With the possible exception of her good friend, Madonna, it would be difficult to think of a more overexposed celebrity than Gwyneth Paltrow. The Kims, Chloes and GaGas of the world will continue to come and go, as long as the media pays attention to them. Madonna, Gwyneth and, even in death,…

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CinemaCon 2011: Who needs Home Premiere, when you can have hot dog sliders, gourmet licorice, ‘Puss and Boots’?

Even without the release of news about the launch of Home Premiere – Hollywood’s latest attempt to have its cake and nibble from everyone else’s plate, too – there was a portentous air surrounding last week’s inaugural CinemaCom convention. NATO members clearly enjoyed themselves during preview sessions and screenings, but the urge to count fingers…

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The DVD Wrap: Fair Game, I Love You Phillip Morris, Chronicles of Narnia, The Next Three Day, Desert Son, Treme …

Fair Game: Blu-ray Here’s another feel-bad movie about being an American … just what we need, right now. It used to be easy for those on the right (as opposed to left) side of any political debate to blame Hollywood’s many commies, sodomites and Jewish studio executives – sometimes all three simultaneously — for distributing…

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Dretzka

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”