MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Jolene, Bunny & the Bull, Dinoshark, Three Idiots, The Lickerish Quartet …

Jolene: Blu-ray Anyone who’s ever wondered how a pretty young woman ends up on stage, stripping, or in a parking lot doing something less legal, will see in the character of Jolene a familiar stereotype. After reaching puberty on the foster-home circuit, the flirty redhead marries the first guy with a job who pays her…

Read the full article »

Digital Nation: Amid the rubble, ‘Incendies’ locates heart of a woman destroyed by hate

In Denis Villeneuve’s adaptation of Wajdi Mouawad’s powerful stage play, “Incendies,” it’s possible to identify tragedies as ancient as the theater itself and as contemporary as the latest dispatches from Libya and Afghanistan. By chronicling the journey of a Middle Eastern woman along the ruined roads of her homeland and through a life shaped by…

Read the full article »

The DVD Wrapup: The King’s Speech, The Way Back, Into the Cold, Gulliver’s Travels, Kes, Sweetie, Vision …

The King’s Speech: Blu-ray When movies are made about American presidents, including those considered among the most charismatic, they tend to be wooden, factually imprecise and uninspiring. John F. Kennedy, Ronald Reagan and Bill Clinton may have possessed larger-than-life personalities, but their accomplishments have been deemed more worthy of treatment in small-screen mini-series and cable…

Read the full article »

The DVD Wrap: Country Strong, Harry Potter etc., White Material, Le Cercle Rouge, The Incredibles, Highwater, The Walking Dead Girls …

Country Strong: Blu-ray With the possible exception of her good friend, Madonna, it would be difficult to think of a more overexposed celebrity than Gwyneth Paltrow. The Kims, Chloes and GaGas of the world will continue to come and go, as long as the media pays attention to them. Madonna, Gwyneth and, even in death,…

Read the full article »

CinemaCon 2011: Who needs Home Premiere, when you can have hot dog sliders, gourmet licorice, ‘Puss and Boots’?

Even without the release of news about the launch of Home Premiere – Hollywood’s latest attempt to have its cake and nibble from everyone else’s plate, too – there was a portentous air surrounding last week’s inaugural CinemaCom convention. NATO members clearly enjoyed themselves during preview sessions and screenings, but the urge to count fingers…

Read the full article »

The DVD Wrap: Fair Game, I Love You Phillip Morris, Chronicles of Narnia, The Next Three Day, Desert Son, Treme …

Fair Game: Blu-ray Here’s another feel-bad movie about being an American … just what we need, right now. It used to be easy for those on the right (as opposed to left) side of any political debate to blame Hollywood’s many commies, sodomites and Jewish studio executives – sometimes all three simultaneously — for distributing…

Read the full article »

Dretzka

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas