MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrap: Tangled, Black Swan, Made in Dagenham, Ten Commandments, I Vinti …

Tangled: Blu-ray 3D According to the people who keep track of such things, “Tangled” is Disney’s 50th full-length animated feature film. In many ways, it bears an uncanny resemblance to the very first one, “Snow White and the Seven Dwarfs,” released 74 years ago. Not only are both movies inspired by fairy tales written by…

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The DVD Wrap: The Tourist, Yogi Bear 3D, The Perfume of the Lady in Black, Andy Sidaris Collection, Skyline …

The Tourist: Blu-ray Ten months out of every year, the Hollywood Foreign Press Association is ignored by everyone in Hollywood, except the publicists assigned to wiping the reporters’ bottoms and keeping their bottles full of expensive wine and booze. For the better part of December and January, however, the mainstream media does its part to…

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Digital Nation: Going Medieval for Real in ‘Black Death’

Finally, from England comes a movie that can be enjoyed by history buffs and zombie aficionados, alike. Christopher Smith and Dario Poloni’s “Black Death” recalls a time when the dead – or very near dead, anyway – haunted villages, cities and thoroughfares from China to Great Britain, awaiting their turn to be thrown into a…

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The DVD Wrap: Hereafter, The Switch, The Fighter, The Wildest Dream, Yi Yi, Sharktopus …

Hereafter: Blu-ray In the opening minutes of “Hereafter,” tourists along a Thai beach are enjoying another leisurely day in paradise. A French reporter, Marie, played by Cécile De France, has just agreed to leave the hotel to buy souvenirs for her boyfriend, who’s too lazy to do it himself. Just as she’s about to pay…

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Digital Nation: In ‘Redland,’ director finds inspiration close to home

Occasionally, reporters covering the entertainment dodge discover to their surprise and delight that the story behind a movie’s story is as interesting as the film itself. It’s then that ears perk up and the likelihood of churning out yet another how-I-made-it-to-Sundance article recedes. It’s especially gratifying when the story is told by an up-and-coming filmmaker,…

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The DVD Wrap: Love & Other Drugs, Jackass 3D, Rivers and Tides, Rage, Zombie Farm …

Love & Other Drugs: Blu-ray Anyone who spends more than a couple hours each year killing time in the waiting room of a GP, internist or psychiatrist should be able to attest to the accuracy of the portrayal of pharmaceutical sales reps in “Love & Other Drugs.” The only resemblance most bear to Willie Loman,…

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Digital Nation: ‘I Saw the Devil” … the horror, the horror

Somewhere near the top of any list of proverbs trampled into the dirt by screenwriters and their protagonists is the one that posits, “Revenge is a dish best served cold.” It sounds ballsy, no matter who says it, while also alerting viewers to the ferocity of the carnage to come. After witnessing the effects of…

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The DVD Wrap: 127 Hours, Road Movie, Faster, Bambi, Germany in Autumn, The Last Train Home …

127 Hours The title of this alternately horrific and exhilarating movie references the length of time spent by outdoors enthusiast Aron Ralston trapped in a narrow chasm, as far from the people he loved as any astronaut who walked on the moon. Farther, maybe, because Ralston’s hubris allowed him no way to contact his parents…

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Dretzka

Quote Unquotesee all »

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas

A Spirited Exchange

“In some ways Christopher Nolan has become our Stanley Kubrick,” reads the first sentence of David Bordwell’s latest blog post–none of which I want or intend to read after that desperate opening sentence. If he’d written “my” or “some people’s” instead of “our”, I might have read further. Instead, I can only surmise that in some ways David Bordwell may have become our Lars von Trier.”
~ Jonathan Rosenbaum On Facebook

“Jonathan has written a despicable thing in comparing me to Trump. He’s free to read or not read what I write, and even to judge arguments without reading them. It’s not what you’d expect from a sensible critic, but it’s what Jonathan has chosen to do, for reasons of a private nature he has confided to me in an email What I request from him is an apology for comparing my ideas to Trump’s.”
~ David Bordwell Replies

“Yes, I do apologize, sincerely, for such a ridiculous and quite unwarranted comparison. The private nature of my grievance with David probably fueled my post, but it didn’t dictate it, even though I’m willing to concede that I overreacted. Part of what spurred me to post something in the first place is actually related to a positive development in David’s work–an improvement in his prose style ever since he wrote (and wrote very well) about such elegant prose stylists as James Agee and Manny Farber. But this also brought a journalistic edge to his prose, including a dramatic flair for journalistic ‘hooks’ and attention-grabbers, that is part of what I was responding to. Although I realize now that David justifies his opening sentence with what follows, and far less egregiously than I implied he might have, I was responding to the drum roll of that opening sentence as a provocation, which it certainly was and is.”
~ Jonathan Rosenbaum Replies