MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrap: Due Date, Birdemic, Memento, Fish Tank, Senso, Still Walking, Kites, Megamind …

Due Date: Blu-ray I wonder if, at some point during the pitch meeting for Due Date, any of the assembled suits uttered the words, “Planes, Trains and Automobiles,” or if memories of that movie lurked in a corner of the room like the proverbial 800-pound gorilla. It would have been disingenuous not to have mentioned…

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The DVD Wrap: Unstoppable, You Will Meet a Tall Dark Stranger, All the President’s Men, Network, William S. Burroughs: A Man Within …

Unstoppable: Blu-ray Few directors and producers are as adept at making high-octane thrillers as Tony Scott. Like Goose and Maverick in Scott’s first blockbuster, Top Gun, the 66-year-old Brit has a chronic need for speed, and Unstoppable nicely fills the bill, The Taking of Pelham 1 2 3, Deja Vu, Days of Thunder and Enemy…

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The DVD Wrap: Enter the Void, Life as We Know It, You Again, The Girl, Hideaway, Thelma and Louise …

Enter the Void Even after reading what critics had to say about Gasper Noe’s latest provocation, “Enter the Void,” it was difficult for me to foresee just how exhilarating an experience it might be. Reviewers compared the film’s audacious visual conceit to the mind-boggling head trip conjured by Stanley Kubrick for the “Stargate” and “Star…

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The DVD Wrap: Welcome to the Rileys, Conviction, No Tomorrow, A Woman, a Gun and a Noodle Shop, Let Me In and more …

Welcome to the Rileys: Blu-ray As yet another Sundance festival sails slowly into the sunset, swag bags stowed safely below deck, it’s worth recalling the large number of films that seemed destined for greatness in the rarified air of Park City, but lost traction at sea level. Can’t count that high, you say? For indie…

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Dretzka

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“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch