MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrap: Elsewhere, And Soon the Darkness, Twelve, The Jesus Guy … and more

Elsewhere Oddly enough, the best line of dialogue I’ve heard in a long time comes in Nikolaus Geyrhalter’s amazing documentary, Elsewhere. After shooting a large seal with a harpoon gun, an Inuit hunter quips, “I hope I didn’t hit the white people.” The “white people” were sitting directly behind the man, chronicling the first hunt…

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The DVD Wrap: Salt, Wall Street: Money Never Sleeps, Step Up 3, Soul Kitchen … and more

Salt: Deluxe Unrated Edition Angelina Jolie has proven time and again that she’s the only established actress — outside China, anyway – who not only can open an action film, but also carry it to the finish line at the box office, no matter how unfathomable the premise. If I had to boil her appeal…

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Digital Nation: Rare Exports: A Christmas Tale

Too often, movies leave audiences scratching their heads in bewilderment over how some exceedingly well paid, college-educated Hollywood studio executive could have been dim-witted enough to green light such an inarguably bad picture. A critically lauded film can be equally perplexing, leaving viewers wondering if they fully grasped a director’s intentions or could articulate what…

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The DVD Wrap: Inception, Restrepo, Videodrome, Cronos, Strictly Ballroom … and more

Inception: Blu-ray Normally, I wouldn’t recommend watching a background featurette before checking out the main attraction first. The summer smash, Inception, demands a bit more work on the part of the viewer than most movies, though, and to fully enjoy the experience, some preparation is advised. This isn’t to imply the only people capable of…

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Dretzka

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant