MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrap: Fantasia/Fantasia 2000, The Sorcerer’s Apprentice, Knight and Day, Cairo Time, The Sicilian Girl, Vampires Suck … and more

Fantasia/Fantasia 2000: Blu-ray The Sorcerer’s Apprentice: Blu-ray According to Disney legend, Dopey the Dwarf was originally pushed for the role in Fantasia that went to Mickey Mouse. Instead, Uncle Walt went with the established star, hoping the role would maintain Mickey’s high profile in movies. Although Dopey might have been an inspired choice, there’s no…

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The DVD Wrap: Flipped, Cats & Dogs: The Revenge of Kitty Galore, The Six Million Dollar Man: The Complete Collection, Deadwood: The Complete Collection … and more

Flipped Anyone who lost faith in Rob Reiner after blowing their hard-earned dough on such star-studded duds as The Story of Us, Alex & Emma and Rumor Has It …, might want to give the filmmaker another chance. In the pre-pubescent romance Flipped, we meet a boy and girl who could have lived down the…

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The DVD Wrap: The Kids Are All Right, Modern Times, Avatar Three-Disc Extended Collector’s Edition: Blu-ray, Cher: The Film Collection … and more

The Kids Are All Right It’s been 21 years since the publication of Heather Has Two Mommies, a book the mommies in The Kids Are All Right might have read to their own children. The controversy that little book sparked in 1989 had already turned into a giant shit storm when Lisa Cholodenko’s observant family…

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Digital Nation: Four Lions

Besides December 7, 1941, two other dates will live in infamy as long as wars against tyranny are fought. Americans will continue to mark September 11, 2001, for as long as there are people who can recall the sight of New York’s World Trade Center crumbling into ash and dust. For Britons still wary of…

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The DVD Wrap: Antichrist, The Elia Kazan Collection, Scott Pilgrim Vs The World, Grown Ups … and more

Antichrist: The Criterion Collection Controversies that erupt at film festivals, Cannes especially, practically define what it means to stir “a tempest in a teapot.” For two weeks, the upper crust of the international film community – and way too many crusty critics – come together for the sole purpose of promoting cinema and themselves. The…

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The DVD Wrap: Toy Story 3, The Pacific, Please Give, Don’t Let Me Drown, V: The Complete First Season … and more

Toy Story 3: Blu-ray The third edition of the Toy Story saga will resonate more with parents, I think, than their children. Youngsters will enjoy it, of course, but most of them won’t be able to appreciate the melancholy that informs the underlying themes: separation and loss. Now 18, Andy is about to leave for…

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Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch