MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

Digital Nation: Barry Munday

As red herrings go, it’s tough to beat castration. The title character of Chris D’Arienzo’s truly offbeat comedy, Barry Munday, undergoes just such an operation. It’s required after the father of a promiscuous teenager slams a trumpet into crotch of the two-bit, happy-hour lothario in a movie theater. Poor Barry didn’t even have time to…

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The DVD Wrap: Get Him to the Greek, Coco Chanel and Igor Stravinsky, The Thin Red Line, The Law, Ellery Queen … and more

Get Him to the Greek: Blu-ray In Richard Benjamin’s delightful 1982 comedy, My Favorite Year, all junior writer Benjy Stone was required to do was get the famously debauched British actor, Alan Swann, from his New York hotel to a nearby studio, where a popular comedy-variety show (think, “Your Show of Shows”) is being broadcast…

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Digital Nation: The Other City

Contrary to much circumstantial evidence, AIDS isn’t gone … it isn’t even hiding. That’s the primary message of Susan Koch’s documentary The Other City, which takes a look at what may be, to some, the surprising fact that HIV/AIDS has not gone away. In fact, in our nation’s capital, practically within shouting distance of the…

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DVD Wrap: Robin Hood, (Untitled), Good, Experiment, Stripped Naked … and more

Just Wright Queen Latifah wants us to think of Just Wright as a modern version of Cinderella, this time staged against a backdrop of the National Basketball Association. It’s not a bad comparison, really, even if director Sanaa Hamri and writer Michael Elliot don’t seem particularly interested in repeating any of that classic fairytale’s basic…

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DVD Wrap: Prince of Persia, Letters to Juliet, Killers, The Black Cauldron, Cemetery Junction, and more…

In Hollywood’s Cathedral of Concepts, the Reverend Jerry Bruckheimer presided over the marriage of a beloved amusement-park attraction to the classic swashbuckler. Nine months later, the fruit of their union arrived in the form of Pirates of the Caribbean: The Curse of the Black Pearl. Other children would follow. At the same church, seven years later, Reverend Bruckheimer would unite a popular action-packed video game with a direct descendant of Ray Harryhausen’s Sinbad, with the result being Prince of Persia: The Sand of Time.

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Digital Nation: Bran Nue Dae

It’s taken nearly 20 years for Bran Nue Dae to make the leap from the stage to the movies. The semi-autobiographical musical was written by Broome native Jimmy Chi and his band Kuckles, based on their own experiences. Chi’s broad Aboriginal/Asian ancestry reflects the ethnic diversity of the pearling and tourism town, which is on the far northwestern corner of Australia.

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DVD Wrap: The Loss of a Teardrop Diamond, That Evening Sun, Why Did I Get Married, Too?, The Exploding Girl, Solitary Man … and more

The Loss of a Teardrop Diamond: Blu-ray That Evening Sun Movies put into limited release in the dead zone between December 26 and New Year’s Eve share certain traits. They tend to feature stars whose work has previously been recognized by the folks at AMPAS, but whose commercial prospects don’t warrant an expensive marketing campaign….

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Dretzka

Quote Unquotesee all »

“All of the security, all of the waiters, all of the musicians … that’s 3,000 people!” The shopping required fifty tractor trailers. The are thirty gallons of cocktail sauce; 350 pounds of smoked salmon; 200 pounds of brussels sprouts, 250 pounds parmesan cheese; 3,600 eggs; 6,000 mini-brioche buns; five gallons of hot fudge; 20 pounds pickled ginger; 30 pounds edible gold dust; 7,000 miniature chocolate Oscars. There are 1,400 bottles of Piper-Heidsieck champagne and 2,200 bottles from Francis Ford Coppola’s winery. This will be served in and upon 13,000 glasses, 4,500 bamboo skewers, 4,800 ramekins and 6,000 cocktail forks.”
~ Wolfgang Puck Goes Oscar Dinner Shopping

“While these images seem to reveal all, they disclose nothing beneath the surface. All that we know is what we see onscreen and that Seberg’s face is delicate and lightly creased. She’s rarely shown smiling, although there are instances when she laughs emphatically, moments that feel uncomfortable and artificial, as if she were trying out an emotion she had forgotten. We know the texture of her skin; the patterns on the walls; the depth of field; the quality of the light; the contrast of the black-and-white film; the level of grain; the dowdiness of her clothes. She’s partial to granny dresses, or maybe they’re nightgowns, and when she stands in front of a window, the sunlight glows softly, creating a kind of ravishing halo effect: Saint Jean.”
~ Manohla Dargis On Philippe Garrel’s Les Hautes Solitudes