MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

Chop Shop

Willets Points is so far off the beaten path trod by visitors to New York, it might as well be in Sao Paulo, Tijuana or Manila, which it more closely resembles. Equals parts scrap yard, flea market and slum, the “Iron Triangle” is the daytime home to a tightly knit community of mechanics, sanders, buffers,…

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Sangre de Mi Sangre

Immigration has become such a hot-button topic in America, it’s almost impossible now to convince those who think everything is political that a drama about immigrants needn’t also takes sides. If a threat of deportation isn’t clear and present – or an uninvited guest in our country isn’t gorging himself on tax dollars — some…

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Mr. Lonely

The television was on, but I wasn’t much attention to it. My ears up perked up, however, when I heard a disembodied voice say, “From the director of Gummoand Julien Donkey-Boy.” Or, did I? It would be difficult to imagine two less-promotable films than Harmony Korine’s wildly eccentric and inarguably challenging Gummo and Julien Donkey-Boy (a.k.a., Dogma # 6)….

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Dretzka

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain