MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

Chop Shop

Willets Points is so far off the beaten path trod by visitors to New York, it might as well be in Sao Paulo, Tijuana or Manila, which it more closely resembles. Equals parts scrap yard, flea market and slum, the “Iron Triangle” is the daytime home to a tightly knit community of mechanics, sanders, buffers,…

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Sangre de Mi Sangre

Immigration has become such a hot-button topic in America, it’s almost impossible now to convince those who think everything is political that a drama about immigrants needn’t also takes sides. If a threat of deportation isn’t clear and present – or an uninvited guest in our country isn’t gorging himself on tax dollars — some…

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Mr. Lonely

The television was on, but I wasn’t much attention to it. My ears up perked up, however, when I heard a disembodied voice say, “From the director of Gummoand Julien Donkey-Boy.” Or, did I? It would be difficult to imagine two less-promotable films than Harmony Korine’s wildly eccentric and inarguably challenging Gummo and Julien Donkey-Boy (a.k.a., Dogma # 6)….

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Dretzka

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant