MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

Cannes 2006: Come back, Edy Williams … all is forgiven

May 26, 2006 At least once in every reviewer’s career a story is written to convince to readers – and, implicitly, various editors and bosses – that watching and writing about movies for a living is hardly the picnic everyone assumes it to be. Variations on the same theme are written by reporters assigned to…

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'Da Vinci Code' barbs span the globe at warp speed

April 17, 2006 Whew, that was close! Here. I was thinking of flying to Bahrain or Iceland yesterday to get a head start on forming my own opinion on the mysteries revealed in “The Da Vinci Code” — as recommended by director Ron Howard — but no one at LAX seemed interested in accepting my…

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If flap over 'Da Vinci Code' sounds familiar, re-visit 'Baby Doll' and 'Viridiana' on DVD

April 8, 2006 John Waters often credits the Catholic Church’s now-defunct Legion of Decency with steering him toward the sorts of movies that would shape his cinematic oeuvre. If, as a lad of 12, Baltimore’s favorite son hadn’t taken Francis Cardinal Spellman’s loud condemnation of “Baby Doll” as an invitation to calculate the wages of…

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‘Only the Brave’ follows by 55 years Hollywood’s only salute to Nisei soldiers

Look up “Nisei” in the IMDB database and only four titles pop up. Surprisingly, perhaps, the first was made in 1951, when World War II movies were being turned out like so many Fords in Dearborn. The most recent, “Only the Brave,” is struggling for distribution. “Go for Broke!” told the story of the 442nd…

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Stop the madness! Enough on Pellicano, already … wake us in time for the movie

May 3, 2006 Like almost everyone else in Los Angeles, I’ve become so distraught by recent revelations in the Pellicano-gate scandal (there, I’ve said it) that I’ve had a hard time concentrating on the business at hand. By comparison, navigating around Monday’s immigration boycott was a walk down the Yellow Brick Road. I still find…

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Dretzka

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant