MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

Cannes 2006: Come back, Edy Williams … all is forgiven

May 26, 2006 At least once in every reviewer’s career a story is written to convince to readers – and, implicitly, various editors and bosses – that watching and writing about movies for a living is hardly the picnic everyone assumes it to be. Variations on the same theme are written by reporters assigned to…

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'Da Vinci Code' barbs span the globe at warp speed

April 17, 2006 Whew, that was close! Here. I was thinking of flying to Bahrain or Iceland yesterday to get a head start on forming my own opinion on the mysteries revealed in “The Da Vinci Code” — as recommended by director Ron Howard — but no one at LAX seemed interested in accepting my…

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If flap over 'Da Vinci Code' sounds familiar, re-visit 'Baby Doll' and 'Viridiana' on DVD

April 8, 2006 John Waters often credits the Catholic Church’s now-defunct Legion of Decency with steering him toward the sorts of movies that would shape his cinematic oeuvre. If, as a lad of 12, Baltimore’s favorite son hadn’t taken Francis Cardinal Spellman’s loud condemnation of “Baby Doll” as an invitation to calculate the wages of…

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‘Only the Brave’ follows by 55 years Hollywood’s only salute to Nisei soldiers

Look up “Nisei” in the IMDB database and only four titles pop up. Surprisingly, perhaps, the first was made in 1951, when World War II movies were being turned out like so many Fords in Dearborn. The most recent, “Only the Brave,” is struggling for distribution. “Go for Broke!” told the story of the 442nd…

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Stop the madness! Enough on Pellicano, already … wake us in time for the movie

May 3, 2006 Like almost everyone else in Los Angeles, I’ve become so distraught by recent revelations in the Pellicano-gate scandal (there, I’ve said it) that I’ve had a hard time concentrating on the business at hand. By comparison, navigating around Monday’s immigration boycott was a walk down the Yellow Brick Road. I still find…

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Dretzka

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain