MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

Cannes 2006: Come back, Edy Williams … all is forgiven

May 26, 2006 At least once in every reviewer’s career a story is written to convince to readers – and, implicitly, various editors and bosses – that watching and writing about movies for a living is hardly the picnic everyone assumes it to be. Variations on the same theme are written by reporters assigned to…

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'Da Vinci Code' barbs span the globe at warp speed

April 17, 2006 Whew, that was close! Here. I was thinking of flying to Bahrain or Iceland yesterday to get a head start on forming my own opinion on the mysteries revealed in “The Da Vinci Code” — as recommended by director Ron Howard — but no one at LAX seemed interested in accepting my…

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If flap over 'Da Vinci Code' sounds familiar, re-visit 'Baby Doll' and 'Viridiana' on DVD

April 8, 2006 John Waters often credits the Catholic Church’s now-defunct Legion of Decency with steering him toward the sorts of movies that would shape his cinematic oeuvre. If, as a lad of 12, Baltimore’s favorite son hadn’t taken Francis Cardinal Spellman’s loud condemnation of “Baby Doll” as an invitation to calculate the wages of…

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‘Only the Brave’ follows by 55 years Hollywood’s only salute to Nisei soldiers

Look up “Nisei” in the IMDB database and only four titles pop up. Surprisingly, perhaps, the first was made in 1951, when World War II movies were being turned out like so many Fords in Dearborn. The most recent, “Only the Brave,” is struggling for distribution. “Go for Broke!” told the story of the 442nd…

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Stop the madness! Enough on Pellicano, already … wake us in time for the movie

May 3, 2006 Like almost everyone else in Los Angeles, I’ve become so distraught by recent revelations in the Pellicano-gate scandal (there, I’ve said it) that I’ve had a hard time concentrating on the business at hand. By comparison, navigating around Monday’s immigration boycott was a walk down the Yellow Brick Road. I still find…

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Dretzka

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“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas

A Spirited Exchange

“In some ways Christopher Nolan has become our Stanley Kubrick,” reads the first sentence of David Bordwell’s latest blog post–none of which I want or intend to read after that desperate opening sentence. If he’d written “my” or “some people’s” instead of “our”, I might have read further. Instead, I can only surmise that in some ways David Bordwell may have become our Lars von Trier.”
~ Jonathan Rosenbaum On Facebook

“Jonathan has written a despicable thing in comparing me to Trump. He’s free to read or not read what I write, and even to judge arguments without reading them. It’s not what you’d expect from a sensible critic, but it’s what Jonathan has chosen to do, for reasons of a private nature he has confided to me in an email What I request from him is an apology for comparing my ideas to Trump’s.”
~ David Bordwell Replies

“Yes, I do apologize, sincerely, for such a ridiculous and quite unwarranted comparison. The private nature of my grievance with David probably fueled my post, but it didn’t dictate it, even though I’m willing to concede that I overreacted. Part of what spurred me to post something in the first place is actually related to a positive development in David’s work–an improvement in his prose style ever since he wrote (and wrote very well) about such elegant prose stylists as James Agee and Manny Farber. But this also brought a journalistic edge to his prose, including a dramatic flair for journalistic ‘hooks’ and attention-grabbers, that is part of what I was responding to. Although I realize now that David justifies his opening sentence with what follows, and far less egregiously than I implied he might have, I was responding to the drum roll of that opening sentence as a provocation, which it certainly was and is.”
~ Jonathan Rosenbaum Replies