MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The Oscars of Journalism

As far as I know, Pulitzer Prize-winners and presenters aren’t awarded gift baskets for showing up at the annual banquet saluting the best in the business of journalism … not yet, anyway. A handful of bloggers pay attention, but the ceremony isn’t televised … except, maybe, on C-SPAN … and no one in Las Vegas…

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If the seat fits …

After ShoWest, Digital Dretzka managed to get lost in the Digital Ozone, and, for a while, the business of Hollywood took a back seat to monitoring March Madness and propping up the teetering pile of DVDs awaiting scrutiny elsewhere in Movie City News. Upon venturing into the blogosphere Tuesday morning, a random search turned up…

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Keep On Flossing …

And, speaking of Floss ‘n Toss … being of the Boomer generation, DD naturally wondered if the good folks at StaiNo LLC had attempted to get the seal of approval of the American Dental Association, which had done wonders for sales of Crest and Colgate. David Antler, the company’s president, allowed that an ADA endorsement…

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Sitcoms losses no laughing matter

A report that found its way into the Los Angeles Times’ Quick Takes column last Saturday has revealed that Americans are investing more time watching sitcoms than a dozen years ago, but fewer are getting their yucks from shows selected for them by network programmers. Magna Group’s research has discovered that 4.84 hours/week currently are…

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ShoWest Wraps Up

ShoWest 2006 threw itself a wrap party Thursday night, but not before Warner Bros. availed itself of the opportunity to brag on its upcoming slate of “event” movies. The company, which once was known for sponsoring the most star-studded of all ShoWest banquets, has been a no-show for the last few years. Instead, the “new”…

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Skip the butter, add the floss

Much of the fun for civilians attending ShoWest comes in strolling through the aisles of the exhibition hall, where the latest trends in concessions, furniture, cleaning supplies and technology are put on display. This year, there were few products that caused any kind of a stir, but one or two managed to stand out in…

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Exhibs preview Altman’s Prairie Home Companion

Garrison Keillor may lack the charisma of a George Clooney or Brad Pitt, but 4 million radio listeners can’t be wrong … or, so hopes Picturehouse president Bob Berney. Exhibitors attending ShoWest didn’t pack screenings of “A Prairie Home Companion” in the same numbers as greeted “Cars,” but those who made the effort were rewarded…

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Disney takes Pixar’s Cars out for a spin at ShoWest

LAS VEGAS — Few potential summer blockbusters will arrive with as much baggage in its trunk as “Cars,” which will be the first animated feature released under the newly conjoined banner of Disney and Pixar. Wall Street analysts will put the picture under the same intense scrutiny as that employed by film critics approaching any…

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ShoWest & the Ghost of Cinema Future

Judging from all the projections of doom and gloom that accompanied each new weekend’s box-office reports last summer and fall, you’d think organizers of ShoWest would have staged the annual gathering of theater owners in a funeral parlor, and not within the faux-sunny confines of Paris Las Vegas. Apparently, with business up in the first-quarter…

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Dretzka

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”