MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The Oscars of Journalism

As far as I know, Pulitzer Prize-winners and presenters aren’t awarded gift baskets for showing up at the annual banquet saluting the best in the business of journalism … not yet, anyway. A handful of bloggers pay attention, but the ceremony isn’t televised … except, maybe, on C-SPAN … and no one in Las Vegas…

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If the seat fits …

After ShoWest, Digital Dretzka managed to get lost in the Digital Ozone, and, for a while, the business of Hollywood took a back seat to monitoring March Madness and propping up the teetering pile of DVDs awaiting scrutiny elsewhere in Movie City News. Upon venturing into the blogosphere Tuesday morning, a random search turned up…

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Keep On Flossing …

And, speaking of Floss ‘n Toss … being of the Boomer generation, DD naturally wondered if the good folks at StaiNo LLC had attempted to get the seal of approval of the American Dental Association, which had done wonders for sales of Crest and Colgate. David Antler, the company’s president, allowed that an ADA endorsement…

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Sitcoms losses no laughing matter

A report that found its way into the Los Angeles Times’ Quick Takes column last Saturday has revealed that Americans are investing more time watching sitcoms than a dozen years ago, but fewer are getting their yucks from shows selected for them by network programmers. Magna Group’s research has discovered that 4.84 hours/week currently are…

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ShoWest Wraps Up

ShoWest 2006 threw itself a wrap party Thursday night, but not before Warner Bros. availed itself of the opportunity to brag on its upcoming slate of “event” movies. The company, which once was known for sponsoring the most star-studded of all ShoWest banquets, has been a no-show for the last few years. Instead, the “new”…

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Skip the butter, add the floss

Much of the fun for civilians attending ShoWest comes in strolling through the aisles of the exhibition hall, where the latest trends in concessions, furniture, cleaning supplies and technology are put on display. This year, there were few products that caused any kind of a stir, but one or two managed to stand out in…

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Exhibs preview Altman’s Prairie Home Companion

Garrison Keillor may lack the charisma of a George Clooney or Brad Pitt, but 4 million radio listeners can’t be wrong … or, so hopes Picturehouse president Bob Berney. Exhibitors attending ShoWest didn’t pack screenings of “A Prairie Home Companion” in the same numbers as greeted “Cars,” but those who made the effort were rewarded…

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Disney takes Pixar’s Cars out for a spin at ShoWest

LAS VEGAS — Few potential summer blockbusters will arrive with as much baggage in its trunk as “Cars,” which will be the first animated feature released under the newly conjoined banner of Disney and Pixar. Wall Street analysts will put the picture under the same intense scrutiny as that employed by film critics approaching any…

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ShoWest & the Ghost of Cinema Future

Judging from all the projections of doom and gloom that accompanied each new weekend’s box-office reports last summer and fall, you’d think organizers of ShoWest would have staged the annual gathering of theater owners in a funeral parlor, and not within the faux-sunny confines of Paris Las Vegas. Apparently, with business up in the first-quarter…

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Dretzka

Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o