MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The Oscars of Journalism

As far as I know, Pulitzer Prize-winners and presenters aren’t awarded gift baskets for showing up at the annual banquet saluting the best in the business of journalism … not yet, anyway. A handful of bloggers pay attention, but the ceremony isn’t televised … except, maybe, on C-SPAN … and no one in Las Vegas…

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If the seat fits …

After ShoWest, Digital Dretzka managed to get lost in the Digital Ozone, and, for a while, the business of Hollywood took a back seat to monitoring March Madness and propping up the teetering pile of DVDs awaiting scrutiny elsewhere in Movie City News. Upon venturing into the blogosphere Tuesday morning, a random search turned up…

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Keep On Flossing …

And, speaking of Floss ‘n Toss … being of the Boomer generation, DD naturally wondered if the good folks at StaiNo LLC had attempted to get the seal of approval of the American Dental Association, which had done wonders for sales of Crest and Colgate. David Antler, the company’s president, allowed that an ADA endorsement…

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Sitcoms losses no laughing matter

A report that found its way into the Los Angeles Times’ Quick Takes column last Saturday has revealed that Americans are investing more time watching sitcoms than a dozen years ago, but fewer are getting their yucks from shows selected for them by network programmers. Magna Group’s research has discovered that 4.84 hours/week currently are…

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ShoWest Wraps Up

ShoWest 2006 threw itself a wrap party Thursday night, but not before Warner Bros. availed itself of the opportunity to brag on its upcoming slate of “event” movies. The company, which once was known for sponsoring the most star-studded of all ShoWest banquets, has been a no-show for the last few years. Instead, the “new”…

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Skip the butter, add the floss

Much of the fun for civilians attending ShoWest comes in strolling through the aisles of the exhibition hall, where the latest trends in concessions, furniture, cleaning supplies and technology are put on display. This year, there were few products that caused any kind of a stir, but one or two managed to stand out in…

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Exhibs preview Altman’s Prairie Home Companion

Garrison Keillor may lack the charisma of a George Clooney or Brad Pitt, but 4 million radio listeners can’t be wrong … or, so hopes Picturehouse president Bob Berney. Exhibitors attending ShoWest didn’t pack screenings of “A Prairie Home Companion” in the same numbers as greeted “Cars,” but those who made the effort were rewarded…

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Disney takes Pixar’s Cars out for a spin at ShoWest

LAS VEGAS — Few potential summer blockbusters will arrive with as much baggage in its trunk as “Cars,” which will be the first animated feature released under the newly conjoined banner of Disney and Pixar. Wall Street analysts will put the picture under the same intense scrutiny as that employed by film critics approaching any…

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ShoWest & the Ghost of Cinema Future

Judging from all the projections of doom and gloom that accompanied each new weekend’s box-office reports last summer and fall, you’d think organizers of ShoWest would have staged the annual gathering of theater owners in a funeral parlor, and not within the faux-sunny confines of Paris Las Vegas. Apparently, with business up in the first-quarter…

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Dretzka

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch