MCN Columnists
Leonard Klady

Columns By Leonard KladyKlady@moviecitynews.com

Still Crazies (After All These Years)

February 28, 2010 The tremor continued in the marketplace as Shutter Island prevailed over two incoming missiles with an estimated $22.3 million weekend. Still the freshmen entries were close behind with buddy flics in Cop Out entering (but not breaking) the scene with $18.4 million and the redo of the 1972 apocalyptic thriller The Crazies…

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Wilmington on Movies: Cop Out, The Crazies, A Prophet, North Face and The Ghost Writer (revisited)

Cop Out (One and a Half Stars) U. S.; Kevin Smith, 2010 Cop Out is one movie where you can tell what went wrong just by looking at the trailer. The

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Whiteout

Nothing like a good snowbound suspense thriller for a cozy mid-winter evening’s entertainment, and Warner Home Video has provided just thing with the 2009 production, Whiteout, which has nothing to do with secretaries trying to fix mistakes on requisition orders and everything to do with triple homicides and inclement weather in Antarctica. Kate Beckinsale is a United…

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Marty, You Can Do Better

Last week, I spoke of the virtues of Martin Scorsese and why all film geeks everywhere should be excited to see his newest film, Shutter Island.  The opening of a new Scorsese film was something that I felt was a cinematic event more exciting than the first weekend of any blockbuster.  So, just know that when I…

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Shutter … the Thought

February 22, 2010 Paranoia reached new heights of popularity as Shutter Island topped weekend charts with an estimated $40.3 million. It was the sole new national release but reflecting the twisty thriller’s appeal was the exclusive bow of The Ghost Writer that rang up an impressive $43,200 from four reveals. Other niche and limited debuts…

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Wilmington on Movies: Shutter Island, The Ghost Writer and Ajami

Shutter Island (Four Stars) U.S.; Martin Scorsese, 2010 Shutter Island, Martin Scorsese’s new film, is a horror movie for aficionados, who like to be scared and not have to check their brains in the lobby. It‘s for moviegoers who’ve had their fill of the current

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A Scorsese Love Poem and Unmade Movies

Scorsese the Underdog I haven’t seen Shutter Island yet, although it seems like the rest of the film community has.  That’s fine by me since I wouldn’t want to see it any other way than on Friday afternoon with a crowd full of film fans, rather than a screening room full of critics.  Seeing The Departed on…

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I Heart Presidents

February 15, 2010 It was candy and roses for Valentine’s Day as it ascended to the top of long weekend viewing with an estimated four-day box office of $66.2 million. In a bountiful frame two other freshmen entries followed. The youth targeted Percy Jackson and the Olympians bowed to $38.9 million and the revived The…

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The Weekend Report: February 14, 2010

February 14, 2010 Weekend Estimates Domestic Market Share Weekend Estimates: February 12-14, 2010 Title Distributor Gross (average) % change * Theaters Cume Valentine’s Day WB 51.8 (14,140) New 3665 51.8 Percy Jackson & the Olympians Fox 31.4 (9,370) New 3356 31.4 The Wolfman Uni 30.5 (9,460) New 3222 34.7 Avatar Fox 22.2 (8,260) -3% 2685…

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The Care and Feeding of Your Indie Film on the Fest Circuit

When I was at the Oxford Film Festival last weekend, one of the things I was asked to do was moderate a panel called “Speed Pitch,” in which filmmakers had the opportunity to sign up to pitch their ideas (either the film they had in the fest, or other projects they have in the works)…

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Wilmington on Movies: Valentine’s Day and Percy Jackson and the Olympians: The Lightning Thief

Valentine‘s Day (One and a Half Stars) U.S.; Garry Marshall, 2009 Lonely on Valentine’s Day? Hollywood has your number. They’re holding tickets (or at least one ticket) to director Garry Marshall’s appropriately titled Feb-12-14 weekend release Valentine’s Day — an all-star Angeleno big-movie box of flavorless

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So Many Monkeys Jumping on the Bed

Published under 1,000 Monkeys. When people I interact with in my professional life learn that I have five children (and a grandchild, even!) they are often astonished. These days, the idea of someone having a large family is (at least outside of homeschooling or Amish circles) a bit out-of-fashion. I get asked a lot of…

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Red Riding: Better than The Godfather?

Some films are so dense that it’s impossible to truly appreciate them while you’re watching them for the first time. The Red Riding trilogy is one of those films. Although, calling it a “trilogy” isn’t really appropriate because although it is three separate films by three separate directors using three very techniques, they are all…

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Love Letters

February 7, 2010 Romance trumped visceral thrills as the three-hanky Dear John debuted at the top of weekend viewing charts with an estimated $32.7 million. The session’s other new national premiere From Paris with Love settled into position three with $8.1 million. Regional openers saw a solid bow of $232,000 for Les Sept jours du…

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Oscar, Schmoscar

I haven’t been able to get that excited about the Oscars this year. Probably it’s partly because I was pretty much out of the movie loop for five or so months dealing with illness, but partly, to be honest, it’s this whole idea of ten best picture nominees that has me feeling decidedly “meh” about…

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Criterion Collection: Che

Steven Soderbergh’s two-part 2008 sequel to The Motorcycle Diaries has been released by The Criterion Collection as a three-platter set, Che. Soderbergh gave the films a slightly different look, although on a video screen, the change is modest. ChePart One, about Ernesto Guevera’s participation in the Cuban Revolution, is in classic widescreen, letterboxed with an aspect ratio of…

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If I Had a Ballot

I have to be honest; I really haven’t been following the Oscars as closely as I usually do. I’m not sure why that is, but if I had to venture a guess, I’d say it’s because of two big factors: 1) 2009 was one of the worst years for movies in recent history and 2)…

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Columns

gary d on: The DVD Wrapup: Bridge of Spies, Truth, Snow White, Breathe and more

Ben Kabak on: The DVD Wrapup: Bridge of Spies, Truth, Snow White, Breathe and more

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

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Alessandra Olla アレサンドラ?オーラ カーブガラス 腕時計 レディース AO-990-2 クリスマス on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【ポイント最大26倍】ドクターシーラボ 2015年スペシャルバッグ<Dr.Ci:Labo/ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

Quote Unquotesee all »

Tsangari: With my next film, White Knuckles, it comes with a budget — it’s going to be a huge new world for me. As always when I enter into a new thing, don’t you wonder how it’s going to be and how much of yourself you are going to have to sacrifice? The ballet of all of this. I’m already imaging the choreography — not of the camera, but the choreography of actually bringing it to life. It is as fascinating as the shooting itself. I find the producing as exciting as the directing. The one informs the other. There is this producer-director hat that I constantly wear. I’ve been thinking about these early auteurs, like Howard Hawks and John Ford and Preston Sturges—all of these guys basically were hired by the studio, and I doubt they had final cut, and somehow they had films that now we can say they had their signatures.  There are different ways of being creative within the parameters and limitations of production. The only thing you cannot negotiate is stupidity.
Filmmaker: And unfortunately, there is an abundance of that in the world.
Tsangari: This is the only big risk: stupidity. Everything else is completely worked out in the end.
~ Chevalier‘s Rachel Athina Tsangari

“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

Z Weekend Report