MCN Columnists
Leonard Klady

Columns By Leonard KladyKlady@moviecitynews.com

Still Crazies (After All These Years)

February 28, 2010 The tremor continued in the marketplace as Shutter Island prevailed over two incoming missiles with an estimated $22.3 million weekend. Still the freshmen entries were close behind with buddy flics in Cop Out entering (but not breaking) the scene with $18.4 million and the redo of the 1972 apocalyptic thriller The Crazies…

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Wilmington on Movies: Cop Out, The Crazies, A Prophet, North Face and The Ghost Writer (revisited)

Cop Out (One and a Half Stars) U. S.; Kevin Smith, 2010 Cop Out is one movie where you can tell what went wrong just by looking at the trailer. The

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Whiteout

Nothing like a good snowbound suspense thriller for a cozy mid-winter evening’s entertainment, and Warner Home Video has provided just thing with the 2009 production, Whiteout, which has nothing to do with secretaries trying to fix mistakes on requisition orders and everything to do with triple homicides and inclement weather in Antarctica. Kate Beckinsale is a United…

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Marty, You Can Do Better

Last week, I spoke of the virtues of Martin Scorsese and why all film geeks everywhere should be excited to see his newest film, Shutter Island.  The opening of a new Scorsese film was something that I felt was a cinematic event more exciting than the first weekend of any blockbuster.  So, just know that when I…

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Shutter … the Thought

February 22, 2010 Paranoia reached new heights of popularity as Shutter Island topped weekend charts with an estimated $40.3 million. It was the sole new national release but reflecting the twisty thriller’s appeal was the exclusive bow of The Ghost Writer that rang up an impressive $43,200 from four reveals. Other niche and limited debuts…

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Wilmington on Movies: Shutter Island, The Ghost Writer and Ajami

Shutter Island (Four Stars) U.S.; Martin Scorsese, 2010 Shutter Island, Martin Scorsese’s new film, is a horror movie for aficionados, who like to be scared and not have to check their brains in the lobby. It‘s for moviegoers who’ve had their fill of the current

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A Scorsese Love Poem and Unmade Movies

Scorsese the Underdog I haven’t seen Shutter Island yet, although it seems like the rest of the film community has.  That’s fine by me since I wouldn’t want to see it any other way than on Friday afternoon with a crowd full of film fans, rather than a screening room full of critics.  Seeing The Departed on…

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I Heart Presidents

February 15, 2010 It was candy and roses for Valentine’s Day as it ascended to the top of long weekend viewing with an estimated four-day box office of $66.2 million. In a bountiful frame two other freshmen entries followed. The youth targeted Percy Jackson and the Olympians bowed to $38.9 million and the revived The…

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The Weekend Report: February 14, 2010

February 14, 2010 Weekend Estimates Domestic Market Share Weekend Estimates: February 12-14, 2010 Title Distributor Gross (average) % change * Theaters Cume Valentine’s Day WB 51.8 (14,140) New 3665 51.8 Percy Jackson & the Olympians Fox 31.4 (9,370) New 3356 31.4 The Wolfman Uni 30.5 (9,460) New 3222 34.7 Avatar Fox 22.2 (8,260) -3% 2685…

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The Care and Feeding of Your Indie Film on the Fest Circuit

When I was at the Oxford Film Festival last weekend, one of the things I was asked to do was moderate a panel called “Speed Pitch,” in which filmmakers had the opportunity to sign up to pitch their ideas (either the film they had in the fest, or other projects they have in the works)…

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Wilmington on Movies: Valentine’s Day and Percy Jackson and the Olympians: The Lightning Thief

Valentine‘s Day (One and a Half Stars) U.S.; Garry Marshall, 2009 Lonely on Valentine’s Day? Hollywood has your number. They’re holding tickets (or at least one ticket) to director Garry Marshall’s appropriately titled Feb-12-14 weekend release Valentine’s Day — an all-star Angeleno big-movie box of flavorless

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So Many Monkeys Jumping on the Bed

Published under 1,000 Monkeys. When people I interact with in my professional life learn that I have five children (and a grandchild, even!) they are often astonished. These days, the idea of someone having a large family is (at least outside of homeschooling or Amish circles) a bit out-of-fashion. I get asked a lot of…

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Red Riding: Better than The Godfather?

Some films are so dense that it’s impossible to truly appreciate them while you’re watching them for the first time. The Red Riding trilogy is one of those films. Although, calling it a “trilogy” isn’t really appropriate because although it is three separate films by three separate directors using three very techniques, they are all…

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Love Letters

February 7, 2010 Romance trumped visceral thrills as the three-hanky Dear John debuted at the top of weekend viewing charts with an estimated $32.7 million. The session’s other new national premiere From Paris with Love settled into position three with $8.1 million. Regional openers saw a solid bow of $232,000 for Les Sept jours du…

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Oscar, Schmoscar

I haven’t been able to get that excited about the Oscars this year. Probably it’s partly because I was pretty much out of the movie loop for five or so months dealing with illness, but partly, to be honest, it’s this whole idea of ten best picture nominees that has me feeling decidedly “meh” about…

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Criterion Collection: Che

Steven Soderbergh’s two-part 2008 sequel to The Motorcycle Diaries has been released by The Criterion Collection as a three-platter set, Che. Soderbergh gave the films a slightly different look, although on a video screen, the change is modest. ChePart One, about Ernesto Guevera’s participation in the Cuban Revolution, is in classic widescreen, letterboxed with an aspect ratio of…

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If I Had a Ballot

I have to be honest; I really haven’t been following the Oscars as closely as I usually do. I’m not sure why that is, but if I had to venture a guess, I’d say it’s because of two big factors: 1) 2009 was one of the worst years for movies in recent history and 2)…

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Columns

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé