MCN Columnists
Leonard Klady

Columns By Leonard KladyKlady@moviecitynews.com

The Number 911…

February 25, 2007 Weekend Finals Domestic Market Share Despite a not unexpected 57% box office decline, Ghost Rider continued to hold the top spot on weekend movie going charts with an estimated $19.5 million gross. The frame saw a quartet of new openers but none rated better than passable commercial grades. The chiller The Number 23 ranked…

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Ghost Rider In The Sky …

February 19, 2007 Weekend Finals Domestic Market Share Despite a plethora of product, Ghost Rider ascended with a super heroic gross estimated at $53.2 million. The film shattered all previous Presidents Day holiday openings and propelled the frame to record revenues. It was also generally upbeat news for a quartet of freshmen entries. The family…

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Bit By Norbit …

February 11, 2007 Weekend Estimates Domestic Market Share The audience Norbit hard with the Eddie Murphy comedy commanding the weekend with an estimated $33.3 million. The strong bow nonetheless allowed Hannibal Rising to chomp down on a sizeable $12.9 million gross in a frame that rebounded from the Super Bowl but still lagged behind last year’s post performance….

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90 Million American Can’t Be Wrong …

February 4 , 2007 Weekend Estimates Domestic Market Share The Messengers didn’t require Western Union to top weekend movie going charts with an estimated $14.8 million. The horror yarn was followed by another freshman entry - Because I Said So – that grossed $13.1 million. Otherwise it was a relatively quiet frame with distributors giving a…

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Columns

Quote Unquotesee all »

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook