MCN Columnists
Leonard Klady

Columns By Leonard KladyKlady@moviecitynews.com

The Number 911…

February 25, 2007 Weekend Finals Domestic Market Share Despite a not unexpected 57% box office decline, Ghost Rider continued to hold the top spot on weekend movie going charts with an estimated $19.5 million gross. The frame saw a quartet of new openers but none rated better than passable commercial grades. The chiller The Number 23 ranked…

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Ghost Rider In The Sky …

February 19, 2007 Weekend Finals Domestic Market Share Despite a plethora of product, Ghost Rider ascended with a super heroic gross estimated at $53.2 million. The film shattered all previous Presidents Day holiday openings and propelled the frame to record revenues. It was also generally upbeat news for a quartet of freshmen entries. The family…

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Bit By Norbit …

February 11, 2007 Weekend Estimates Domestic Market Share The audience Norbit hard with the Eddie Murphy comedy commanding the weekend with an estimated $33.3 million. The strong bow nonetheless allowed Hannibal Rising to chomp down on a sizeable $12.9 million gross in a frame that rebounded from the Super Bowl but still lagged behind last year’s post performance….

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90 Million American Can’t Be Wrong …

February 4 , 2007 Weekend Estimates Domestic Market Share The Messengers didn’t require Western Union to top weekend movie going charts with an estimated $14.8 million. The horror yarn was followed by another freshman entry – Because I Said So – that grossed $13.1 million. Otherwise it was a relatively quiet frame with distributors giving a…

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Columns

Quote Unquotesee all »

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest