Night Moves

The Top Tens Archive for December, 2012

Critics Top Tens Update

The first 100 lists and Zero Dark Thirty leads the Top Tens by a significant margin. Further down the list, The Dark Knight Rises and The Sessions move into the Top 20, and The Master makes a leap forward. Still lots more lists to come …

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2012 Top Tens: The First of the Lists

As the first lists roll in, Zero Dark Thirty and Amour lead the chart. With just 21 lists, there are more than 85 movies mentioned so far… seems to be a lot of love to go around.

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Critics Top Ten List 2012: David Edelstein, New York

David Edelstein, New York 1. Zero Dark Thirty 2. Lincoln 3. Amour 4. The Gatekeepers 5. The Deep Blue Sea 6. Life of Pi 7. How to Survive a Plague and Ai Weiwei: Never Sorry 8. Pitch Perfect 9. Oslo, August 31st 10. Friends With Kids

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Critics Top Ten List 2012: Richard Corliss, TIME

Richard Corliss, TIME 1. Amour 2. Beasts of the Southern Wild 3. Life of Pi 4. Anna Karenina 5. The Dark Knight Rises 6. Zero Dark Thirty 7. Dark Horse 8. Dragon 9. Frankenweenie 10. Invisible War

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Critics Top Ten List 2012: John Waters, ARTFORUM

John Waters, ARTFORUM 1  The Deep Blue Sea 2 Paradise: Faith 3 Paradise: Love 4 Amour 5 Killer Joe 6 Beasts of the Southern Wild 7 Compliance 8 Marina Abramović: The Artist Is Present 9 Beloved 10 The Imposter  

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Quote Unquotesee all »

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…