The Top Tens Archive for December, 2012

Critics Top Tens Update

The first 100 lists and Zero Dark Thirty leads the Top Tens by a significant margin. Further down the list, The Dark Knight Rises and The Sessions move into the Top 20, and The Master makes a leap forward. Still lots more lists to come …

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2012 Top Tens: The First of the Lists

As the first lists roll in, Zero Dark Thirty and Amour lead the chart. With just 21 lists, there are more than 85 movies mentioned so far… seems to be a lot of love to go around.

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Critics Top Ten List 2012: David Edelstein, New York

David Edelstein, New York 1. Zero Dark Thirty 2. Lincoln 3. Amour 4. The Gatekeepers 5. The Deep Blue Sea 6. Life of Pi 7. How to Survive a Plague and Ai Weiwei: Never Sorry 8. Pitch Perfect 9. Oslo, August 31st 10. Friends With Kids

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Critics Top Ten List 2012: Richard Corliss, TIME

Richard Corliss, TIME 1. Amour 2. Beasts of the Southern Wild 3. Life of Pi 4. Anna Karenina 5. The Dark Knight Rises 6. Zero Dark Thirty 7. Dark Horse 8. Dragon 9. Frankenweenie 10. Invisible War

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Critics Top Ten List 2012: John Waters, ARTFORUM

John Waters, ARTFORUM 1  The Deep Blue Sea 2 Paradise: Faith 3 Paradise: Love 4 Amour 5 Killer Joe 6 Beasts of the Southern Wild 7 Compliance 8 Marina Abramović: The Artist Is Present 9 Beloved 10 The Imposter  

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Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”