The top 20 stay the top 20, but Drive has moved around The Artist into the third position. The Tree of Life is too far out in front to chase, but overtaking The Descendants may still be possible.
See the individual Top Ten lists here.
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Eric M. Van on: 2012 Top Tens: The First of the Lists
2012 Top Tens: The First of the Lists
Critics Top Ten List 2012: David Edelstein, New York
Critics Top Ten List 2012: Richard Corliss, TIME
Critics Top Ten List 2012: John Waters, ARTFORUM
The Top Tens of 2011: 210 Lists And Counting
The Top Tens: Updated December 30
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RT @nigelmfs: Polanski's VENUS IN FUR is an energizing riot. The most purely enjoyable film I've seen at #Cannes2013
RT @gemko: Venus in Fur (Polanski): 61. As elegantly directed as CARNAGE, but with a decent text this time (albeit on a subject I find unin…
RT @JonathanRomney: VENUS - brittle, fun and blimey, a touch nor raunchy than his OLIVER TWIST.
RT @Geoff_Andrew: #Cannes2013 Polanski's theatrical two-hander VENUS IN FUR a delight that reflects on much of his earlier work. Terrific p…
RT @gemko: Seigner nails a difficult role, was also quite strong in Ozon's IN THE HOUSE. When did she learn to act?
Nic Refn On Prostitutes; Hw’d (4’09″) MNSFW - MCN Indie
Trailering AIN’T THEM BODIES SAINTS (2’29″) - MCN Indie
Cannes ’13: What Is This Thing Called Love? - The Hot Blog
DP/30 @ Sundance ’13: We Steal Secrets: The Story Of Wikileaks, documentarian Alex Gibney - The Hot Blog
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
