Night Moves

The Top Tens Archive for January, 2011

The Top Tens: January 12, 2011

As we get closer to finishing the 2010, the top of the chart seems solid. Nothing changes in the top ten, but Everyone Else moves up into the rankings.

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Top Tens: January 8, 2011

The top ten shuffle a bit and Inception is now in the number two slot. Black Swan moves up, Toy Story 3 and Winter’s Bone slip back.

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The Top Tens: January 7, 2011

True Grit continues to climb up the chart, Toy Story 3 is closing the gap with Inception, and The Social Network stands alone.

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The Top Tens: January 3, 2011

While The Social Network stays put, True Grit and The Fighter are slowly working their way up the chart. More lists still to come.

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Top Tens: January 1, 2011

More lists .. and True Grit moves up into the top ten. While most of the rest of the chart remains the same, there are more than 150 titles on the list .. proving that almost every movie has someone out there who loves it.

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Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman