The Top Tens

The Top 10s of 2014

Boyhood sits alone at the top of the list – nothing else comes close – and then The Grand Budapest Hotel, another big gap and then the rest of the list. Guardians of the Galaxy, in case you were wondering, is sitting there at #21 just a hair away from the Top Twenty.

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The Top Ten Lists: There’s Boyhood and Then the Rest of the List

First, there’s Boyhood – still and probably forever – at the top of the chart. In other news, The Lego Movie and Leviathan both crack the top 20.

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The Top Ten Lists: And Boyhood Stands Alone

Two Days, One Night and Only Lovers Left Alive move into the Top 20, displacing Interstellar and The Lego Movie. And Boyhood stays alone at the top.

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The Top Ten Lists: The Lists Keep Coming

It’s still early, but Boyhood has a pretty commanding lead so far. The Lego Movie is falling back a little, and Foxcatcher, Ida and Citizenfour have made the top 20. Stay tuned!

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The Critics Top Tens of 2014: The First Lists

With the lists just starting to come in, Boyhood sits alone at the top of the chart.

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The Top Tens of 2013: 155 Lists and Counting

With 231 films on the list, 12 Years a Slave, Inside Llewyn Davis and Gravity continue to hold the top three spots. The Act of Killing has broken into the top five, and Lone Survivor makes its debut on the scoreboard.

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The Top Ten Lists: 2013

With more than 70 lists, there are 146 films on the scorecard. There’s a lot of agreement in the top spots, with Gravity still leading the lists, but a few are climbing the chart. Dallas Buyers Club and Short Term 12 break the top 20.

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The Top Ten Lists of 2013: 60 and Counting

With sixty lists counted, Gravity now sits at the top of the list. American Hustle has moved into the top five, and Leviathan has jumped onto the list at #15.

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The Top Tens of 2013: The Big Scoreboard

The first of the Top Ten lists are in and counted. 12 Years a Slave, Gravity and Inside Llewyn Davis lead the chart by a wide margin. But there are still a lot of lists yet to be tallied.

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The 2012 Top Tens: Updated

Another 30 lists … and the top 10 remain the same. A little bit of a shuffle in the next ten, with Looper and Skyfall moving up the chart. The next update may find The Grey stepping forward to take the #20 spot from The Sessions, but Zero Dark Thirty seems safe at the top.

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Critics Top Tens Update

The first 100 lists and Zero Dark Thirty leads the Top Tens by a significant margin. Further down the list, The Dark Knight Rises and The Sessions move into the Top 20, and The Master makes a leap forward. Still lots more lists to come …

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2012 Top Tens: The First of the Lists

As the first lists roll in, Zero Dark Thirty and Amour lead the chart. With just 21 lists, there are more than 85 movies mentioned so far… seems to be a lot of love to go around.

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Critics Top Ten List 2012: David Edelstein, New York

David Edelstein, New York 1. Zero Dark Thirty 2. Lincoln 3. Amour 4. The Gatekeepers 5. The Deep Blue Sea 6. Life of Pi 7. How to Survive a Plague and Ai Weiwei: Never Sorry 8. Pitch Perfect 9. Oslo, August 31st 10. Friends With Kids

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Critics Top Ten List 2012: Richard Corliss, TIME

Richard Corliss, TIME 1. Amour 2. Beasts of the Southern Wild 3. Life of Pi 4. Anna Karenina 5. The Dark Knight Rises 6. Zero Dark Thirty 7. Dark Horse 8. Dragon 9. Frankenweenie 10. Invisible War

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Critics Top Ten List 2012: John Waters, ARTFORUM

John Waters, ARTFORUM 1  The Deep Blue Sea 2 Paradise: Faith 3 Paradise: Love 4 Amour 5 Killer Joe 6 Beasts of the Southern Wild 7 Compliance 8 Marina Abramović: The Artist Is Present 9 Beloved 10 The Imposter  

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The Top Tens of 2011: 210 Lists And Counting

The top 20 stay the top 20, but Drive has moved around The Artist into the third position. The Tree of Life is too far out in front to chase, but overtaking The Descendants may still be possible.

See the individual Top Ten lists here.

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The Top Tens: Updated December 30

164 lists, 220 films, and The Tree of Life continues to sit on the top of the
scoreboard. As new lists come in, The Artist is closing in on the The Descendants and Tinker Tailor Soldier Spy is making a play for the top ten .. stay tuned.

See the individual Top Ten lists here.

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The Top Tens of 2011: December 27

With over 100 top ten lists in, Tree of Life and The Descendants are firmly at the top of the scoreboard, while Drive makes a play for the number three spot.

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The Top Tens of 2011: December 23

Still a lot of lists to go, but it’s still Clooney and Pitt at the top of the chart, with The Tree of Life edging out The Descendants. The girls aren’t far behind, though – Bridesmaids and The Girl with the Dragon Tattoo are quickly catching up.

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2011 Top Tens: The First of the Lists

As the first of the Top Ten Lists start to roll in, George Clooney and Brad Pitt top the leaderboard with The Decendants and The Tree of Life. With Moneyball in the fifth spot, Pitt has two horses in the race. Only 14 lists so far .. a couple of hundred yet to go.

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Quote Unquotesee all »

“The outstanding political film of the 2016 presidential season is about the 2013 New York City mayoral race. Like many of the best documentaries, it brings you so close to people in their unguarded moments that you marvel at the trust, or complicity, that grew between the filmmakers and their subjects. Unlike most, it shows some of these people wondering how the film has even come to exist—an inescapable question, given that the intrusion into its chosen candidate’s life is extreme, and the candidate’s urge to self-broadcast has led to his extremity. “Shit. This is the worst: doing a documentary on my scandal,” mutters An­thony Weiner—seven-time US congressman, two-time New York mayoral candidate, and twice-exposed enthusiast of cell-phone flirtation—­as seen at the beginning of Weiner. At the conclusion, after this second mayoral bid has ended in humiliation, an off-camera Josh Kriegman (who codirected with Elyse Steinberg) rounds out the theme by asking the obvious: “Why have you let me film this?”
~ Stuart Klawans Measures Weiner

“This very crowded, reasonably enjoyable installment in the Avengers cycle reveals, even more than its predecessors, an essential truth about the Marvel Cinematic Universe. It’s not so much a grand science-fiction saga, or even a series of action-adventure movies, as a very expensive, perpetually renewed workplace sitcom. New characters are added as the seasons wear on. Cast members are replaced. The thing gets a little baroque and tests the boundaries of coherence, but we keep showing up because it can be pleasant, in a no-pressure, low-key kind of way, to hang out with these people as they banter and squabble and get the job done. Sometimes you want to go where everybody knows both your street name and your nom de cape. (And yes, thank you, I’m perfectly aware that these Marvel superheroes don’t wear capes.)”
~ A. O. Scott’s Captain America Review Exemplifies What Variety Once Described As “Torpid Mitting”

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