The Top Tens

The Top 10s of 2014

Boyhood sits alone at the top of the list – nothing else comes close – and then The Grand Budapest Hotel, another big gap and then the rest of the list. Guardians of the Galaxy, in case you were wondering, is sitting there at #21 just a hair away from the Top Twenty.

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The Top Ten Lists: There’s Boyhood and Then the Rest of the List

First, there’s Boyhood – still and probably forever – at the top of the chart. In other news, The Lego Movie and Leviathan both crack the top 20.

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The Top Ten Lists: And Boyhood Stands Alone

Two Days, One Night and Only Lovers Left Alive move into the Top 20, displacing Interstellar and The Lego Movie. And Boyhood stays alone at the top.

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The Top Ten Lists: The Lists Keep Coming

It’s still early, but Boyhood has a pretty commanding lead so far. The Lego Movie is falling back a little, and Foxcatcher, Ida and Citizenfour have made the top 20. Stay tuned!

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The Critics Top Tens of 2014: The First Lists

With the lists just starting to come in, Boyhood sits alone at the top of the chart.

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The Top Tens of 2013: 155 Lists and Counting

With 231 films on the list, 12 Years a Slave, Inside Llewyn Davis and Gravity continue to hold the top three spots. The Act of Killing has broken into the top five, and Lone Survivor makes its debut on the scoreboard.

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The Top Ten Lists: 2013

With more than 70 lists, there are 146 films on the scorecard. There’s a lot of agreement in the top spots, with Gravity still leading the lists, but a few are climbing the chart. Dallas Buyers Club and Short Term 12 break the top 20.

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The Top Ten Lists of 2013: 60 and Counting

With sixty lists counted, Gravity now sits at the top of the list. American Hustle has moved into the top five, and Leviathan has jumped onto the list at #15.

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The Top Tens of 2013: The Big Scoreboard

The first of the Top Ten lists are in and counted. 12 Years a Slave, Gravity and Inside Llewyn Davis lead the chart by a wide margin. But there are still a lot of lists yet to be tallied.

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The 2012 Top Tens: Updated

Another 30 lists … and the top 10 remain the same. A little bit of a shuffle in the next ten, with Looper and Skyfall moving up the chart. The next update may find The Grey stepping forward to take the #20 spot from The Sessions, but Zero Dark Thirty seems safe at the top.

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Critics Top Tens Update

The first 100 lists and Zero Dark Thirty leads the Top Tens by a significant margin. Further down the list, The Dark Knight Rises and The Sessions move into the Top 20, and The Master makes a leap forward. Still lots more lists to come …

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2012 Top Tens: The First of the Lists

As the first lists roll in, Zero Dark Thirty and Amour lead the chart. With just 21 lists, there are more than 85 movies mentioned so far… seems to be a lot of love to go around.

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Critics Top Ten List 2012: David Edelstein, New York

David Edelstein, New York 1. Zero Dark Thirty 2. Lincoln 3. Amour 4. The Gatekeepers 5. The Deep Blue Sea 6. Life of Pi 7. How to Survive a Plague and Ai Weiwei: Never Sorry 8. Pitch Perfect 9. Oslo, August 31st 10. Friends With Kids

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Critics Top Ten List 2012: Richard Corliss, TIME

Richard Corliss, TIME 1. Amour 2. Beasts of the Southern Wild 3. Life of Pi 4. Anna Karenina 5. The Dark Knight Rises 6. Zero Dark Thirty 7. Dark Horse 8. Dragon 9. Frankenweenie 10. Invisible War

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Critics Top Ten List 2012: John Waters, ARTFORUM

John Waters, ARTFORUM 1  The Deep Blue Sea 2 Paradise: Faith 3 Paradise: Love 4 Amour 5 Killer Joe 6 Beasts of the Southern Wild 7 Compliance 8 Marina Abramović: The Artist Is Present 9 Beloved 10 The Imposter  

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The Top Tens of 2011: 210 Lists And Counting

The top 20 stay the top 20, but Drive has moved around The Artist into the third position. The Tree of Life is too far out in front to chase, but overtaking The Descendants may still be possible.

See the individual Top Ten lists here.

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The Top Tens: Updated December 30

164 lists, 220 films, and The Tree of Life continues to sit on the top of the
scoreboard. As new lists come in, The Artist is closing in on the The Descendants and Tinker Tailor Soldier Spy is making a play for the top ten .. stay tuned.

See the individual Top Ten lists here.

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The Top Tens of 2011: December 27

With over 100 top ten lists in, Tree of Life and The Descendants are firmly at the top of the scoreboard, while Drive makes a play for the number three spot.

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The Top Tens of 2011: December 23

Still a lot of lists to go, but it’s still Clooney and Pitt at the top of the chart, with The Tree of Life edging out The Descendants. The girls aren’t far behind, though – Bridesmaids and The Girl with the Dragon Tattoo are quickly catching up.

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2011 Top Tens: The First of the Lists

As the first of the Top Ten Lists start to roll in, George Clooney and Brad Pitt top the leaderboard with The Decendants and The Tree of Life. With Moneyball in the fifth spot, Pitt has two horses in the race. Only 14 lists so far .. a couple of hundred yet to go.

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Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch