Note Pad

ACADEMY RESCINDS SOUND MIXING NOMINATION FOR GREG P. RUSSELL ON “13 HOURS: THE SECRET SOLDIERS OF BENGHAZI”

LOS ANGELES, CA – Upon recommendation by the Sound Branch Executive Committee, the Academy’s Board of Governors voted Thursday (2/23) to rescind the Sound Mixing nomination for Greg P. Russell from “13 Hours: The Secret Soldiers of Benghazi” for violation of Academy campaign regulations.  The decision was prompted by the discovery that Russell had called…

Read the full article » No Comments »

Oscar 89 Names Production Team

89th OSCARS® PRODUCTION TEAM ANNOUNCED Over 75 Years of Combined Oscars Telecast Experience LOS ANGELES, CA — Producers Michael De Luca and Jennifer Todd today announced eight key members of the production team for the 89th Oscars®, which will air live on Sunday, February 26, on ABC. It was previously announced that Glenn Weiss would…

Read the full article » No Comments »

USC Libraries Scripter 2017 honors “Moonlight,” “The Night Manager,” and “The People v. O.J. Simpson”

LOS ANGELES, Feb. 11, 2017 – The authors and screenwriters behind the film “Moonlight,” and the television series “The Night Manager” and “The People v. O.J. Simpson: American Crime Story” received the 29th-annual USC Libraries Scripter Award in a Feb. 11 ceremony at USC’s Doheny Memorial Library. The Scripter Award recognizes the year’s best cinematic…

Read the full article » No Comments »

The ASC Awards

“Lion” Takes Top Prize at American Society of Cinematographers Awards; “Game of Thrones,” “Mr. Robot” and “The Night Of” Win in TV Categories; “House of Others” Claims Spotlight Award Greig Fraser, ASC, ACS earned the coveted Theatrical Award for best cinematography in a motion picture for “Lion” at the 31st Annual American Society of Cinematographers…

Read the full article » No Comments »

SAG 2017 Awards

Outstanding Film and Television Performances Honored at the 23rd Annual Screen Actors Guild Awards® The Screen Actors Guild Awards® presented its coveted Actor® statuettes for the outstanding motion picture and primetime television performances of 2016 at the 23rd Annual Screen Actors Guild Awards® held Sunday, Jan. 29 at the Los Angeles Shrine Exposition Center. In…

Read the full article » No Comments »

The 2017 ACE Eddie Awards

WINNERS ANNOUNCED FOR THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST EDITING OF THE YEAR IN FILM, TELEVISION AND DOCUMENTARIES “ARRIVAL,” “LA LA LAND” AND “ZOOTOPIA” AMONG WINNERS AT THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST FILM EDITING OF THE YEAR “Arrival” (edited by Joe Walker, ACE) and “La La Land” (edited by…

Read the full article » No Comments »

Thelma Schoonmaker and Janet Ashikaga Honored by American Cinema Editors

American Cinema Editors (ACE) will present veteran editors Janet Ashikaga, ACE and Thelma Schoonmaker, ACE with the organization’s prestigious Career Achievement honors at the 67th Annual ACE Eddie Awards on Friday, January 27, 2017 in the International Ballroom of the Beverly Hilton Hotel.  The Career Achievement Award honors veteran editors whose body of work and reputation…

Read the full article » No Comments »

Oscar Scraps Dawn Nominations Presser For Online Live Stream And Featured Placement On ABC’s “Good Morning America”

  [PR] We’ve got exciting news. To welcome our new class of nominees, several Oscar®-winning and nominated Academy members including Jennifer Hudson, Brie Larson, Emmanuel Lubezki, Jason Reitman and Ken Watanabe will join Academy President Cheryl Boone Isaacs to reveal the 89th Oscars® Nominations, on Tuesday, January 24, beginning at 5:18 a.m. PST/8:18 a.m. EST/1:18…

Read the full article » 1 Comment »

Cinema Eye 2017 Awards

Cameraperson and OJ: Made In America Top 10th Annual Cinema Eye Honors Kirsten Johnson’s Cinematic Memoir Wins Outstanding Feature, Editing & Cinematography Ezra Edelman’s Epic Story of Race and Murder in Los Angeles takes Direction & Production January 11, 2017, Astoria, Queens, New York – Two of the year’s most acclaimed nonfiction films, Cameraperson and…

Read the full article » No Comments »

The Tenth Annual Cinema Eye Honors

Read the full article » No Comments »

ASC Nominations 2016

The American Society of Cinematographers (ASC) has announced nominees in the Theatrical Release and Spotlight categories for the 31sstAnnual ASC Awards for Outstanding Achievement in Cinematography. Winners will be named on February 4 at the Society’s awards gala held at Hollywood & Highland’s Ray Dolby Ballroom. Theatrical Release nominees this year include: Greig Fraser, ASC,…

Read the full article » No Comments »

PGA Nominations For 2016

The Producers Guild of America (PGA) announced today the motion picture nominations for the 28th Annual Producers Guild Awards. The categories are The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures and The Award for Outstanding Producer of Animated Theatrical Motion Pictures. All 2017 Producers Guild Award winners will be announced on Saturday,…

Read the full article » No Comments »

BAFTA 2016 Nominations

2016 NOMINATIONS (presented in 2017) BEST FILM ARRIVAL Dan Levine, Shawn Levy, David Linde, Aaron Ryder I, DANIEL BLAKE Rebecca O’Brien LA LA LAND Fred Berger, Jordan Horowitz, Marc Platt MANCHESTER BY THE SEA Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, Kevin J. Walsh MOONLIGHT Dede Gardner, Jeremy Kleiner, Adele Romanski OUTSTANDING BRITISH FILM…

Read the full article » No Comments »

Globes 2016

BEST MOTION PICTURE – DRAMA MOONLIGHT BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA ISABELLE HUPPERT ELLE BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA CASEY AFFLECK MANCHESTER BY THE SEA BEST MOTION PICTURE – MUSICAL OR COMEDY LA LA LAND Marc Platt Productions / Impostor Pictures / Gilbert…

Read the full article » No Comments »

2016 National Film Critics Society Awards

Best Picture: Moonlight Best Actor: Casey Affleck, Manchester by the Sea Best Actress: Isabelle Huppert, Elle, Things to Come Best Supporting Actor: Mahershala Ali, Moonlight Best Supporting Actress: Michelle Williams, Manchester by the Sea Best Director: Barry Jenkins, Moonlight Best Screenplay: Kenneth Lonergan, Manchester by the Sea Best Cinematography:  James Laxton, Moonlight Best Foreign Film: Toni Erdmann Film Heritage Award:  “Pioneers of African-American…

Read the full article » No Comments »

Houston Film Critics Society Awards

La Land Land Director — Damien Chazelle Screenplay — Hell Or High Water Actor — Casey Affleck, Manchester by the Sea Actress — Natalie Portman, Jackie Supporting Actor — Jeff Bridges, Hell Or High Water Supporting Actress — Viola Davis, Fences Animated Film — Kubo and the Two Strings Documentary — O.J.: Made in America Foreign…

Read the full article » 2 Comments »

Honorary Oscars Go To 18 Scientific And Technical Achievements

The Academy of Motion Picture Arts and Sciences announced today that 18 scientific and technical achievements represented by 34 individual award recipients, as well as five organizations, will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 11, 2017 at the Beverly Wilshire in Beverly Hills. “This year we are particularly…

Read the full article » No Comments »

Writers Guild Nominations 2016

SCREENPLAY NOMINEES ORIGINAL SCREENPLAY Hell or High Water, Written by Taylor Sheridan; CBS Films La La Land, Written by Damien Chazelle; Lionsgate Loving, Written by Jeff Nichols; Focus Features Manchester by the Sea, Written by Kenneth Lonergan; Amazon Studios/Roadside Attractions Moonlight, Written by Barry Jenkins, Story by Tarell McCraney; A24 ADAPTED SCREENPLAY Arrival, Screenplay by…

Read the full article » No Comments »

Online Film Critics Society Announces Winners

2016 ONLINE FILM CRITICS SOCIETY AWARDS – WINNERS PRESS RELEASE The powerful coming-of-age drama Moonlight dominated the 2016 Online Film Critics Society Awards, winning a total of four awards out of seven nominations. The film beat out competition from La La Land, Arrival, Jackie and Manchester by the Sea amongst others to be named Best…

Read the full article » No Comments »

American Cinema Editors Nominate

NOMINEES ANNOUNCED FOR THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST EDITING OF THE YEAR IN FILM, TELEVISION AND DOCUMENTARIES American Cinema Editors (ACE) today announced nominations for the 67th Annual ACE Eddie Awards recognizing outstanding editing in ten categories of film, television and documentaries.  Winners will be revealed during ACE’s annual black-tie awards ceremony…

Read the full article » No Comments »

Note Pad

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas