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Oscar 90 Reunites Kimmel, De Luca, Todd

THE 90th OSCARS® REUNITES HOST JIMMY KIMMEL AND PRODUCERS MICHAEL DE LUCA AND JENNIFER TODD FOR HOLLYWOOD’S MOST CELEBRATED EVENT OF THE YEAR LOS ANGELES, CA – For a second consecutive year, late-night talk show favorite Jimmy Kimmel will return to host the Oscars broadcast and Michael De Luca and Jennifer Todd will produce, Academy…

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Academy Sets New Rules For Oscar 90

The Academy’s Board of Governors approved Oscars® rules and campaign regulations for the 90th Academy Awards® at their most recent Board meeting on Tuesday, March 28. For the first time, nominations voting in the Animated Feature Film category will be opened up to the entire eligible voting membership.  Invitations to join the nominating committee will…

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Academy To Launch “Academy Gold” Talent Development And Inclusion Program

[PR] Sixteen Entertainment Industry Partners Participate in Pilot Year LOS ANGELES, CA – In June, the Academy of Motion Picture Arts and Sciences will launch Academy Gold, a new entertainment industry-wide summer internship and mentoring program that will expand opportunities for students and young professionals from underrepresented communities.  This initiative will afford top film entertainment,…

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Oscar Sets Dates For 2018-2021, Including March 4, 2018

THE ACADEMY AND ABC ANNOUNCE KEY DATES FOR 90TH OSCARS® THE OSCARS AIRS LIVE SUNDAY, MARCH 4, 2018 ON THE ABC TELEVISION NETWORK OSCARS DATES SELECTED FOR 2019, 2020 AND 2021 LOS ANGELES, CA – The Academy and the ABC Television Network today announced key dates for the 90th Oscars®. The Academy Awards® presentation will…

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Academy Launches 2017 Student Academy Awards Competition

THE ACADEMY LAUNCHES 2017 STUDENT ACADEMY AWARDS® COMPETITION New Expanded International Eligibility: Winners Eligible for Oscars® LOS ANGELES, CA – The Academy is now accepting entries for its 2017 Student Academy Awards® competition. All Student Academy Award® winners become eligible for Oscars® consideration. The entry deadline for submissions is Thursday, June 1. New this year, the…

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ACADEMY RESCINDS SOUND MIXING NOMINATION FOR GREG P. RUSSELL ON “13 HOURS: THE SECRET SOLDIERS OF BENGHAZI”

LOS ANGELES, CA – Upon recommendation by the Sound Branch Executive Committee, the Academy’s Board of Governors voted Thursday (2/23) to rescind the Sound Mixing nomination for Greg P. Russell from “13 Hours: The Secret Soldiers of Benghazi” for violation of Academy campaign regulations.  The decision was prompted by the discovery that Russell had called…

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Oscar 89 Names Production Team

89th OSCARS® PRODUCTION TEAM ANNOUNCED Over 75 Years of Combined Oscars Telecast Experience LOS ANGELES, CA — Producers Michael De Luca and Jennifer Todd today announced eight key members of the production team for the 89th Oscars®, which will air live on Sunday, February 26, on ABC. It was previously announced that Glenn Weiss would…

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USC Libraries Scripter 2017 honors “Moonlight,” “The Night Manager,” and “The People v. O.J. Simpson”

LOS ANGELES, Feb. 11, 2017 – The authors and screenwriters behind the film “Moonlight,” and the television series “The Night Manager” and “The People v. O.J. Simpson: American Crime Story” received the 29th-annual USC Libraries Scripter Award in a Feb. 11 ceremony at USC’s Doheny Memorial Library. The Scripter Award recognizes the year’s best cinematic…

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The ASC Awards

“Lion” Takes Top Prize at American Society of Cinematographers Awards; “Game of Thrones,” “Mr. Robot” and “The Night Of” Win in TV Categories; “House of Others” Claims Spotlight Award Greig Fraser, ASC, ACS earned the coveted Theatrical Award for best cinematography in a motion picture for “Lion” at the 31st Annual American Society of Cinematographers…

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SAG 2017 Awards

Outstanding Film and Television Performances Honored at the 23rd Annual Screen Actors Guild Awards® The Screen Actors Guild Awards® presented its coveted Actor® statuettes for the outstanding motion picture and primetime television performances of 2016 at the 23rd Annual Screen Actors Guild Awards® held Sunday, Jan. 29 at the Los Angeles Shrine Exposition Center. In…

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The 2017 ACE Eddie Awards

WINNERS ANNOUNCED FOR THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST EDITING OF THE YEAR IN FILM, TELEVISION AND DOCUMENTARIES “ARRIVAL,” “LA LA LAND” AND “ZOOTOPIA” AMONG WINNERS AT THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST FILM EDITING OF THE YEAR “Arrival” (edited by Joe Walker, ACE) and “La La Land” (edited by…

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Thelma Schoonmaker and Janet Ashikaga Honored by American Cinema Editors

American Cinema Editors (ACE) will present veteran editors Janet Ashikaga, ACE and Thelma Schoonmaker, ACE with the organization’s prestigious Career Achievement honors at the 67th Annual ACE Eddie Awards on Friday, January 27, 2017 in the International Ballroom of the Beverly Hilton Hotel.  The Career Achievement Award honors veteran editors whose body of work and reputation…

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Oscar Scraps Dawn Nominations Presser For Online Live Stream And Featured Placement On ABC’s “Good Morning America”

  [PR] We’ve got exciting news. To welcome our new class of nominees, several Oscar®-winning and nominated Academy members including Jennifer Hudson, Brie Larson, Emmanuel Lubezki, Jason Reitman and Ken Watanabe will join Academy President Cheryl Boone Isaacs to reveal the 89th Oscars® Nominations, on Tuesday, January 24, beginning at 5:18 a.m. PST/8:18 a.m. EST/1:18…

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Cinema Eye 2017 Awards

Cameraperson and OJ: Made In America Top 10th Annual Cinema Eye Honors Kirsten Johnson’s Cinematic Memoir Wins Outstanding Feature, Editing & Cinematography Ezra Edelman’s Epic Story of Race and Murder in Los Angeles takes Direction & Production January 11, 2017, Astoria, Queens, New York – Two of the year’s most acclaimed nonfiction films, Cameraperson and…

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The Tenth Annual Cinema Eye Honors

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ASC Nominations 2016

The American Society of Cinematographers (ASC) has announced nominees in the Theatrical Release and Spotlight categories for the 31sstAnnual ASC Awards for Outstanding Achievement in Cinematography. Winners will be named on February 4 at the Society’s awards gala held at Hollywood & Highland’s Ray Dolby Ballroom. Theatrical Release nominees this year include: Greig Fraser, ASC,…

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PGA Nominations For 2016

The Producers Guild of America (PGA) announced today the motion picture nominations for the 28th Annual Producers Guild Awards. The categories are The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures and The Award for Outstanding Producer of Animated Theatrical Motion Pictures. All 2017 Producers Guild Award winners will be announced on Saturday,…

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BAFTA 2016 Nominations

2016 NOMINATIONS (presented in 2017) BEST FILM ARRIVAL Dan Levine, Shawn Levy, David Linde, Aaron Ryder I, DANIEL BLAKE Rebecca O’Brien LA LA LAND Fred Berger, Jordan Horowitz, Marc Platt MANCHESTER BY THE SEA Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, Kevin J. Walsh MOONLIGHT Dede Gardner, Jeremy Kleiner, Adele Romanski OUTSTANDING BRITISH FILM…

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Globes 2016

BEST MOTION PICTURE – DRAMA MOONLIGHT BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA ISABELLE HUPPERT ELLE BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA CASEY AFFLECK MANCHESTER BY THE SEA BEST MOTION PICTURE – MUSICAL OR COMEDY LA LA LAND Marc Platt Productions / Impostor Pictures / Gilbert…

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2016 National Film Critics Society Awards

Best Picture: Moonlight Best Actor: Casey Affleck, Manchester by the Sea Best Actress: Isabelle Huppert, Elle, Things to Come Best Supporting Actor: Mahershala Ali, Moonlight Best Supporting Actress: Michelle Williams, Manchester by the Sea Best Director: Barry Jenkins, Moonlight Best Screenplay: Kenneth Lonergan, Manchester by the Sea Best Cinematography:  James Laxton, Moonlight Best Foreign Film: Toni Erdmann Film Heritage Award:  “Pioneers of African-American…

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Note Pad

Quote Unquotesee all »

“When Bay keeps these absurd plot-gears spinning, he’s displaying his skill as a slick, professional entertainer. But then there are the images of motion—I hesitate to say, of things in motion, because it’s not clear how many things there are in the movie, instead of mere digital simulations of things. It doesn’t matter. What matters is that there’s a car chase through London, seen from the level of tires, that could have gone on for an hour, um, tirelessly. What matters is that the defenestrated Cade saves himself by leaping from drone to drone in midair like a frog skipping among lotus pads; that he and Vivian slide along the colossal, polished expanses of sharply tilting age-old fields of metal like luge Olympians. What matters is that, when this heroic duo find themselves thrust out into the void of inner space from a collapsing planet, it has a terrifyingly vast emptiness that Bay doesn’t dare hold for more than an instant lest he become the nightmare-master. What matters is that the enormous thing hurtling toward Earth is composed in a fanatical detail that would repay slow-motion viewing with near-geological patience. Bay has an authentic sense of the gigantic; beside the playful enormity of his Transformerized universe, the ostensibly heroic dimensions of Ridley Scott’s and Christopher Nolan’s massive visions seem like petulant vanities.”
~ Michael Bay Gives Richard Brody A Tingle

How do you see film evolving in this age of Netflix?

I thought the swing would be quicker and more violent. There have been two landmark moments in the history of French film. First in 1946, with the creation of the CNC under the aegis of Malraux. He saved French cinema by establishing the advance on receipts and support fund mechanisms. We’re all children of this political invention. Americans think that the State gives money to French films, but they’re wrong. Through this system, films fund themselves!

The other great turning point came by the hand of Jack Lang in the 1980s, after the creation of Canal+. While television was getting ready to become the nemesis of film, he created the decoder, and a specific broadcasting space between film and television, using new investments for film. That once again saved French film.

These political decisions are important. We’re once again facing big change. If our political masters don’t take control of the situation and new stakeholders like Netflix, Google and Amazon, we’re headed for disaster. We need to create obligations for Internet service providers. They can’t always be against film. They used to allow piracy, but now that they’ve become producers themselves, they’re starting to see things in a different light. This is a moment of transition, a strong political act needs to be put forward. And it can’t just be at national level, it has to happen at European level.

Filmmaker Cédric Klapisch