Gurus o’ Gold Archive for December, 2013

Gurus o’ Gold: Holiday Contender Watch Guide

The Gurus are heading out for the holiday. But we have suggestions for your awards viewing over the holidays.

What Screeners You Should Dig Out Of The Pile (Short Term 12 and Before Midnight lead); What Films You Should You See On The BIG Screen (Gravity leads), and What Films We Will Watch Again Over The Holiday (Her leads).

May you all have a merry Christmas and a Gurus new year!

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Gurus o’ Gold: Have Yourself A Merry Little Oscar

The Gurus offer their take on the “Top 6″ categories one last time before the holiday break. Big changes in Supporting Actor and Mr. Banks might need some saving.

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Gurus o’ Gold: After SAG & Golden Globes Nods

The Gurus speak on how they see the SAG and Golden Globe nominations affecting the Oscar race. Rough day for Walt & Marty.

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Gurus o’ Gold: After Awards Week One

There’s been a lot of hardware being thrown around in the last week, so The Gurus decided to meditate on the Best Picture race and to answer the questions; who was helped, hurt, or unaffected by this week of furious activity. Look for a special Gurus update late Thursday/early Friday with reactions to both SAG and the Golden Globes nominations.

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Gurus o’ Gold: Welcome To December!

The Gurus welcome you to the awardy month of December, where nominations and critics award dreams come true and Top 10 lists sprout like weeds of love. This week, it’s Best Picture and all four acting categories, where the fast risers are American Hustle and The Wolf of Wall Street.

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“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg