Gurus o’ Gold Archive for November, 2013

Gurus o’ Gold: We Would Be Thankful For…

It’s time to give thanks and to offer what we would be thankful for. The Gurus offer up their personal choices of who and what they would be thankful for in acting (male and female) and in any category they like. There are many great choices offered up here, whether they got lots of votes or few, making The Gurus especially thankful of having so many great films and performances from which to choose.

Read the full article » 8 Comments »

Gurus o’ Gold: What If…

This week, the Gurus consider their usual Best Picture list, but then a couple of categories that don’t really exist. First, Best Screenplay, without a distinction between Original and Adapted. Then, a proposed category (which not all the Gurus agree should be created) for Best Casting of A Motion Picture.

Read the full article » 6 Comments »

Gurus o’ Gold: Only Two Films Still Waiting To Be Seen

This week, The Gurus take on Best Director and Best Animated Feature in addition to the weekly look at Best Picture, which has one big move up the chart, showing that black and white isn’t always so black and white.

Read the full article » 10 Comments »

Gurus o’ Gold: Let The Games Begin!!!

The Gurus are back with their weekly chart, from now until the week before the Oscar ceremony.

This week, Best Picture and all the acting categories.

Read the full article » 13 Comments »

Gurus o' Gold

Quote Unquotesee all »

“But okay, I promise you now that if I ever retire again, I’m going to ensure that I can’t walk it back. I’ll post a series of the most disgusting, offensive, outrageous statements you can ever imagine. That way it will be impossible for me to ever be employed again. No one is going to take my calls. No one is going to want to be seen with me. Oh, it will be scorched earth. I will have torched everything. I’m going to flame out in the most legendary fashion.”
~ Steven Soderbergh

I feel strongly connected to young cinephile culture. The thing about filmmaking—and cinephilia—is that you can’t keep hanging out with your own age group as you get older. They drop off, move somewhere. You can’t put together a crew of sixty-somethings. It’s the same for cinephilia: my original set of cinephile friends are watching DVDs at home or delving into 1958 episodes of ‘Gunsmoke,’ something like that. The people who are out there tend to be young, and I happen to be doing the same thing still, so it’s natural that I move in their circles.

In terms of the filmmaking, there was a gear shift: my first movies focused on people around my age, and I followed them for three films. Until The Unspeakable Act, I was using the same actors, not because of an affinity for people at a specific age, but because of my affinity for the actors. I like to work with actors a second time, especially if I don’t feel confident casting a new film. But The Unspeakable Act was a different script, and I had to cast all new people. Even for the older roles, I couldn’t get the people I’d worked with before. But when it was over, the same thing happened: I wanted to work with Tallie again in the worst way, and I started the process all over again.

I think Rohmer did something similar around the time of Perceval and Catherine de HeilbronnHe developed new groups of people that he liked to work with. These gear shifts are natural. Even if you want to follow certain actors to the end of their life (which I kind of do) the variety of ideas that you generate makes it necessary to change. And once you’ve made the change, you’ve got all these new people around.”
~ Dan Sallitt