Gurus o’ Gold Archive for February, 2011

Gurus o Gold… The FINAL Last Minute Changes (Round 3)

If you are interested in some last minute changes of heart in Doc, Short Doc, and Live Action Short, you’ve found the right link.

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Gurus o Gold… Last Minute Changes (Round 2)

The Last Full Gurus Chart Last Minute Changes (Round One) Gregory Ellwood Best Documentary Feature * Inside Job – 1 Best documentary short subject * The Warriors of Qiugang – 1 Best live action short film * Na Wewe – 1 Original screenplay * The King’s Speech – 1 Pete Hammond BEST DIRECTOR: David Fincher…

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Gurus o’ Last Minute Changes (Round 1)

Here are 10 last minutes changes that Gurus would like to make to their
final ballots

We’ll be back on Thursday and then again on Saturday if there are any more last second flashes of insight!

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Gurus o’ Gold – What Would The Oscars Look Like As Of Today?

All the Gurus votes are now in for the last round of voting the complete list of categories. Oscar ballots are due in by Tuesday.

The last group of votes put Melissa Leo back at the top of her category. What other surprises will there be… if The Gurus are right, 8 days from the show?

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Gurus o’ Gold – The Final Ballot, pt 3 of 3

In the last round of the last vote, the Gurus hand four Oscars to Inception, matching The King’s Speech’s four, The Social Network’s three and True Grit’s two. But are The Gurus the boss of The Academy?

We’ll know in nine days.

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Gurus o’ Gold – The Final Ballot, pt 2 of 3

We got your doc categories, your editor, your music, your make-up, your foreign language, and your animated short.

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Gurus o’ Gold – The Final Ballot, pt 1 of 3

The Gurus are handing in their final ballots in all categories. Any big changes? Well, one category in the Top 8 has a new leader. And a few races have tightened up. The campaigns that have attacked Phase II aggressively have made some inroads, at least with The Gurus. More categories tomorrow…

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Gurus o’ Gold: Has Anything Changed This Week?

As voting continues, The Gurus are asked, “Anything? Anything?”

And the answer is…

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Gurus o’ Gold – February 3, 2011

This week, the Gurus offer their view of the Best Picture race. (Not much happening there.)

Also, what are the most likely upsets on the big night? You’ll have to look for yourselves, but ladies first.

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Gurus o' Gold

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“Roger Ebert claimed that the re-editing of The Brown Bunny after Cannes allowed him a difference of opinion so vast that he first called it the worst film in history and eventually gave it a thumbs up. This is both far fetched and an outright lie. The truth is, unlike the many claims that the unfinished film that showed at Cannes was 24 minutes shorter than the finished film, it was only 8 minutes shorter. The running time I filled out on the Cannes submission form was arbitrary. The running time I chose was just a number I liked. I had no idea where in the process I would actually be when I needed to stop cutting to meet the screening deadline. So whatever running time was printed in the program, I promise you, was not the actual running time. And the cuts I made to finish the film after Cannes were not many. I shortened the opening race scene once I was able to do so digitally. After rewatching the last 4 minutes of the film over and over again, somewhere within those 4 minutes, I froze the picture and just ended the film there, cutting out everything after that point, which was about 3 minutes. Originally in the salt flats scene, the motorcycle returned from the white. I removed the return portion of that shot, which seemed too literal. And I cut a scene of me putting on a sweater. That’s pretty much it. Plus the usual frame here, frame there, final tweaks. If you didn’t like the unfinished film at Cannes, you didn’t like the finished film, and vice versa. Roger Ebert made up his story and his premise because after calling my film literally the worst film ever made, he eventually realized it was not in his best interest to be stuck with that mantra. Stuck with a brutal, dismissive review of a film that other, more serious critics eventually felt differently about. He also took attention away from what he actually did at the press screening. It is outrageous that a single critic disrupted a press screening for a film chosen in main competition at such a high profile festival and even more outrageous that Ebert was ever allowed into another screening at Cannes. His ranting, moaning and eventual loud singing happened within the first 20 minutes, completely disrupting and manipulating the press screening of my film. Afterwards, at the first public screening, booing, laughing and hissing started during the open credits, even before the first scene of the film. The public, who had heard and read rumors about the Ebert incident and about me personally, heckled from frame one and never stopped. To make things weirder, I got a record-setting standing ovation from the supporters of the film who were trying to show up the distractors who had been disrupting the film. It was not the cut nor the film itself that drew blood. It was something suspicious about me. Something offensive to certain ideologues.”
~ Vincent Gallo

“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster