Gurus o’ Gold Archive for February, 2011

Gurus o Gold… The FINAL Last Minute Changes (Round 3)

If you are interested in some last minute changes of heart in Doc, Short Doc, and Live Action Short, you’ve found the right link.

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Gurus o Gold… Last Minute Changes (Round 2)

The Last Full Gurus Chart Last Minute Changes (Round One) Gregory Ellwood Best Documentary Feature * Inside Job – 1 Best documentary short subject * The Warriors of Qiugang – 1 Best live action short film * Na Wewe – 1 Original screenplay * The King’s Speech – 1 Pete Hammond BEST DIRECTOR: David Fincher…

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Gurus o’ Last Minute Changes (Round 1)

Here are 10 last minutes changes that Gurus would like to make to their
final ballots
.

We’ll be back on Thursday and then again on Saturday if there are any more last second flashes of insight!

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Gurus o’ Gold – What Would The Oscars Look Like As Of Today?

All the Gurus votes are now in for the last round of voting the complete list of categories. Oscar ballots are due in by Tuesday.

The last group of votes put Melissa Leo back at the top of her category. What other surprises will there be… if The Gurus are right, 8 days from the show?

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Gurus o’ Gold – The Final Ballot, pt 3 of 3

In the last round of the last vote, the Gurus hand four Oscars to Inception, matching The King’s Speech’s four, The Social Network’s three and True Grit’s two. But are The Gurus the boss of The Academy?

We’ll know in nine days.

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Gurus o’ Gold – The Final Ballot, pt 2 of 3

We got your doc categories, your editor, your music, your make-up, your foreign language, and your animated short.

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Gurus o’ Gold – The Final Ballot, pt 1 of 3

The Gurus are handing in their final ballots in all categories. Any big changes? Well, one category in the Top 8 has a new leader. And a few races have tightened up. The campaigns that have attacked Phase II aggressively have made some inroads, at least with The Gurus. More categories tomorrow…

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Gurus o’ Gold: Has Anything Changed This Week?

As voting continues, The Gurus are asked, “Anything? Anything?”

And the answer is…

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Gurus o’ Gold – February 3, 2011

This week, the Gurus offer their view of the Best Picture race. (Not much happening there.)

Also, what are the most likely upsets on the big night? You’ll have to look for yourselves, but ladies first.

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Gurus o' Gold

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“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson