Gurus o’ Gold

Gurus o’ Gold: Time To Open Envelopes

In their final look at the Oscars, picking only a winner in each category, The Gurus are unanimous on 12 of 24 awards and the only categories without at least a two-thirds majority are Picture, Film Editing, and Live Action Short. Based on the Gurus vote, 12 Years A Slave would win Best Picture and 2 other Oscars, while Gravity would lead in wins for the evening, taking home 6 Oscars. And Dallas Buyers Club would have the third highest Oscar count on the night. In a year where people are talking about a limited field, Gurus voting says that the Top 8 categories would go to 5 different movies. Statisticians, start your spreadsheets.

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Gurus o’ Gold: Top 3

This week, The Gurus offer their Top 3 in 13 Oscar categories.

Only 2 of the categories are still highly competitive in the Guru voting, however, given the chance to vote on fewer than 3 in each category if they felt it was a lock, very few Gurus chose to step up to that in very few categories.

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Gurus o’ Gold: If We Could Sway The Academy

After opining on the Best Picture race (which isn’t changing much in order, but is getting tighter & tighter), The Gurus offer their personal feelings about The Race. If they could sway Academy members to vote for as many as 5 nominees to win the gold, these are the ones they would choose.

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Gurus o’ Gold: Frontrunners & Potential Upsetters

This week, The Gurus offer their weekly look at the Top Ten and then, a look at the category frontrunners and potential upsets. Cate Blanchett, Jared Leto, Lupita Nyong’o, Frozen, and the screenplay of 12 Years A Slave are the five clear frontrunners, with all 15 Gurus voting for them. The most competitive categories, by this measure, are Original Screenplay… and Best Picture.

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Gurus o’ Gold: A Week Since Nominations (2 of 2)

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Gurus o’ Gold: A Week Since Nominations (1 of 2)

One week after nominations, the Gurus go through all the categories (except for shorts) again. And while most of the changes are shifts among the runners up, the big shake-up is at the top of the Best Picture chart, as 12 Years A Slave retakes the top slot and American Hustle falls all the way to…

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Gurus o’ Gold: Nomination Day (Page 1 of 2)

The Gurus (at least 9 of them… for now) are offering up 20 categories (leaving out only the short films, which have not been widely seen by the group), a first-blush look at the frontrunners coming off of nominations morning.

If you were to go by The Gurus guesses today, Gravity would dominate as the leading Oscar winners with 6 wins. But might one of them be Best Picture?

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Gurus o’ Gold: Nomination Day (Page 2 of 2)

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Gurus o’ Gold: Last Stand Before Nominations

The Gurus are back from vacation, just in time to preview the nominations and to shout out about potential surprises – good and bad – on Thursday morning. Moving up the charts are American Hustle, The Wolf of Wall Street, and Dallas Buyers Club. Perhaps in trouble, that Out of Africa duo, Meryl Streep & Robert Redford.

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Gurus o’ Gold: Holiday Contender Watch Guide

The Gurus are heading out for the holiday. But we have suggestions for your awards viewing over the holidays.

What Screeners You Should Dig Out Of The Pile (Short Term 12 and Before Midnight lead); What Films You Should You See On The BIG Screen (Gravity leads), and What Films We Will Watch Again Over The Holiday (Her leads).

May you all have a merry Christmas and a Gurus new year!

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Gurus o’ Gold: Have Yourself A Merry Little Oscar

The Gurus offer their take on the “Top 6″ categories one last time before the holiday break. Big changes in Supporting Actor and Mr. Banks might need some saving.

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Gurus o’ Gold: After SAG & Golden Globes Nods

The Gurus speak on how they see the SAG and Golden Globe nominations affecting the Oscar race. Rough day for Walt & Marty.

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Gurus o’ Gold: After Awards Week One

There’s been a lot of hardware being thrown around in the last week, so The Gurus decided to meditate on the Best Picture race and to answer the questions; who was helped, hurt, or unaffected by this week of furious activity. Look for a special Gurus update late Thursday/early Friday with reactions to both SAG and the Golden Globes nominations.

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Gurus o’ Gold: Welcome To December!

The Gurus welcome you to the awardy month of December, where nominations and critics award dreams come true and Top 10 lists sprout like weeds of love. This week, it’s Best Picture and all four acting categories, where the fast risers are American Hustle and The Wolf of Wall Street.

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Gurus o’ Gold: We Would Be Thankful For…

It’s time to give thanks and to offer what we would be thankful for. The Gurus offer up their personal choices of who and what they would be thankful for in acting (male and female) and in any category they like. There are many great choices offered up here, whether they got lots of votes or few, making The Gurus especially thankful of having so many great films and performances from which to choose.

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Gurus o’ Gold: What If…

This week, the Gurus consider their usual Best Picture list, but then a couple of categories that don’t really exist. First, Best Screenplay, without a distinction between Original and Adapted. Then, a proposed category (which not all the Gurus agree should be created) for Best Casting of A Motion Picture.

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Gurus o’ Gold: Only Two Films Still Waiting To Be Seen

This week, The Gurus take on Best Director and Best Animated Feature in addition to the weekly look at Best Picture, which has one big move up the chart, showing that black and white isn’t always so black and white.

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Gurus o’ Gold: Let The Games Begin!!!

The Gurus are back with their weekly chart, from now until the week before the Oscar ceremony.

This week, Best Picture and all the acting categories.

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Gurus o’ Gold: Post New York Film Festival

This week, in our last pre-November rankings, The Gurus are looking at the Best Picture race, split into films that have been widely seen by the industry (in theatrical release, wide screenings or at festivals) and those that have not.

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Gurus o’ Gold Post-Venice/Telluride/Toronto

We tried something a little different this week. First, we picked our Top 8, without ranking them. Then, we picked out Next 7, also without ranking them. The idea was to create some degree of hierarchy without beating the rankings to death this early in the award season.

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Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé