Gurus o’ Gold

Gurus o’ Gold: The Final Vote – Every Category (2 of 2)

Page 1 Page 1 Pre-Venice/Telluride/Toronto Best Picture Field Post-Venice/Telluride/Toronto Best Picture Field After New York… Just Before Selma & American Sniper Just After Selma & American Sniper Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time Thanksgiving Week The Rise of Selma Gurus o’ Gold-n-Globes) The Top 8 Categories Heading Into The Holiday Break…

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Gurus o’ Gold: The Final Vote – Every Category (1 of 2)

In the final vote of the season, The Gurus project only three changes in category leaders. They also envision The Grand Budapest Hotel winning the most Oscars, but not Best Picture. Boyhood will be the second most awarded with three. And two each for Birdman and American Sniper.

Are they right? The answers are coming on Sunday…

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Gurus o’ Gold: 6 Days Of Voting Left

It’s almost time for the party. The Gurus’ Best Picture chart features just one film moving up.

In addition, The Gurus offer which name they would not be surprised to hear on Oscar night when conventional wisdom says otherwise. And in that category, the is one clear standout.

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Gurus o’ Gold: Final Voting Starts This Week (2 of 2)

Page 1 of 2 Page 1 of 2 Pre-Venice/Telluride/Toronto Best Picture Field Post-Venice/Telluride/Toronto Best Picture Field After New York… Just Before Selma & American Sniper Just After Selma & American Sniper Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time Thanksgiving Week The Rise of Selma Gurus o’ Gold-n-Globes) The Top 8 Categories Heading…

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Gurus o’ Gold: Final Voting Starts This Week (1 of 2)

The Gurus go the whole 22 (excluding shorts) as The Academy voting is about to begin. There is a lot of movement, though the projected winner has only changed in 2 categories since Nomination Day.

Part 2 is here

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Gurus o’ Gold: A Week After Nominations… Any Changes?

The Gurus update their Best Picture picks and answer this question: Has the leader in any of the other categories changed, in your view, over the last week?

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Gurus o’ Gold: Nomination Day (1 of 2)

The Gurus have voted on the slotting of 22 categories (no shorts yet) after today’s nominations. And if you listen to the Gurus today, 14 of those awards will be split pretty evenly between Boyhood, Birdman, and The Grand Budapest Hotel.

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Gurus o’ Gold: Nomination Day (2 of 2)

Page 1 of 2 Pre-Venice/Telluride/Toronto Best Picture Field Post-Venice/Telluride/Toronto Best Picture Field After New York… Just Before Selma & American Sniper Just After Selma & American Sniper Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time Thanksgiving Week The Rise of Selma Gurus o’ Gold-n-Globes) The Top 8 Categories Heading Into The Holiday Break…

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Gurus o’ Gold: One Last Guess Before Nominations

The Gurus are back for one more round before nominations are announced on Thursday morning. The last slots for Best Director and Best Adapted Screenplay are the most contentious slots for The Gurus. And Grand Budapest Hotel moves up slightly while Selma moves down slightly.

Look for the Gurus rankings of all the categories (other than shorts) on Thursday afternoon.

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Gurus o’ Gold: Back From The Holidays, Polls Close Thursday

The Gurus are back from the holidays and just after PGA nominations, another look at the Best Picture race as the Oscar nominations speed towards a close on Thursday. Eleven different films got Top 10 votes from more than half the Gurus, keeping things interesting.

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Gurus o’ Gold: Academy Members, Please Watch…

The Gurus wish you a Merry Christmas and whisper the names of the films they hope will end up in the Academy membership’s viewing stockings to be watched before the new year. At the top of the list, NightcrawlerA Most Violent YearTwo Days, One Night

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Gurus o’ Gold: The Top 8 Categories Heading Into The Holiday Break

The Gurus take on the “Top 8″ categories… Picture, Acting, Screenplay, and Director. Selma continues to fly high, but the big mover this week is The Grand Budapest Hotel. And the biggest loser? Foxcatcher across the board.

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Gurus o’ Gold(-n-Globes)

The Gurus pay tribute to The Golden Globe nominations (due Thursday morning), but projecting the Picture, Actor & Actress races. And of course, this week’s update on Oscar’s Best Picture race.

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Gurus o’ Gold: The Rise of Selma

The Gurus are back from the holidays with a look at Best Picture and Best Director, where Ava Duvernay is red hot and some of the big names aren’t diddly squat.

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Gurus o’ Gold: Thanksgiving Week

This week, The Gurus offer up opinions on Best Picture and the two Supporting Acting categories. Also, what movies should voters try to see this holiday weekend before nominations commence? It’s a pretty big list, which is a sign of a strong year of movies, if not easy awards choices.

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Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time

There’s been a march on the Top Ten and the man leading the charge has moved up the Actors list as well. The field narrows as the holiday gets closer.

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Gurus o Gold: Just After Selma & American Sniper

The Gurus voted on Best Picture again this week after the Tuesday screenings of Selma and American Sniper. One of the films skyrocketed into the Top 6.

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Gurus o Gold: Just Before Selma & American Sniper

The Gurus rank the Top 6 categories right before the AFI double feature of Selma and American Sniper. Will either film move into the Top 10? You’ll have to wait for the next charts to find out…

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Gurus o’ Gold: After New York…

This week, the Gurus take on Picture, Actor, Actress, Supporting Actress, Supporting Actor, and Director. And if The Gurus are right at this point, all five of these individual honors would got to first-time winners and 3 of the 5 would have never been nominated before.

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Gurus o’ Gold: Post-Venice/Telluride/Toronto Best Picture Field

Do the fall festivals matter? The Gurus chime in with their look at the Best Picture race, which has changed, particularly with the rise of 2 titles, but still finds the pre-fest Top 7 all residing int he Top 9 of this new chart.

Also, the actors and actresses who got the biggest festival bumps.

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Gurus o' Gold

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“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

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