Scoreboards – Critics Awards

THE BOSTON ONLINE FILM CRITICS ASSOCIATION ANNOUNCES FOURTH ANNUAL AWARDS

THE BOSTON ONLINE FILM CRITICS ASSOCIATION ANNOUNCES FOURTH ANNUAL AWARDS December 5, 2015 (Boston, MA) -The Boston Online Film Critics Association have chosen their winners for 2015. Awards were selected via a system of online voting and announced on their website at www.bofca.com. After spirited and competitive voting, the recipients of the Fourth Annual BOFCA…

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The 2014 Critics Choice Movie Awards Go To…

Best Picture – “Boyhood” Best Actor – Michael Keaton, “Birdman” Best Actress – Julianne Moore, “Still Alice” Best Supporting Actor – J.K. Simmons, “Whiplash” Best Supporting Actress – Patricia Arquette, “Boyhood” Best Young Actor/Actress – Ellar Coltrane, “Boyhood” Best Acting Ensemble – “Birdman” Best Director – Richard Linklater, “Boyhood” Best Original Screenplay – Alejandro G….

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2014 EDA Award Winners

AWFJ EDA ‘BEST OF’ AWARDS These awards are presented to females and/or males. Best Film BOYHOOD Best Director (Female or Male) Richard Linklater for BOYHOOD Best Screenplay, Original BIRDMAN – Alejandro Gonzales Inarritu, Nicholas Giacobone, Alexander Dinelaris, Armando Bo Best Screenplay, Adapted GONE GIRL – Gillian Flynn Best Documentary CITIZENFOUR – Laura Poitras Best Animated Film…

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Houston Film Critics 2014

Houston Film Critics Honor Boyhood, Gyllenhall and Moore   Richard Linklater’s Boyhood dominated the proceedings, winning awards for Best Picture, Director, Screenplay, Supporting Actress (Patricia Arquette) and Technical Achievement. It was also received the Texas Independent Film Award, a special recognition for films shot in the state.   Jake Gyllenhall bested a competitive field of leading actors to…

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Oklahoma Film Critics Circle Names Boyhood Top Film of 2014

  OKLAHOMA CITY, January 5, 2015—The Oklahoma Film Critics Circle, a statewide group of professional film critics, announced its ninth annual list of awards for achievement in cinema, awarding Best Director to Richard Linklater and naming Linklater’s film, Boyhood, the Top Film of 2014. Boyhood’s Patricia Arquette won Best Supporting Actress, giving the film a total of three…

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Critics Awards 2014: Washington, D.C. Area Film Critics

Best Film: Boyhood Best Director: Richard Linklater (Boyhood) Best Actor: Michael Keaton (Birdman or (The Unexpected Virtue of Ignorance)) Best Actress: Julianne Moore (Still Alice) Best Supporting Actor: J.K. Simmons (Whiplash) Best Supporting Actress: Patricia Arquette (Boyhood) Best Acting Ensemble: Birdman or (The Unexpected Virtue of Ignorance) Best Youth Performance: Ellar Coltrane (Boyhood) Best Adapted…

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Critics Awards 2014: Boston Online Film Critics

Best Picture Snowpiercer Best Director Birdman, Alejandro Gonzalez Inarritu Best Actor Calvary, Brendan Gleeson Best Actress Marion Cotillard, Two Days, One Night Best Supporting Actor Edward Norton, Birdman Best Supporting Actress Tilda Swinton, Snowpiercer Best Screenplay Calvary, John Michael McDonagh Best Foreign Language Film Two Days, One Night Best Documentary Life Itself Best ANimated Film…

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2014 Critics Awards: New York Film Critics

Best Picture Boyhood Best Director Richard Linklater, Boyhood Best First Film Jennifer Kent, The Babadook Best Actress Marion Cotillard, The Immigrant and Two Days, One Night. Best Actor Timothy Spall, Mr. Turner Best Cinematography Darius Khondji, The Immigrant Best Screenplay The Grand Budapest Hotel  Best Supporting Actress Patricia Arquette, Boyhood Best Supporting Actor J.K. Simmons, Whiplash Best Nonfiction Film CitizenFour Best Foreign Language Film Ida…

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2014 Critics Awards: Utah Film Critics Association

Picture Birdman Director Alejandro G Iñarritu, Birdman Actor Michael Keaton, Birdman Actress Rosamund Pike, Gone Girl Supporting Actor JK Simmons, Whiplash Supporting Actress Jessica Chastain, A Most Violent Year Original Screenplay Birdman, screenplay by Alejandro G Iñarritu, Nicolas Giacobone, Alexander Dinelaris, Armando Bo Adapted Screenplay: (tie) Inherent Vice, screenplay by Paul Thomas Anderson; and Snowpiercer,…

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2014 Critics Awards Chicago Film Critics Association

BEST PICTURE Boyhood BEST DIRECTOR Richard Linklater–Boyhood BEST ACTOR Michael Keaton–Birdman BEST ACTRESS Julianne Moore–Still Alice BEST SUPPORTING ACTOR J.K. Simmons–Whiplash BEST SUPPORTING ACTRESS Patricia Arquette–Boyhood BEST ORIGINAL SCREENPLAY Wes Anderson–The Grand Budapest Hotel BEST ADAPTED SCREENPLAY Gillian Flynn–Gone Girl BEST ART DIRECTION The Grand Budapest Hotel BEST CINEMATOGRAPHY (TIE) Birdman–Emmanuel Lubezki The Grand Budapest Hotel–Robert…

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2014 Critics Awards Online Film Critics Society

Best Picture The Grand Budapest Hotel Best Animated Feature The Lego Movie Best Film Not in the English Language Two Days, One Night Best Documentary Life Itself Best Director Richard Linklater – Boyhood Best Actor Michael Keaton – Birdman Best Actress Rosamund Pike – Gone Girl Best Supporting Actor Edward Norton – Birdman Best Supporting…

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2014 Critics Awards: Indiana Film Journalists Association

Best Film Boyhood   Best Animated Feature The LEGO Movie   Best Foreign Language Film Two Days, One Night   Best Documentary Life Itself   Best Original Screenplay Wes Anderson, The Grand Budapest Hotel   Best Adapted Screenplay Damien Chazelle, Whiplash   Best Director Richard Linklater, Boyhood   Best Actress Reese Witherspoon, Wild   Best…

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Chicago Film Critics Association 2014 Nominations

  BEST PICTURE   Birdman Boyhood The Grand Budapest Hotel Under the Skin Whiplash   BEST DIRECTOR   Wes Anderson–The Grand Budapest Hotel David Fincher–Gone Girl Alejandro Gonzalez Inarritu–Birdman Richard Linklater–Boyhood Christopher Nolan–Interstellar   BEST ACTOR   Benedict Cumberbatch–The Imitation Game Jake Gyllenhaal–Nightcrawler Michael Keaton–Birdman David Oyelowo–Selma Eddie Redmayne–The Theory of Everything   BEST ACTRESS…

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2014 Critics Awards: Los Angeles Film Critics

Best Picture BOYHOOD Runner-up: THE GRAND BUDAPEST HOTEL Best Director Richard Linklater, BOYHOOD Runner-up: GRAND BUDAPEST HOTEL, Wes Anderson Best Actor Tom Hardy, LOCKE Runner-up: Michael Keaton, BIRDMAN Best Actress Patricia Arquette, BOYHOOD Runner-up: Julianne Moore, STILL ALICE Best Supporting Actor J.K. Simmons, WHIPLASH Runner-up: Edward Norton, BIRDMAN Best Supporting Actress Agata Kulesza, IDA Runner-up:…

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2014 Critics Awards: National Board of Review

Best Film A Most Violent Year Best Director Clint Eastwood – American Sniper Best Actor (TIE) Oscar Isaac – A Most Violent Year; Michael Keaton – Birdman Best Actress Julianne Moore – Still Alice Best Supporting Actor Edward Norton – Birdman Best Supporting Actress Jessica Chastain – A Most Violent Year Best Original Screenplay Phil…

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2014 Critics Awards: Boston Film Critics

BEST PICTURE SNOWPIERCER BEST DIRECTOR Alejandro González Iñárritu for BIRDMAN BEST ACTOR Brendan Gleeson – for his performance as an emotionally troubled and tortured priest in CALVARY BEST ACTRESS Marion Cotillard – for her role as a desperate wife and mother trying to hold on to her job in TWO DAYS, ONE NIGHT BEST SUPPORTING…

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Vancouver Film Critics Awards 2013

INTERNATIONAL AWARDS BEST FILM 12 Years a Slave BEST ACTOR Oscar Isaac, Inside Llewyn Davis BEST ACTRESS Cate Blanchett, Blue Jasmine BEST SUPPORTING ACTOR Jared Leto, Dallas Buyers Club BEST SUPPORTING ACTRESS Jennifer Lawrence, American Hustle BEST DIRECTOR Alfonso Cuaron, Gravity BEST SCREENPLAY Joel and Ethan Coen, Inside Llewyn Davis BEST FOREIGN FILM The Hunt…

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Oklahoma Film Critics Circle Awards 2013

2013 Film Awards Best Film Her Top 10 Films 1. Her 2. American Hustle 3. 12 Years a Slave 4. Gravity 5. Inside Llewyn Davis 6. Captain Philips 7. The Wolf of Wall Street 8. All Is Lost 9. Dallas Buyers Club 10. Prisoners Best Actor Chiwetel Ejiofor – 12 Years a Slave Best Actress…

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2013 Critics Awards: Utah Film Critics Association

Best Picture: Gravity Best Director: Alfonso Cuarón Best Actor: Chiwetel Ejiofor, 12 Years a Slave Best Actress: Adèle Exarchopoulos, Blue Is the Warmest Color Best Supporting Actor: Bill Nighy, About Time Best Supporting Actress: Scarlett Johansson, Her Best Original Screenplay: Simon Pegg & Edgar Wright, The World’s End Best Adapted Screenplay: Julie Delpy, Ethan Hawke & Richard…

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2013 Critics Awards: Las Vegas Film Critics Society

Best Picture “12 Years a Slave” Best Director Steve McQueen, “12 Years a Slave” Best Actor Matthew McConaughey, “Dallas Buyers Club” Best Actress Emma Thompson, “Saving Mr. Banks” Best Supporting Actor Jared Leto, “Dallas Buyers Club” Best Supporting Actress Lupita Nyong’o, “12 Years a Slave” Best Screenplay Spike Jonze, “Her” Best Foreign Film “Blue is…

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“Only a small percentage say they’d pay $25 or $50 to see a film at home on the same day it opens in theaters, [reports] the survey by CivicScience. CivicScience is a Pittsburgh-based market-research firm that surveys a representative sample of consumers via questions embedded on hundreds of websites.”

Playwright-Screenwriter-Novelist David Storey, 83, Wrote This Sporting Life, “Home,” In Celebration

Ben Wheatley Designed His Free Fire Shootout In Minecraft

Hanna Schygulla On Surviving Fassbinder By Over Three Decades

Richard A. Roth, 76, Produced Summer of ’42, Sherlock Holmes’ Smarter Brother, Our Time, Outland

Survivors Of 24-Hour Wellington, NZ Harry Potter Marathon Saluted

“She took to Annie in a way I could not have predicted. She became obsessed with the songs, she knows the dance routine from ‘It’s A Hard Knock Life,’ carrying buckets and rags around, flopping on the floor, gesticulating wildly. She insists, sometimes, that we refer to her as Annie. She renamed our dog Penny; occasionally, I answer to ‘Miss Hannigan.’ I didn’t know until recently that the movie itself is often considered by critics to be ‘not good.’ To me, it is perfect. The songs are brilliant, the choreography lovely, the casting is genius. I admit that I see all of this not with the eyes of a critic but through the thick glasses of nostalgia, and yet, I know that this movie has real artistry to it.”

“The studios are being challenged from every which way. We’re on the precipice of big seismic changes, and whenever that happens, there are upheavals in management.”

States May Counter Senate Plans To Eliminate Internet Privacy For Profit

Robert Evans On The London Stage Adaptation Of “The Kid Stays In The Picture”

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas