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Scoreboards – Critics Awards

The 2014 Critics Choice Movie Awards Go To…

Best Picture – “Boyhood” Best Actor – Michael Keaton, “Birdman” Best Actress – Julianne Moore, “Still Alice” Best Supporting Actor – J.K. Simmons, “Whiplash” Best Supporting Actress – Patricia Arquette, “Boyhood” Best Young Actor/Actress – Ellar Coltrane, “Boyhood” Best Acting Ensemble – “Birdman” Best Director – Richard Linklater, “Boyhood” Best Original Screenplay – Alejandro G….

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2014 EDA Award Winners

AWFJ EDA ‘BEST OF’ AWARDS These awards are presented to females and/or males. Best Film BOYHOOD Best Director (Female or Male) Richard Linklater for BOYHOOD Best Screenplay, Original BIRDMAN – Alejandro Gonzales Inarritu, Nicholas Giacobone, Alexander Dinelaris, Armando Bo Best Screenplay, Adapted GONE GIRL – Gillian Flynn Best Documentary CITIZENFOUR – Laura Poitras Best Animated Film…

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Houston Film Critics 2014

Houston Film Critics Honor Boyhood, Gyllenhall and Moore   Richard Linklater’s Boyhood dominated the proceedings, winning awards for Best Picture, Director, Screenplay, Supporting Actress (Patricia Arquette) and Technical Achievement. It was also received the Texas Independent Film Award, a special recognition for films shot in the state.   Jake Gyllenhall bested a competitive field of leading actors to…

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Oklahoma Film Critics Circle Names Boyhood Top Film of 2014

  OKLAHOMA CITY, January 5, 2015—The Oklahoma Film Critics Circle, a statewide group of professional film critics, announced its ninth annual list of awards for achievement in cinema, awarding Best Director to Richard Linklater and naming Linklater’s film, Boyhood, the Top Film of 2014. Boyhood’s Patricia Arquette won Best Supporting Actress, giving the film a total of three…

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Critics Awards 2014: Washington, D.C. Area Film Critics

Best Film: Boyhood Best Director: Richard Linklater (Boyhood) Best Actor: Michael Keaton (Birdman or (The Unexpected Virtue of Ignorance)) Best Actress: Julianne Moore (Still Alice) Best Supporting Actor: J.K. Simmons (Whiplash) Best Supporting Actress: Patricia Arquette (Boyhood) Best Acting Ensemble: Birdman or (The Unexpected Virtue of Ignorance) Best Youth Performance: Ellar Coltrane (Boyhood) Best Adapted…

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Critics Awards 2014: Boston Online Film Critics

Best Picture Snowpiercer Best Director Birdman, Alejandro Gonzalez Inarritu Best Actor Calvary, Brendan Gleeson Best Actress Marion Cotillard, Two Days, One Night Best Supporting Actor Edward Norton, Birdman Best Supporting Actress Tilda Swinton, Snowpiercer Best Screenplay Calvary, John Michael McDonagh Best Foreign Language Film Two Days, One Night Best Documentary Life Itself Best ANimated Film…

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2014 Critics Awards: New York Film Critics

Best Picture Boyhood Best Director Richard Linklater, Boyhood Best First Film Jennifer Kent, The Babadook Best Actress Marion Cotillard, The Immigrant and Two Days, One Night. Best Actor Timothy Spall, Mr. Turner Best Cinematography Darius Khondji, The Immigrant Best Screenplay The Grand Budapest Hotel  Best Supporting Actress Patricia Arquette, Boyhood Best Supporting Actor J.K. Simmons, Whiplash Best Nonfiction Film CitizenFour Best Foreign Language Film Ida…

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2014 Critics Awards: Utah Film Critics Association

Picture Birdman Director Alejandro G Iñarritu, Birdman Actor Michael Keaton, Birdman Actress Rosamund Pike, Gone Girl Supporting Actor JK Simmons, Whiplash Supporting Actress Jessica Chastain, A Most Violent Year Original Screenplay Birdman, screenplay by Alejandro G Iñarritu, Nicolas Giacobone, Alexander Dinelaris, Armando Bo Adapted Screenplay: (tie) Inherent Vice, screenplay by Paul Thomas Anderson; and Snowpiercer,…

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2014 Critics Awards Chicago Film Critics Association

BEST PICTURE Boyhood BEST DIRECTOR Richard Linklater–Boyhood BEST ACTOR Michael Keaton–Birdman BEST ACTRESS Julianne Moore–Still Alice BEST SUPPORTING ACTOR J.K. Simmons–Whiplash BEST SUPPORTING ACTRESS Patricia Arquette–Boyhood BEST ORIGINAL SCREENPLAY Wes Anderson–The Grand Budapest Hotel BEST ADAPTED SCREENPLAY Gillian Flynn–Gone Girl BEST ART DIRECTION The Grand Budapest Hotel BEST CINEMATOGRAPHY (TIE) Birdman–Emmanuel Lubezki The Grand Budapest Hotel–Robert…

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2014 Critics Awards Online Film Critics Society

Best Picture The Grand Budapest Hotel Best Animated Feature The Lego Movie Best Film Not in the English Language Two Days, One Night Best Documentary Life Itself Best Director Richard Linklater – Boyhood Best Actor Michael Keaton – Birdman Best Actress Rosamund Pike – Gone Girl Best Supporting Actor Edward Norton – Birdman Best Supporting…

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2014 Critics Awards: Indiana Film Journalists Association

Best Film Boyhood   Best Animated Feature The LEGO Movie   Best Foreign Language Film Two Days, One Night   Best Documentary Life Itself   Best Original Screenplay Wes Anderson, The Grand Budapest Hotel   Best Adapted Screenplay Damien Chazelle, Whiplash   Best Director Richard Linklater, Boyhood   Best Actress Reese Witherspoon, Wild   Best…

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Chicago Film Critics Association 2014 Nominations

  BEST PICTURE   Birdman Boyhood The Grand Budapest Hotel Under the Skin Whiplash   BEST DIRECTOR   Wes Anderson–The Grand Budapest Hotel David Fincher–Gone Girl Alejandro Gonzalez Inarritu–Birdman Richard Linklater–Boyhood Christopher Nolan–Interstellar   BEST ACTOR   Benedict Cumberbatch–The Imitation Game Jake Gyllenhaal–Nightcrawler Michael Keaton–Birdman David Oyelowo–Selma Eddie Redmayne–The Theory of Everything   BEST ACTRESS…

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2014 Critics Awards: Los Angeles Film Critics

Best Picture BOYHOOD Runner-up: THE GRAND BUDAPEST HOTEL Best Director Richard Linklater, BOYHOOD Runner-up: GRAND BUDAPEST HOTEL, Wes Anderson Best Actor Tom Hardy, LOCKE Runner-up: Michael Keaton, BIRDMAN Best Actress Patricia Arquette, BOYHOOD Runner-up: Julianne Moore, STILL ALICE Best Supporting Actor J.K. Simmons, WHIPLASH Runner-up: Edward Norton, BIRDMAN Best Supporting Actress Agata Kulesza, IDA Runner-up:…

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2014 Critics Awards: National Board of Review

Best Film A Most Violent Year Best Director Clint Eastwood – American Sniper Best Actor (TIE) Oscar Isaac – A Most Violent Year; Michael Keaton – Birdman Best Actress Julianne Moore – Still Alice Best Supporting Actor Edward Norton – Birdman Best Supporting Actress Jessica Chastain – A Most Violent Year Best Original Screenplay Phil…

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2014 Critics Awards: Boston Film Critics

BEST PICTURE SNOWPIERCER BEST DIRECTOR Alejandro González Iñárritu for BIRDMAN BEST ACTOR Brendan Gleeson – for his performance as an emotionally troubled and tortured priest in CALVARY BEST ACTRESS Marion Cotillard – for her role as a desperate wife and mother trying to hold on to her job in TWO DAYS, ONE NIGHT BEST SUPPORTING…

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Vancouver Film Critics Awards 2013

INTERNATIONAL AWARDS BEST FILM 12 Years a Slave BEST ACTOR Oscar Isaac, Inside Llewyn Davis BEST ACTRESS Cate Blanchett, Blue Jasmine BEST SUPPORTING ACTOR Jared Leto, Dallas Buyers Club BEST SUPPORTING ACTRESS Jennifer Lawrence, American Hustle BEST DIRECTOR Alfonso Cuaron, Gravity BEST SCREENPLAY Joel and Ethan Coen, Inside Llewyn Davis BEST FOREIGN FILM The Hunt…

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Oklahoma Film Critics Circle Awards 2013

2013 Film Awards Best Film Her Top 10 Films 1. Her 2. American Hustle 3. 12 Years a Slave 4. Gravity 5. Inside Llewyn Davis 6. Captain Philips 7. The Wolf of Wall Street 8. All Is Lost 9. Dallas Buyers Club 10. Prisoners Best Actor Chiwetel Ejiofor – 12 Years a Slave Best Actress…

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2013 Critics Awards: Utah Film Critics Association

Best Picture: Gravity Best Director: Alfonso Cuarón Best Actor: Chiwetel Ejiofor, 12 Years a Slave Best Actress: Adèle Exarchopoulos, Blue Is the Warmest Color Best Supporting Actor: Bill Nighy, About Time Best Supporting Actress: Scarlett Johansson, Her Best Original Screenplay: Simon Pegg & Edgar Wright, The World’s End Best Adapted Screenplay: Julie Delpy, Ethan Hawke & Richard…

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2013 Critics Awards: Las Vegas Film Critics Society

Best Picture “12 Years a Slave” Best Director Steve McQueen, “12 Years a Slave” Best Actor Matthew McConaughey, “Dallas Buyers Club” Best Actress Emma Thompson, “Saving Mr. Banks” Best Supporting Actor Jared Leto, “Dallas Buyers Club” Best Supporting Actress Lupita Nyong’o, “12 Years a Slave” Best Screenplay Spike Jonze, “Her” Best Foreign Film “Blue is…

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2013 Critics Awards: Kansas City Film Critics

Best Picture “12 Years a Slave” Best Director (tie) Alfonso Cuarón, “Gravity” and Steve McQueen, “12 Years a Slave” Best Actor Chiwetel Ejiofor, “12 Years a Slave” Best Actress Sandra Bullock, “Gravity” Best Supporting Actor Michael Fassbender, “12 Years a Slave” Best Supporting Actor Lupita Nyong’o, “12 Years a Slave” Best Adapted Screenplay “12 Years a Slave”…

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Quote Unquotesee all »

“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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