Awards Update Archive for November, 2014

20 Weeks To Oscar: The Trouble With Biopics

We’re close to an all-biopic Oscar season. Maybe that’s why it’s such a blur right now. The Imitation Game, The Theory of Everything, Selma, Unbroken, Foxcatcher, Mr. Turner, Big Eyes, and American Sniper are all specifically biopics. Boyhood and Birdman are fiction, but have major biographical elements driving them. Lots of bios.

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Gurus o’ Gold: Thanksgiving Week

This week, The Gurus offer up opinions on Best Picture and the two Supporting Acting categories. Also, what movies should voters try to see this holiday weekend before nominations commence? It’s a pretty big list, which is a sign of a strong year of movies, if not easy awards choices.

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Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time

There’s been a march on the Top Ten and the man leading the charge has moved up the Actors list as well. The field narrows as the holiday gets closer.

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20 Weeks To Oscar – The Ides Of November

It’s still early. And it’s so late! There are a few titles floating out there, waiting for their moment in the spotlight. But it’s getting awfully late to make a first impression.

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Gurus o Gold: Just After Selma & American Sniper

The Gurus voted on Best Picture again this week after the Tuesday screenings of Selma and American Sniper. One of the films skyrocketed into the Top 6.

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Foxcatcher’s Bennett Miller On America’s Quest For Father Figures

Foxcatcher‘s Bennett Miller On America’s Quest For Father Figures

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Awards Update

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier