Awards Update Archive for October, 2011

19 Weeks To Oscar (20W2O) Charts: October 23, 2011

With 19 weeks to go, the Oscar race has barely moved. The only real event of the last week was the successful release of Tintin in 19 countries overseas.

That’s all about to change. In the next 3 weeks, most of the award season will take root. All but a couple of the contenders will be exposed to the light. Talent will be filling the corridors of LA’s hotels and screening rooms at a nearly insane level. Some will rise. Some will fall.

But for now… animation.

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Brett Ratner Is Amused

Brett Ratner Is Amused

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19 Weeks To Oscar: The Mean Season?

It’s a tough year for Oscar voters. Lots of great movies… but not too many that will leave them walking out of the theater with a smile on their face for the whole human race. Insanity, rape, murder, sex addiction, 9/11, and even one of the “feel goods” is about sacrificing something you love for your country. Fun Fun Fun!

(Charts to come.)

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20 Weeks To Oscar (20W2O) Charts: October 23, 2011

We are now on the 20 week road to Oscar and here, to go with
the first column of this year’s series, are the first set of post-Toronto charts for Best Picture and the four acting categories. Six unseen movies are still major question marks in all of the races, especially Best Picture, which could have anywhere from 5 to 10 nominees this year.

(BP Chart corrected, Monday 11:30a)

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20 Weeks To Oscar: Line Dance

20 years of Oscar consultants, in-house and out, figuring out how to game the system, and a decade of deteriorating media standards has led to an out-of-date response mechanism at The Academy, which just wants to do what it’s been doing all these years and to protect, as best they can, their membership from being prayed upon by the vultures.

But where is the line?

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1 Week To 20 Weeks To Oscar: Counting Best Picture Ballots

So I’m a week from writing the weekly column… but the one issue that seems to keep cropping up is how the change in the Best Picture vote accounting rules really works. Steve Pond did a nice job trying to lay it all out when it happened. But people still seem to be unsure what is really up. So I had a chat with AMPAS’ Ric Robertson and Leslie Unger in the name of clarity. This is where I landed…

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Awards Update

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“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick