Awards Update Archive for September, 2010

22 Weeks To Oscar: The Year Of Good Being Good Enough

This is a very competitive race for a dozen or so movies looking to fit into a few slots. GREAT is not necessary. In fact, GREAT may be a problem for some of these films. This is the Oscar season of Really Good.
(New Charts This Week, Including Acting Races)

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Denmark Thinks Of Better World For Oscar

Denmark Thinks Of Better World For Oscar

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Gurus o’ Gold – A Pre-Toronto Look At The 2010/11 Field

Update: The last 3 Gurus have chimed in. Not a lot changes at the top.

TIFF starts in 2 days and by its end, only 8 of the 42 charted films will still be unseen.

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26 Weeks To Oscar: The Year Of… Patience

The awards season has gotten off to a rousing “uh, okay.”

Yeah, the festival season is upon us and there is a lot of drool dripping over some of these films – including my own happy salivations – but festival excitement is not, in and of itself, an answer.

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Awards Update

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“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg