Awards Update

364 Days To Oscar: Wrapping Up

This show was 85% of the way to being the kind of show that builds the loyal audience and can then build on that audience. Big congratulations to Reggie Hudlin and David Hill. They did it right… or at least are on the right track.

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Gurus o’ Gold: The Final Vote (including a few last second changes)

A couple of Gurus have last minute changes to their picks. And the entire rundown in every category is here.

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Gurus o’ Gold: Our Best Guess… Our Final Guess

The Academy’s votes are in. And now, The Gurus have spoken as well.

Ten categories have unanimous votes, including 5 of the Top 8. Another five categories have 11 or 12 of the 13 Guru votes. That would suggest a pretty boring evening, with the big unknowns being short films, Costume Design, and Sound. But it has been a season of surprises… so stay close to the TV on Sunday night.

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9 Days To Oscar: Is That All There Is?

Is there anything left to mine this Oscar season?

I really like the group of movies this year… but I am paying very close attention and I can’t find anything to get excited about at this point. If people I like win, I will be happy.

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Gurus o’ Gold: Battleground Categories Top 3!!!

The Gurus were asked to pick their Top 3 in the 8 Battleground Categories. Only one pick to win has changed… but it’s a big one.

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3 Weeks To Oscar: Exposing The Wizard

Stop me if you’ve heard this…

How is it that the person with their finger on the nuclear button, and some group of producers who get to take home the coolest swag in Hollywood, are on the same short-term-memory track?

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Gurus o’ Gold: 2 Days Before Voting Begins

This week, the Gurus voted in every category for everyone they thought had a chance of winning. This led to some very interesting numbers, including one mad movie with 6 wins, besting everyone in the field by 3. And two categories where everyone is in agreement that there’s no potential upset.

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Gurus o’ Gold: 9 Days Until Voting Begins

The Gurus storm into February looking at the “Top 8″ categories, plus Feature Documentary and Cinematography. Appropriate to this still-unsettled season, The Gurus currently foresee 7 different movies winning those Top 8 prizes, with only the Best Picture leader grabbing 2 of these 8.

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20 Weeks To Oscar: The Race & Race – Part 3: All Fixed

This has been an unpleasant week. And yet, there should be unrestrained celebration amongst all Academy members and all believers in efforts to seek greater (and ultimately achieve) racial and gender diversity in all film industry organizations, including The Academy.

So what is the problem?

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Gurus o’ Gold: The Week After Nominations

Things seem to be firming up in the top 8 categories. The Gurus offer their Top 2 in each of the categories, except for Picture. (Also worth noting – voting was done before nominee Rampling made her statements about race and Oscar.)

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20 Weeks To Oscar: The Race & Race – Part 2: Four Suggestions To “Fix” The Academy

This is where we are… the third season in the last six without a “black” film or black actor nominated. That was background… here is the foreground. Three small but perhaps important suggestions about how to “fix” the problem at The Academy. And then one last suggestion that I think may actually be the most actionable and helpful of the lot.

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20 Weeks To Oscar: The Race & Race – Part 1: Expectations

This is the first of a series examining the issue of Race and The Academy Of Motion Picture Arts & Sciences. It follows a Gurus o’ Gold special edition that charted the history of the Gurus voting for Best Picture over the course of the season.

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Gurus o’ Gold: Nomination Day (part 1 of 2)

The Gurus (well, most of us) are back with our insta-take on where the Oscar nominees will fall. If The Gurus are right, it looks like The Revenant and Mad Max: Fury Road will be battling it out for the most wins, while another film wins the big prize.

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Gurus o’ Gold: Nomination Day (part 2 of 2)

back to part 1

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20 Weeks To Oscar: Nomination Morning

This morning is what has been missing from this season so far… this was, in an instant, The Great Settling… which usually occurs in mid-December or so. Or as a director once said (it’s been attributed to so many), they didn’t finish Oscar nominations, they took them away. Another week or two and they could have changed again (by 10% – 20%… not completely).

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6 Weeks To Oscar: Parsing, Peak Award Season, and The Alleged Seven

We have all allowed the award season to become a gaping, hungry maw that leads to… the starting line. Which is insane, when you think about it. If we are at Peak Award Season Bullshit, let’s all get out the GPSes and plan a course for a change. The movies deserve it.

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Gurus o’ Gold: Down To The Nomination Wire…

For a very confused season, things seem to be coming into focus, at least for the Gurus. Opinions are firming up on 8 Best Picture candidates. The Big Short is the big mover, rising to contention in a number of categories and even the top slot for Adapted Screenplay. Carol has suffered from a lack of guild nominations. And only one category seems wide open, even for the 5-slot… Supporting Actress. But will it all change again?

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8 Weeks To Oscar: Pretending We Know

Expect surprises on nomination morning… even if the biggest surprise ends up being that there are no surprises at all.

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Gurus o’ Gold: You Better Vote Good For Goodness Sake

The Gurus are ready for a well-deserved break. But before they go, they seem to be close to settling their minds about some things. Best Picture seems to be down to a firm 9 titles. The acting races seem to be settling in (though watch out for that Best Supporting Actor race… it could bite you.) And the Gurus expect voters to step up and see a few titles they may have missed before they vote.

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10 Weeks To Oscar: Work It!

What movies seem like they are playing above their station this season? Room? Brooklyn? Spotlight? What do they share?

Hustle.

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Awards Update

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Quote Unquotesee all »

DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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