Night Moves

Awards Update

Who’s The Next Star Of The Red Carpet?

Who’s The Next Star Of The Red Carpet?

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Scott Feinberg Thinks Mike Binder’s Black And White Is On Its Way To Awards

Scott Feinberg Thinks Mike Binder’s Black And White Is On Its Way To Awards

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Golden Globes Change Animation Rules

Golden Globes Change Animation Rules

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Academy Invites 271 New Members

Academy Invites 271 New Members, Including John Sloss, Megan Ellison, Eddie Vedder, Jennifer Lee, Jean-Claude Carrière, Chantal Akerman, Larry Gross, Olivier Assayas, Claire Denis, Hayao Miyazaki, Sally Hawkins, Josh Hutcherson, Jason Statham, Mads Mikkelsen, Lupita Nyong’o, Chris Rock, Kerry Barden, Billy Hopkins, Sean Bobbitt, Masanobu Takayanagi, Philippe Le Sourd, William Chang Suk Ping, David Magdael, Beatrix Aruna Pasztor, Hany Abu-Assad, Jay…

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48 Weeks To Oscar: Reviewing The 2014 Oscar Show

The best thing I can say about this year’s Oscar show is that there isn’t a whole lot to say. Ellen was good. Someone on Twitter found exactly the right note… it was like a sleepover. The only real downside is that only about a dozen people in the room were really included. Meryl Streep and Brad Pitt were at the center of it all. Kevin Spacey was the camera hog who found a way into every picture. Lupita Nyong’o's brother was the kid from another school who found a way to fit in. Ellen didn’t dance. Smart.

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20W2O: Rebooting The Independent Spirit Awards

There was nothing really wrong with the show yesterday. But with due respect to some lovely moments with some lovely talent, to call the show “vanilla” would be an insult to vanilla. Really, the show jumped the shark over three years, 2008 – 2010…

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20 Weeks To Oscar: 3 Days To Go

There’s no real sport to making Oscar picks. The star athletes have, in most cases, completed their work over a year ago. The others, including the director, have been done with the work of creation for at least 4 months. Nothing will change between this last Tuesday and Sunday evening.

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Gurus o’ Gold: Time To Open Envelopes

In their final look at the Oscars, picking only a winner in each category, The Gurus are unanimous on 12 of 24 awards and the only categories without at least a two-thirds majority are Picture, Film Editing, and Live Action Short. Based on the Gurus vote, 12 Years A Slave would win Best Picture and 2 other Oscars, while Gravity would lead in wins for the evening, taking home 6 Oscars. And Dallas Buyers Club would have the third highest Oscar count on the night. In a year where people are talking about a limited field, Gurus voting says that the Top 8 categories would go to 5 different movies. Statisticians, start your spreadsheets.

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Gurus o’ Gold: Top 3

This week, The Gurus offer their Top 3 in 13 Oscar categories.

Only 2 of the categories are still highly competitive in the Guru voting, however, given the chance to vote on fewer than 3 in each category if they felt it was a lock, very few Gurus chose to step up to that in very few categories.

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20W2O: 12 Days To Go – Season of Pudding

I have to say, I am pretty agnostic at this point. I have my favorites, but I know that a very good film will win Best Picture, great performances will win the acting categories, and so on. I can foresee very few opportunities for me to really feel that anyone is going to win an Oscar this year leaving me feeling like the result was bad.

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Gurus o’ Gold: If We Could Sway The Academy

After opining on the Best Picture race (which isn’t changing much in order, but is getting tighter & tighter), The Gurus offer their personal feelings about The Race. If they could sway Academy members to vote for as many as 5 nominees to win the gold, these are the ones they would choose.

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Gurus o’ Gold: Frontrunners & Potential Upsetters

This week, The Gurus offer their weekly look at the Top Ten and then, a look at the category frontrunners and potential upsets. Cate Blanchett, Jared Leto, Lupita Nyong’o, Frozen, and the screenplay of 12 Years A Slave are the five clear frontrunners, with all 15 Gurus voting for them. The most competitive categories, by this measure, are Original Screenplay… and Best Picture.

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20W2O: What The Oscars Should Learn From This Super Bowl

The Oscars benefit from and have long benefited from what the Super Bowl does. It is an institution. Like all live events (and ironically, like opening a movie), no one knows what the content of the show is going to be. All they know is that they want to participate in that event. They want to have fun. They want to go, “ooooo.” They want to get ticked off. They want Jen Lawrence to trip going up the stairs but to be the world’s biggest movie star once she gets to the podium.

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20W2O: 10 Best Picture Nominees – Part 2, Call & Response

This column was inspired by some smart people arguing that, somehow, the expansion to as many as 10 Best Picture nominees is a failure and worse, is dragging down the entire Oscar franchise. I disagree.

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20W2O: 10 Best Picture Nominees – Part 1, Why It’s Good

Was there something to complain about here? Did we all want to see Winter’s Bone kicked to the curb? Was Inception not worthy? The Kids Are All Right? If 500,000 more people see Philomena, Dallas Buyer’s Club, Her, or Nebraska because they were Best Picture nominees, viva la system! These are terrific films that are not easy to market. I just don’t see how it’s not a win for everyone.

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Gurus o’ Gold: A Week Since Nominations (2 of 2)

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Gurus o’ Gold: A Week Since Nominations (1 of 2)

One week after nominations, the Gurus go through all the categories (except for shorts) again. And while most of the changes are shifts among the runners up, the big shake-up is at the top of the Best Picture chart, as 12 Years A Slave retakes the top slot and American Hustle falls all the way to…

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PGA Awards Tied Up Over Gravity And 12 Years A Slave

PGA Awards Tied Up Over Gravity And 12 Years A Slave

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Gurus o’ Gold: Nomination Day (Page 2 of 2)

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20 Weeks To Oscar: Nominations Morning

The Oscar nominations are in and the big surprise is… no real surprise.

Yes, there are people with expectations and disappointments and preferences all over the place. But I think by the end of December, everyone kind of knew what this year looked like… lots of good candidates and not a whole lot of sure bets.

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Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato