Awards Update

Gurus o’ Gold: The Top 8 Categories Heading Into The Holiday Break

The Gurus take on the “Top 8″ categories… Picture, Acting, Screenplay, and Director. Selma continues to fly high, but the big mover this week is The Grand Budapest Hotel. And the biggest loser? Foxcatcher across the board.

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The Nominees: Reaction to the Golden Globes Nominations

“We are honored to receive this Golden Globe nomination from the Hollywood Foreign Press Association for Big Hero 6! We share this nomination with our incredibly talented team who worked tirelessly to bring this beautiful film to the screen.  We can’t wait to give them a big Baymax fist bump!” – Don Hall & Chris…

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Gurus o’ Gold(-n-Globes)

The Gurus pay tribute to The Golden Globe nominations (due Thursday morning), but projecting the Picture, Actor & Actress races. And of course, this week’s update on Oscar’s Best Picture race.

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“‘Gone Girl’ Is The Oscar Contender Hollywood Needs, Audiences Deserve”

Scott Mendelson Argues “Gone Girl Is The Oscar Contender Hollywood Needs, Audiences Deserve”

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The Overnighters’ Director And Subject On The Doc’s Moral Complexity

The Overnighters‘ Director And Subject On The Doc’s Moral Complexity

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20 Weeks To Oscar: Box Office

After The Hurt Locker won with less than $15 million in the box office till… after The Artist won with $32 million… And even 12 Years A Slave at $50 million and 4 well-respected contenders over $100 million… does “a wasted vote” exist anymore?

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Introducing The Babadook’s Jennifer Kent

“Horror is a pure form of cinema. There are some modern-day filmmakers our there who understand that. The films that will stand the test of time are the ones that have depth—Let the Right One In, or Honeymoon and A Girl Walks Home Alone at Night.” Introducing The Babadook‘s Jennifer Kent

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Gurus o’ Gold: The Rise of Selma

The Gurus are back from the holidays with a look at Best Picture and Best Director, where Ava Duvernay is red hot and some of the big names aren’t diddly squat.

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20 Weeks To Oscar: The Trouble With Biopics

We’re close to an all-biopic Oscar season. Maybe that’s why it’s such a blur right now. The Imitation Game, The Theory of Everything, Selma, Unbroken, Foxcatcher, Mr. Turner, Big Eyes, and American Sniper are all specifically biopics. Boyhood and Birdman are fiction, but have major biographical elements driving them. Lots of bios.

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Gurus o’ Gold: Thanksgiving Week

This week, The Gurus offer up opinions on Best Picture and the two Supporting Acting categories. Also, what movies should voters try to see this holiday weekend before nominations commence? It’s a pretty big list, which is a sign of a strong year of movies, if not easy awards choices.

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Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time

There’s been a march on the Top Ten and the man leading the charge has moved up the Actors list as well. The field narrows as the holiday gets closer.

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20 Weeks To Oscar – The Ides Of November

It’s still early. And it’s so late! There are a few titles floating out there, waiting for their moment in the spotlight. But it’s getting awfully late to make a first impression.

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Gurus o Gold: Just After Selma & American Sniper

The Gurus voted on Best Picture again this week after the Tuesday screenings of Selma and American Sniper. One of the films skyrocketed into the Top 6.

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Foxcatcher’s Bennett Miller On America’s Quest For Father Figures

Foxcatcher‘s Bennett Miller On America’s Quest For Father Figures

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Emanuel Lubezki Goes Behind The Birdman Scenes With Prize Pics

Emanuel Lubezki Goes Behind The Birdman Scenes With Prize Pics

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Does Birdman Know Oscar’s Long Love For Cinema About Greasepaint?

Does Birdman Know Oscar’s Long Love For Cinema About Greasepaint?

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Kevin Lincoln On “Edward Norton’s Abandoned Movie Stardom”

Kevin Lincoln On “Edward Norton’s Abandoned Movie Stardom”

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Tim Gray Thinks Oscar Ought To Think Frisky Instead Of Glum

Tim Gray Thinks Oscar Ought To Think Frisky Instead Of Glum

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Kindly J. K. Simmons On Bringing The Amperage In Whiplash

Kindly J. K. Simmons On Bringing The Amperage In Whiplash

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Kyle Buchanan Channels Fury

Kyle Buchanan Channels Fury 

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Awards Update

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies