Awards Watch Archive for August, 2010

A Modest Backgrounder On Oscar Honoree Kevin Brownlow

A Modest Backgrounder On Oscar Honoree Kevin Brownlow

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MZS Celebrates Waiting For Godard

MZS Celebrates Waiting For Godard

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Waiting For Godard

Waiting For Godard “If AMPAS is having trouble tracking Godard down, they should probably be relieved. If he does turn up in person, it’s a fair bet that he would give a speech that would provoke far more outrage than anything Vanessa Redgrave or Marlon Brando ever said or did on Oscar night.” Macnab Sez…

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How Godard Reacts To Awards

“I don’t think you should feel about a film. You should feel about a woman, not a movie. You can’t kiss a movie.” A Telegram From Mr. Godard To The National Film Theater Once Upon An Honor And – Brody’s 2000 New Yorker Profile From A Very Brief Swiss Visit Plus – Godard’s Hélas-Pour-Vous 1995…

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Taiwan Sends Monga To Oscars

Taiwan Sends Monga To Oscars

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Where Is Jean-Luc?

Où est Jean-Luc? Un Histoire Du Cinema Academy Cannot Locate Oscar Honoree With – Movieline’s “Missing” Poster For Jean-Luc Godard: Drôle Ou Deguelasse? But – Not As Disgusting As “maybe his cold dead corpse is slowly decomposing on the dirty bathroom floor of a seedy Swiss motel. Tee-hee.”

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Films Most Likely (by release date) June 18 Toy Story 3 Disney Unkrich – July 16 Inception WB Nolan DiCaprio July 30 Get Low SPC Schneider Duvall Spacek Murray Oct 22 Hereafter WB Eastwood Damon Dec 25 True Grit Par Coens Bridges Brolin Damon The Next Tier…

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30 Weeks To Go Yeah… It’s Time To Start Thinking Oscar Again

We’re a few weeks away from Venice/Telluride/Toronto, which kicks off the Oscar season in one 19-day period. What these festivals do is to get a few titles rolling, but mostly, they start eliminating would-be contenders from the race. It’s not just press, fans, and reality in play here … it’s the studios too. Fox Searchlight…

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Get Low Director’s Prom Date Found Seed Money For Production

Get Low Director’s Prom Date Found Seed Money For Production

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Awards Watch

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“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson