Awards Watch Archive for August, 2010

A Modest Backgrounder On Oscar Honoree Kevin Brownlow

A Modest Backgrounder On Oscar Honoree Kevin Brownlow

Read the full article » No Comments »

MZS Celebrates Waiting For Godard

MZS Celebrates Waiting For Godard

Read the full article » No Comments »

Waiting For Godard

Waiting For Godard “If AMPAS is having trouble tracking Godard down, they should probably be relieved. If he does turn up in person, it’s a fair bet that he would give a speech that would provoke far more outrage than anything Vanessa Redgrave or Marlon Brando ever said or did on Oscar night.” Macnab Sez…

Read the full article » No Comments »

How Godard Reacts To Awards

“I don’t think you should feel about a film. You should feel about a woman, not a movie. You can’t kiss a movie.” A Telegram From Mr. Godard To The National Film Theater Once Upon An Honor And – Brody’s 2000 New Yorker Profile From A Very Brief Swiss Visit Plus – Godard’s Hélas-Pour-Vous 1995…

Read the full article » No Comments »

Taiwan Sends Monga To Oscars

Taiwan Sends Monga To Oscars

Read the full article » No Comments »

Where Is Jean-Luc?

Où est Jean-Luc? Un Histoire Du Cinema Academy Cannot Locate Oscar Honoree With – Movieline’s “Missing” Poster For Jean-Luc Godard: Drôle Ou Deguelasse? But – Not As Disgusting As “maybe his cold dead corpse is slowly decomposing on the dirty bathroom floor of a seedy Swiss motel. Tee-hee.”

Read the full article » No Comments »

Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Films Most Likely (by release date) June 18 Toy Story 3 Disney Unkrich – July 16 Inception WB Nolan DiCaprio July 30 Get Low SPC Schneider Duvall Spacek Murray Oct 22 Hereafter WB Eastwood Damon Dec 25 True Grit Par Coens Bridges Brolin Damon The Next Tier…

Read the full article »

30 Weeks To Go Yeah… It’s Time To Start Thinking Oscar Again

We’re a few weeks away from Venice/Telluride/Toronto, which kicks off the Oscar season in one 19-day period. What these festivals do is to get a few titles rolling, but mostly, they start eliminating would-be contenders from the race. It’s not just press, fans, and reality in play here … it’s the studios too. Fox Searchlight…

Read the full article » No Comments »

Get Low Director’s Prom Date Found Seed Money For Production

Get Low Director’s Prom Date Found Seed Money For Production

Read the full article »

Awards Watch

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies