Awards Watch Archive for August, 2010

A Modest Backgrounder On Oscar Honoree Kevin Brownlow

A Modest Backgrounder On Oscar Honoree Kevin Brownlow

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MZS Celebrates Waiting For Godard

MZS Celebrates Waiting For Godard

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Waiting For Godard

Waiting For Godard “If AMPAS is having trouble tracking Godard down, they should probably be relieved. If he does turn up in person, it’s a fair bet that he would give a speech that would provoke far more outrage than anything Vanessa Redgrave or Marlon Brando ever said or did on Oscar night.” Macnab Sez…

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How Godard Reacts To Awards

“I don’t think you should feel about a film. You should feel about a woman, not a movie. You can’t kiss a movie.” A Telegram From Mr. Godard To The National Film Theater Once Upon An Honor And – Brody’s 2000 New Yorker Profile From A Very Brief Swiss Visit Plus – Godard’s Hélas-Pour-Vous 1995…

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Taiwan Sends Monga To Oscars

Taiwan Sends Monga To Oscars

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Where Is Jean-Luc?

Où est Jean-Luc? Un Histoire Du Cinema Academy Cannot Locate Oscar Honoree With – Movieline’s “Missing” Poster For Jean-Luc Godard: Drôle Ou Deguelasse? But – Not As Disgusting As “maybe his cold dead corpse is slowly decomposing on the dirty bathroom floor of a seedy Swiss motel. Tee-hee.”

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Films Most Likely (by release date) June 18 Toy Story 3 Disney Unkrich – July 16 Inception WB Nolan DiCaprio July 30 Get Low SPC Schneider Duvall Spacek Murray Oct 22 Hereafter WB Eastwood Damon Dec 25 True Grit Par Coens Bridges Brolin Damon The Next Tier…

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30 Weeks To Go Yeah… It’s Time To Start Thinking Oscar Again

We’re a few weeks away from Venice/Telluride/Toronto, which kicks off the Oscar season in one 19-day period. What these festivals do is to get a few titles rolling, but mostly, they start eliminating would-be contenders from the race. It’s not just press, fans, and reality in play here … it’s the studios too. Fox Searchlight…

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Get Low Director’s Prom Date Found Seed Money For Production

Get Low Director’s Prom Date Found Seed Money For Production

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Awards Watch

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork