Awards Watch Archive for September, 2009

Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Nomination 90% Locks (in alphabetical order) Dec 25 Nine TWC Marshall Day-Lewis Et al In a thin year, getting over the post-production fights, looking like the front-runner May Up Disney Docter Petersen – Could the first animated film to get a BP nod in a year with…

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24 Weeks To Go Toronto Scores A Single, But Not Much More

That sound you heard coming out of the Toronto International Film Festival this year… Near silence. The films that came in hot (An Education & Precious) stayed hot, the new film expected to come out hot (Up In The Air & A Serious Man) came out hot, and a total of one title that went…

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Bacall, Calley, Corman and Willis to Receive Academy’s Governors Awards

Beverly Hills, CA – The Board of Governors of the Academy of Motion Picture Arts and Sciences voted tonight to present the Irving G. Thalberg Memorial Award to producer-executive John Calley, and Honorary Awards to actress Lauren Bacall, producer-director Roger Corman, and cinematographer Gordon Willis. All four awards will be presented at the Academy’s inaugural…

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A Pre-Toronto Look at the 2009/10 Field

The Gurus each picked 15 contenders, each giving 3 gold stars for being the most likely. Then each Guru picked one underdog actor and actress who might surprise with a nomination.

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Awards Watch

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman