Awards Watch Archive for September, 2009

Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Nomination 90% Locks (in alphabetical order) Dec 25 Nine TWC Marshall Day-Lewis Et al In a thin year, getting over the post-production fights, looking like the front-runner May Up Disney Docter Petersen – Could the first animated film to get a BP nod in a year with…

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24 Weeks To Go Toronto Scores A Single, But Not Much More

That sound you heard coming out of the Toronto International Film Festival this year… Near silence. The films that came in hot (An Education & Precious) stayed hot, the new film expected to come out hot (Up In The Air & A Serious Man) came out hot, and a total of one title that went…

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Bacall, Calley, Corman and Willis to Receive Academy’s Governors Awards

Beverly Hills, CA – The Board of Governors of the Academy of Motion Picture Arts and Sciences voted tonight to present the Irving G. Thalberg Memorial Award to producer-executive John Calley, and Honorary Awards to actress Lauren Bacall, producer-director Roger Corman, and cinematographer Gordon Willis. All four awards will be presented at the Academy’s inaugural…

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A Pre-Toronto Look at the 2009/10 Field

The Gurus each picked 15 contenders, each giving 3 gold stars for being the most likely. Then each Guru picked one underdog actor and actress who might surprise with a nomination.

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Awards Watch

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson