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Awards Watch Archive for July, 2009

35 Weeks To Go The Next Oscars Will Be Rated X

Okay… so all the chatter is about the 10 nominees. Emotional responses… been there, done that. That said… it’s interesting that studios are facing a widening base of pressure to pursue Best Picture nominations at the very same time they are facing very tough economic realities. (Isn’t in funny – not ha ha – that…

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Nomination 90% Locks (in alphabetical order) Dec 11 Invictus WB Eastwood Freeman When Eastwood Met Apartheid Nov 25 Nine TWC Marshall Day-Lewis Et al Lots of beloved actors dance and sing a forgettable score based on an unforgettable movie May Up Disney Docter Petersen – A truly…

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Awards Watch

Rodd Hibbard on: 51 Weeks To Oscar

Bill Morton on: 51 Weeks To Oscar

YancySkancy on: 51 Weeks To Oscar

Patryk on: 51 Weeks To Oscar

Patryk on: 51 Weeks To Oscar

Molly's Dad on: 51 Weeks To Oscar

Pete on: 51 Weeks To Oscar

Hallick on: 51 Weeks To Oscar

Doug Pratt on: 51 Weeks To Oscar

chris on: 51 Weeks To Oscar

Quote Unquotesee all »

“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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