Awards Watch Archive for November, 2008

November 26

Ben Button pushes past Slumdog… and the Gurus pock some underdog contenders, lead by Richard Jenkins in The Visitor.

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Vicky Cristina Barcelona Milk – Rachel Getting Married – The Wrestler – Happy Go Lucky – – Che – W. – Gran Torino – Australia – Seven Pounds Changling – BEST ADAPTED SCREENPLAY Writer(s) – Film Comment Slumdog Millionaire – The Curious Case of Benjamin Button – Doubt…

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Meryl Streep – Doubt Cate Blanchett – Benjamin Button Anne Hathaway – Rachel Getting Married Kristin Scott Thomas – I’ve Loved You So Long Kate Winslet – The Reader Kate Winslet – Revolutionary Road Nicole Kidman – Australia Sally Hawkins – Happy-Go-Lucky Michelle Williams – Wendy & Lucy Angelina…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Sean Penn – Milk Frank Langella – Frost/Nixon Mickey Rourke – The Wrestler Brad Pitt – Benjamin Button Benicio Del Toro – Che Hugh Jackman – Australia Josh Brolin – W. Richard Jenkins – The Visitor Will Smith – Seven Pounds Leonardo DiCaprio – Revolutionary Road Ralph Fiennes –…

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Best Director Chart

BEST DIRECTOR Director – Film Comment David Fincher – The Curious Case of Benjamin Button Danny Boyle – Slumdog Millionaire Gus Van Sant – Milk Ron Howard – Frost/Nixon Baz Luhrmann – Australia Christopher Nolan – The Dark Knight Steven Soderbergh – Che Jonathan Demme – Rachel Getting Married Clint Eastwood – Gran Torino Mike…

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Frontrunners (in alphabetical order – the mostly unseen) Nov 19 Slumdog Millionaire FxSch Boyle Patel Pinto Muscled Dec 19 The Curious Case of Benjamin Button Par Fincher Pitt Some have seen it (not playing in Amsterdam), but verdict is still positive, but blurry Nov 26 Milk Focus…

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15 Weeks To Go, As The Season Turns

Last time we checked in on The Season, everyone was waiting for the last few films to grace us with their presence. And they have… and still… an odd silence… critics not sure just how far to stick their necks… But the ongoing theme of the entire season remains… that was okay/not bad/pretty good… This…

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November 19

In the first Gurus chart in the heat of the season, Slumdog tries to hold off Benjamin Button, the Supporting races seem locked in, and the battle for Best Actor goes 3 ways.

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Rachel Getting Married – Milk – The Wrestler – Vicky Cristina Barcelona Happy Go Lucky – – Gran Torino – Australia – Seven Pounds W. – Changling – BEST ADAPTED SCREENPLAY Writer(s) – Film Comment Slumdog Millionaire – The Curious Case of Benjamin Button – Doubt – Frost/Nixon…

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Meryl Streep – Doubt Cate Blanchett – Benjamin Button Anne Hathaway – Rachel Getting Married Kristin Scott Thomas – I’ve Loved You So Long Kate Winslet – The Reader Kate Winslet – Revolutionary Road Nicole Kidman – Australia Sally Hawkins – Happy-Go-Lucky Michelle Williams – Wendy & Lucy Angelina…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Sean Penn – Milk Frank Langella – Frost/Nixon Mickey Rourke – The Wrestler Brad Pitt – Benjamin Button Benicio Del Toro – Che Hugh Jackman – Australia Josh Brolin – W. Leonardo DiCaprio – Revolutionary Road Richard Jenkins – The Visitor Will Smith – Seven Pounds Ralph Fiennes –…

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Best Director Chart

BEST DIRECTOR Director – Film Comment David Fincher – The Curious Case of Benjamin Button Danny Boyle – Slumdog Millionaire Gus Van Sant – Milk Ron Howard – Frost/Nixon Baz Luhrmann – Australia Christopher Nolan – The Dark Knight Steven Soderbergh – Che Jonathan Demme – Rachel Getting Married Clint Eastwood – Gran Torino Mike…

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16 Weeks To Go, High & Low

Around 12 years ago, Harry and Moriarty said, “Mr. Valenti, tear down that wall.” For the movie business, this was every bit as revolutionary – and maybe more so – than the Berlin Wall finally being pulled down. From the very beginning, the movie industry was about creating illusion, including the mythologies of the studio…

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Frontrunners (in alphabetical order – the mostly unseen) Nov 19 Slumdog Millionaire FxSch Boyle Patel Pinto Dec 19 The Curious Case of Benjamin Button Par Fincher Pitt Nov 26 Milk Focus Van Sant Penn Brolin Dec 5 Frost/Nixon U Howard Langella Sheen Nov 26 Australia Fox Luhrmann…

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Rachel Getting Married – Milk – The Wrestler – Vicky Cristina Barcelona Happy Go Lucky – – Gran Torino – Defiance – Australia – Seven Pounds W. – Changling – BEST ADAPTED SCREENPLAY Writer(s) – Film Comment Slumdog Millionaire – The Curious Case of Benjamin Button – Doubt…

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Meryl Streep – Doubt The queen Cate Blanchett – Benjamin Button The princess Anne Hathaway – Rachel Getting Married The next gen Kristin Scott Thomas – I’ve Loved You So Long The euro Kate Winslet – The Reader The great one… Kate Winslet – Revolutionary Road … who is…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Sean Penn – Milk By this time next week, it will be clear. Frank Langella – Frost/Nixon Sock it to him? Mickey Rourke – The Wrestler Headlock. Brad Pitt – Benjamin Button Makes sense Hugh Jackman – Australia The only hero hero on tap. Benicio Del Toro – Che…

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Best Director Chart

BEST DIRECTOR Director – Film Comment David Fincher – The Curious Case of Benjamin Button Danny Boyle – Slumdog Millionaire Gus Van Sant – Milk Ron Howard – Frost/Nixon Baz Luhrmann – Australia Clint Eastwood – Gran Torino Christopher Nolan – The Dark Knight Steven Soderbergh – Che Jonathan Demme – Rachel Getting Married Stephen…

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Frontrunners (in alphabetical order – the mostly unseen) Nov 19 Slumdog Millionaire FxSch Boyle The Feel Good Movie-Movie Nov 26 Milk Focus Van Sant Penn Brolin Turns out not to be “just” a gay issue film, but a classic underdog biopic Dec 19 The Curious Case of…

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17 Weeks To Go, Four Months Suddenly Seems Like A Short Race

And now… awards season begins in earnest. Tick, tick, tick, tick… the last load of films will all be rolled out for media and awards voters within the next 4 weeks. And really, we’re down to five films already. Four of the “Five To Watch” are Oscar Insider movies. Two Kate Winslets (5 noms), one…

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Awards Watch

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“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

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