Awards Watch Archive for November, 2008

November 26

Ben Button pushes past Slumdog… and the Gurus pock some underdog contenders, lead by Richard Jenkins in The Visitor.

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Vicky Cristina Barcelona Milk – Rachel Getting Married – The Wrestler – Happy Go Lucky – - Che – W. – Gran Torino – Australia – Seven Pounds Changling – BEST ADAPTED SCREENPLAY Writer(s) – Film Comment Slumdog Millionaire – The Curious Case of Benjamin Button – Doubt…

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Meryl Streep – Doubt Cate Blanchett – Benjamin Button Anne Hathaway – Rachel Getting Married Kristin Scott Thomas – I’ve Loved You So Long Kate Winslet – The Reader Kate Winslet – Revolutionary Road Nicole Kidman – Australia Sally Hawkins – Happy-Go-Lucky Michelle Williams – Wendy & Lucy Angelina…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Sean Penn – Milk Frank Langella – Frost/Nixon Mickey Rourke – The Wrestler Brad Pitt – Benjamin Button Benicio Del Toro – Che Hugh Jackman – Australia Josh Brolin – W. Richard Jenkins – The Visitor Will Smith – Seven Pounds Leonardo DiCaprio – Revolutionary Road Ralph Fiennes –…

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Best Director Chart

BEST DIRECTOR Director – Film Comment David Fincher – The Curious Case of Benjamin Button Danny Boyle – Slumdog Millionaire Gus Van Sant – Milk Ron Howard – Frost/Nixon Baz Luhrmann – Australia Christopher Nolan – The Dark Knight Steven Soderbergh – Che Jonathan Demme – Rachel Getting Married Clint Eastwood – Gran Torino Mike…

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Frontrunners (in alphabetical order – the mostly unseen) Nov 19 Slumdog Millionaire FxSch Boyle Patel Pinto Muscled Dec 19 The Curious Case of Benjamin Button Par Fincher Pitt Some have seen it (not playing in Amsterdam), but verdict is still positive, but blurry Nov 26 Milk Focus…

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15 Weeks To Go, As The Season Turns

Last time we checked in on The Season, everyone was waiting for the last few films to grace us with their presence. And they have… and still… an odd silence… critics not sure just how far to stick their necks… But the ongoing theme of the entire season remains… that was okay/not bad/pretty good… This…

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November 19

In the first Gurus chart in the heat of the season, Slumdog tries to hold off Benjamin Button, the Supporting races seem locked in, and the battle for Best Actor goes 3 ways.

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Rachel Getting Married – Milk – The Wrestler – Vicky Cristina Barcelona Happy Go Lucky – - Gran Torino – Australia – Seven Pounds W. – Changling – BEST ADAPTED SCREENPLAY Writer(s) – Film Comment Slumdog Millionaire – The Curious Case of Benjamin Button – Doubt – Frost/Nixon…

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Meryl Streep – Doubt Cate Blanchett – Benjamin Button Anne Hathaway – Rachel Getting Married Kristin Scott Thomas – I’ve Loved You So Long Kate Winslet – The Reader Kate Winslet – Revolutionary Road Nicole Kidman – Australia Sally Hawkins – Happy-Go-Lucky Michelle Williams – Wendy & Lucy Angelina…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Sean Penn – Milk Frank Langella – Frost/Nixon Mickey Rourke – The Wrestler Brad Pitt – Benjamin Button Benicio Del Toro – Che Hugh Jackman – Australia Josh Brolin – W. Leonardo DiCaprio – Revolutionary Road Richard Jenkins – The Visitor Will Smith – Seven Pounds Ralph Fiennes –…

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Best Director Chart

BEST DIRECTOR Director – Film Comment David Fincher – The Curious Case of Benjamin Button Danny Boyle – Slumdog Millionaire Gus Van Sant – Milk Ron Howard – Frost/Nixon Baz Luhrmann – Australia Christopher Nolan – The Dark Knight Steven Soderbergh – Che Jonathan Demme – Rachel Getting Married Clint Eastwood – Gran Torino Mike…

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16 Weeks To Go, High & Low

Around 12 years ago, Harry and Moriarty said, “Mr. Valenti, tear down that wall.” For the movie business, this was every bit as revolutionary – and maybe more so – than the Berlin Wall finally being pulled down. From the very beginning, the movie industry was about creating illusion, including the mythologies of the studio…

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Frontrunners (in alphabetical order – the mostly unseen) Nov 19 Slumdog Millionaire FxSch Boyle Patel Pinto Dec 19 The Curious Case of Benjamin Button Par Fincher Pitt Nov 26 Milk Focus Van Sant Penn Brolin Dec 5 Frost/Nixon U Howard Langella Sheen Nov 26 Australia Fox Luhrmann…

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Best Screenplay Chart

BEST ORIGINAL SCREENPLAY Writer(s) – Film Comment Rachel Getting Married – Milk – The Wrestler – Vicky Cristina Barcelona Happy Go Lucky – - Gran Torino – Defiance – Australia – Seven Pounds W. – Changling – BEST ADAPTED SCREENPLAY Writer(s) – Film Comment Slumdog Millionaire – The Curious Case of Benjamin Button – Doubt…

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Best Actress Chart

BEST ACTRESS Actress – Film Comment Meryl Streep – Doubt The queen Cate Blanchett – Benjamin Button The princess Anne Hathaway – Rachel Getting Married The next gen Kristin Scott Thomas – I’ve Loved You So Long The euro Kate Winslet – The Reader The great one… Kate Winslet – Revolutionary Road … who is…

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Best Actor Chart

BEST ACTOR Actor – Film Comment Sean Penn – Milk By this time next week, it will be clear. Frank Langella – Frost/Nixon Sock it to him? Mickey Rourke – The Wrestler Headlock. Brad Pitt – Benjamin Button Makes sense Hugh Jackman – Australia The only hero hero on tap. Benicio Del Toro – Che…

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Best Director Chart

BEST DIRECTOR Director – Film Comment David Fincher – The Curious Case of Benjamin Button Danny Boyle – Slumdog Millionaire Gus Van Sant – Milk Ron Howard – Frost/Nixon Baz Luhrmann – Australia Clint Eastwood – Gran Torino Christopher Nolan – The Dark Knight Steven Soderbergh – Che Jonathan Demme – Rachel Getting Married Stephen…

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Best Picture Chart

BEST PICTURE Picture Studio Director Stars Comment The Frontrunners (in alphabetical order – the mostly unseen) Nov 19 Slumdog Millionaire FxSch Boyle The Feel Good Movie-Movie Nov 26 Milk Focus Van Sant Penn Brolin Turns out not to be “just” a gay issue film, but a classic underdog biopic Dec 19 The Curious Case of…

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17 Weeks To Go, Four Months Suddenly Seems Like A Short Race

And now… awards season begins in earnest. Tick, tick, tick, tick… the last load of films will all be rolled out for media and awards voters within the next 4 weeks. And really, we’re down to five films already. Four of the “Five To Watch” are Oscar Insider movies. Two Kate Winslets (5 noms), one…

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Awards Watch

Rodd Hibbard on: 51 Weeks To Oscar

Bill Morton on: 51 Weeks To Oscar

YancySkancy on: 51 Weeks To Oscar

Patryk on: 51 Weeks To Oscar

Patryk on: 51 Weeks To Oscar

Molly's Dad on: 51 Weeks To Oscar

Pete on: 51 Weeks To Oscar

Hallick on: 51 Weeks To Oscar

Doug Pratt on: 51 Weeks To Oscar

chris on: 51 Weeks To Oscar

Quote Unquotesee all »

“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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