Awards Watch Archive for June, 2005

Key Dates Announced for 78th Academy Awards®

Beverly Hills, CA — The 78th Annual Academy Awards will be held on Sunday, March 5, 2006, and it will start on the hour — 5 p.m. straight up on the West Coast, 8 p.m. on the East. The traditional red carpet arrivals pre-show that precedes the Oscar telecast will start at 4:30 p.m. on…

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Academy Invites 112 to Membership

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences has extended membership invitations to 112 artists and executives who have distinguished themselves in the field of theatrical motion pictures. The group will be the only new voting members invited to join the organization in 2005. “Our decision to slow the growth of…

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AMPAS Board Votes Against New Category

Beverly Hills, CA — The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night not to grant the request of a consortium of stunt performers’ organizations for an annual Academy Award category in their field. “At a time when the Academy is trying to find ways to reduce the…

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78th Academy Awards® Rules Voted by AMPAS Governors

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences continues to clamp down on the numbers of Oscar® statuettes that can be handed out, further tightening restrictions on recipients in the Best Picture category this year and establishing a cap for the first time in the Original Song category. The 78th Annual…

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Awards Watch

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“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch