Awards Watch Archive for June, 2005

Key Dates Announced for 78th Academy Awards®

Beverly Hills, CA — The 78th Annual Academy Awards will be held on Sunday, March 5, 2006, and it will start on the hour — 5 p.m. straight up on the West Coast, 8 p.m. on the East. The traditional red carpet arrivals pre-show that precedes the Oscar telecast will start at 4:30 p.m. on…

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Academy Invites 112 to Membership

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences has extended membership invitations to 112 artists and executives who have distinguished themselves in the field of theatrical motion pictures. The group will be the only new voting members invited to join the organization in 2005. “Our decision to slow the growth of…

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AMPAS Board Votes Against New Category

Beverly Hills, CA — The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night not to grant the request of a consortium of stunt performers’ organizations for an annual Academy Award category in their field. “At a time when the Academy is trying to find ways to reduce the…

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78th Academy Awards® Rules Voted by AMPAS Governors

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences continues to clamp down on the numbers of Oscar® statuettes that can be handed out, further tightening restrictions on recipients in the Best Picture category this year and establishing a cap for the first time in the Original Song category. The 78th Annual…

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Awards Watch

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé