Awards Watch Archive for June, 2005

Key Dates Announced for 78th Academy Awards®

Beverly Hills, CA — The 78th Annual Academy Awards will be held on Sunday, March 5, 2006, and it will start on the hour — 5 p.m. straight up on the West Coast, 8 p.m. on the East. The traditional red carpet arrivals pre-show that precedes the Oscar telecast will start at 4:30 p.m. on…

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Academy Invites 112 to Membership

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences has extended membership invitations to 112 artists and executives who have distinguished themselves in the field of theatrical motion pictures. The group will be the only new voting members invited to join the organization in 2005. “Our decision to slow the growth of…

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AMPAS Board Votes Against New Category

Beverly Hills, CA — The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night not to grant the request of a consortium of stunt performers’ organizations for an annual Academy Award category in their field. “At a time when the Academy is trying to find ways to reduce the…

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78th Academy Awards® Rules Voted by AMPAS Governors

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences continues to clamp down on the numbers of Oscar® statuettes that can be handed out, further tightening restrictions on recipients in the Best Picture category this year and establishing a cap for the first time in the Original Song category. The 78th Annual…

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Stephen Barrow on: Gurus o' Gold: Our Best Guess... Our Final Guess

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Quote Unquotesee all »

DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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