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Awards Watch Archive for June, 2005

Key Dates Announced for 78th Academy Awards®

Beverly Hills, CA — The 78th Annual Academy Awards will be held on Sunday, March 5, 2006, and it will start on the hour — 5 p.m. straight up on the West Coast, 8 p.m. on the East. The traditional red carpet arrivals pre-show that precedes the Oscar telecast will start at 4:30 p.m. on…

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Academy Invites 112 to Membership

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences has extended membership invitations to 112 artists and executives who have distinguished themselves in the field of theatrical motion pictures. The group will be the only new voting members invited to join the organization in 2005. “Our decision to slow the growth of…

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AMPAS Board Votes Against New Category

Beverly Hills, CA — The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night not to grant the request of a consortium of stunt performers’ organizations for an annual Academy Award category in their field. “At a time when the Academy is trying to find ways to reduce the…

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78th Academy Awards® Rules Voted by AMPAS Governors

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences continues to clamp down on the numbers of Oscar® statuettes that can be handed out, further tightening restrictions on recipients in the Best Picture category this year and establishing a cap for the first time in the Original Song category. The 78th Annual…

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“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

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